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In the fifteenth century, even before the city states of the Apennine Peninsula began to coalesce into what would become, several centuries later, a nation, "Italy" exerted enormous influence over all of Europe and throughout the Mediterranean. Viewing the Italy (the many Italies?) of that time through the lens of today allows us to gather a fragmented, multi-faceted, and seemingly contradictory history into a single unifying narrative that speaks to our current reality as much as it does to a specific historical period. This is what the French historian Fernand Braudel achieves here.

Henrietta Maria is the most reviled consort to have worn the crown of Britain's Three Kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic—so causing a civil war—and a cruel and bigoted mother. Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen.

When we think of Venice, we think of masks, canals, murals and frescoes, and little “gondoliers” with picturesque boats. Venice, indeed, has an impressive artistic history. But did you know that Venice was also, for a while, a considerably sized empire? Although no enduring historic records associate with the creation of Venice, the Republic of Venice's history is typically said to start at 12 a.m. on Friday, March 25th, AD 421, when authorities from Padua established the city to develop a trading center in that area of northern Italy.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius.

Henry IV is not famous except for the plays that bear his name: He is not even a "much-maligned" king. He is normally overshadowed by his far more famous son, Henry V, despite his many achievements. Shakespeare is partly to blame for Henry's diminution and his son's exaggerated stature but not completely; we just don't know what to make of a man who took the throne from the rightful king.

This valuable deal contains multiple titles in one book. The topics are the following: Florence, once a major center of Middle Ages European trade and banking, and one of the most affluent cities in the world; Naples, one of the world's oldest constantly occupied cities; St. Catherine of Siena, a Dominican laywoman, mystic, activist, and writer who impacted Italian literature and the Catholic Church significantly; the Vatican, a landlocked, independent city-state and enclave in Rome, Italy; and the Venetian Empire.

Florence was a major center of middle ages European trade and banking, and also one of the most affluent cities in the world at the time. A lot of academics believe it was the beginning of the Renaissance, and it has been called "The Athens of the Middle Ages". Periods of supremacy by the strong Medici family, and also several spiritual and republican transformations, have marked the nation's unpredictable political history. The city was the capital of the Kingdom of Italy from 1865 to 1871 (developed in 1861).

Venice, 1522. Intelligence arrives from the east confirming Europe's greatest fear: the vastly rich Ottoman Sultan has all he needs to wage total war - and his sights are set on Rome. With Christendom divided, Suleyman the Magnificent has his hand on its entrails. From the palaces of Istanbul to the blood-soaked fields of Central Europe and the scorched coasts of North Africa, The Lion House pioneers a bold new style of eye-witness history to tell a true story of power at its most glittering, personal and perilous.

Existen al menos cinco referencias históricas reales que certifican la existencia de un retrato femenino de manos de Leonardo da Vinci. Un encargo que, al parecer, nunca entregó. Sin embargo, a la hora de identificar a la modelo de la Gioconda, las palabras de Agostino Vespucci, Antonio de Beatis, Giorgio Vasari, Cassiano dal Pozzo y el Anónimo Gaddiano no coinciden.

Das Wort “Renaissance” ist Französisch und bedeutet “Wiedergeburt”. Der Name bezieht sich auf den Zeitraum zwischen dem 14. und 17. Jahrhundert, als Europa ein ausgeprägtes Wiederaufkommen der klassischen Kunst, Bildung, Philosophie, Architektur und Naturwissenschaft erlebte. Die ehemaligen römischen Gebiete machten sich abermals die Schriften der antiken Griechen und Römer und die Idee des Humanismus zum Vorbild. Die Wiedergeburt dieser Kultur war ein Zeichen für das Ende des Mittelalters und den Anfang der Moderne.

The Teutonic Knights were powerful and ferocious advocates of holy war. Their history is suffused with crusading, campaigning, and struggle. Feared by their enemies but respected by medieval Christendom, the knights and their Order maintained a firm hold over the Baltic and Northern Germany and established a formidable regime that flourished across Central Europe for 300 years. William Urban's narrative charts the rise and fall of the Order and, in an accessible and engaging style, throws light on a band of knights whose deeds and motives have long been misunderstood.

The Norman Conquest in English History, Volume 1: A Broken Chain? pursues a central theme in English historical thinking over seven centuries. Covering more than half a millennium, this first volume explains how and why the experience of the Norman Conquest prompted both an unprecedented campaign in the early 12th century to write (or create) the history of England, and to excavate (and fabricate) pre-Conquest English law.

Sixteenth-century Europe was a time of destabilization of age-old norms and the waging of religious wars - yet it also witnessed the remarkable flowering of a pacific culture cultivated by a cohort of extraordinary women rulers who sat on Europe's thrones, most notably Mary Tudor; Elizabeth I; Mary, Queen of Scots; and Catherine de' Medici.

Convulsed by a civilizational crisis, the great thinkers of the Renaissance set out to reconceive the nature of society. Corrupt and reckless tyrants sowing discord and ruling through fear; elites who prized wealth and status over the common good; military leaders waging endless wars. Their solution was simple and radical. They would rebuild their city, and their civilization, by transforming the moral character of its citizens. Soulcraft, they believed, was a precondition of successful statecraft.

Famed across the known world, jealously guarded by private collectors, built up over centuries, destroyed in a single day, ornamented with gold leaf and frescoes or filled with bean bags and children's drawings - the history of the library is rich, varied and stuffed full of incident. In this, the first major history of its kind, Andrew Pettegree and Arthur der Weduwen explore the contested and dramatic history of the library

Does a mental disorder reveal the “real” William Shakespeare? Back in the 16th and 17th centuries, bipolar disorder was a mystery, and even as late as the early 2000s, most doctors had difficulties diagnosing it. Unlike COVID-19, there is no swab test for antibodies. No blood test. It is a mood disorder, so doctors rely on their patients to “self-report” their symptoms and ask them questions like, “Were you in a good mood yesterday?”

Medieval reenactors are individuals who closely study the traditions and practices of the Middle Ages. Many reenactors are particularly interested in learning medieval combat techniques, but countless prefer to reenact by recreating medieval clothes, art, writing, and recipes. Regardless of your current abilities and interests, if you have a soft spot for the fearsome knights, beautiful royalty, and awe-inspiring castles of the Middle Ages, then this hobby has a nice for you.

In the best-selling tradition of The Swerve and A Distant Mirror, The Verge tells the story of a period that marked a decisive turning point for both European and world history. Here, author Patrick Wyman examines two complementary and contradictory sides of the same historical coin: the world-altering implications of the developments of printed mass media, extreme taxation, exploitative globalization, humanistic learning, gunpowder warfare, and mass religious conflict in the long term, and their intensely disruptive consequences in the short-term.

Between the birth of Dante in 1265 and the death of Galileo in 1642 something happened that transformed the entire culture of Western civilisation. Painting, sculpture and architecture would all visibly change in such a striking fashion that there could be no going back on what had taken place. Likewise, the thought and self-conception of humanity would take on a completely new aspect. Sciences would be born or emerge in an entirely new guise. The ideas that broke this mould largely began, and continued to flourish, in the city of Florence in the province of Tuscany.

The renaissance was a time for change, renewal, rebirth. That’s what we were taught in school, but few of us really understand the complexities of the era. Generations of people don’t understand the bold moves that were made. The risks that were taken by ordinary people who created exceptional art, music, movements, and change are like none the world has yet seen.