検索キーワード： 制作 "Penguin Audio" 日本

This is a fresh and surprising account of Japan's culture from the 'opening up' of the country in the mid-19th century to the present. It is told through the eyes of people who greeted this change not with the confidence and grasping ambition of Japan's modernisers and nationalists but with resistance, conflict, distress. We encounter writers of dramas, ghost stories and crime novels where modernity itself is the tragedy, the ghoul and the bad guy; surrealist and avant-garde artists sketching their escape.

Chris Harding's enormously enjoyable new book distils Japan's long, complex and fascinating history into the stories of 20 remarkable individuals. These vivid and entertaining portraits take the listener from the earliest written accounts of Japan right through to the life of the current empress, Masako. We encounter shamans and warlords, poets and revolutionaries, scientists, artists and adventurers - each offering insights of their own into this extraordinary place.

A naive young man, a railway enthusiast and radio buff, was caught up in the fall of the British Empire at Singapore in 1942. He was put to work on the 'Railway of Death' - the Japanese line from Thailand to Burma. Exhaustively and brutally tortured by the Japanese for making a crude radio, Lomax was emotionally ruined by his experiences.

When the first atomic bomb was dropped on Hiroshima in August 1945, killing 100,000 men, women and children, it was the beginning of a terrifying new episode in human history. Written only a year after the disaster, John Hersey brought the event vividly alive with this heart-rending account of six men and women who survived despite all the odds. He added a further chapter when, forty years later, he returned to Hiroshima to discover how the same six people had struggled to cope with catastrophe and with often crippling disease.

On August 6, 1945, the United States unleashed a weapon unlike anything the world had ever seen. Then, just three days later, when Japan showed no sign of surrender, the United States took aim at Nagasaki. Rendered in harrowing detail, this historical narrative is the second and final volume in M. G. Sheftall’s series Embers. Sheftall has spent years personally interviewing hibakusha—the Japanese word for atomic bomb survivors.

In November 1943, the men of the 2d Marine Division were instructed to clear out Japanese resistance on the Pacific island of Betio, a speck at the end of the Tarawa Atoll. When the Marines landed, the Japanese poured out of their underground bunkers — and launched one of the most brutal and bloody battles of World War II.

In the closing months of the Second World War hundreds of thousands of Japanese, mostly civilians, died. American planes were beginning to run low on plausible targets when it was decided to use two atomic weapons in a final flourish to try to end the war. Richard Overy’s remarkable book rethinks how we should regard this last stage of the war and the role of the bombs. The popular view that bombing worked in this case has now to be set in a broader context of what was happening in Japan in the months before surrender. The easy equation ‘bombing equals surrender’ is no longer viable.

On the face of it, the three characters in this book seem to have little in common—aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point. Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmler’s indispensable personal masseur—Himmler calling him his “magic Buddha.”

When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middle class youth, what he longed for wasn't so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris.

In this vividly rendered historical narrative, M. G. Sheftall layers the stories of hibakusha—the Japanese word for atomic bomb survivors—in harrowing detail, to give a minute-by-minute report of August 6, 1945, in the leadup and aftermath of the world-changing bombing mission of Paul Tibbets, Enola Gay, and Little Boy.

Beginning at a love hotel by Japan’s Inland Sea and ending by a river in Tasmania, Question 7 is about the choices we make about love and the chain reaction that follows. By way of H. G. Wells and Rebecca West’s affair through 1930s nuclear physics to Flanagan's father working as a slave labourer near Hiroshima when the atom bomb is dropped, this daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die.