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People everywhere feel ever more alienated from - and mistrustful of - news and those who make it. We no longer seem to know who or what to believe. We are living through a crisis of 'information chaos'. News: And How to Use It is a glossary for this bewildering age. From AI to bots, from climate crisis to fake news, from clickbait to trolls (and more), here is the definitive user's guide for how to stay informed, tell truth from fiction and hold those in power accountable in the modern age.

New York Times bestselling author Sharyl Attkisson takes on the media’s misreporting on Black Lives Matter, coronavirus, Joe Biden, Silicon Valley censorship, and more. When the facts don’t fit their Narrative, the media abandons the facts, not the Narrative. Virtually every piece of...

Lionel Barber was editor of the Financial Times for the tech boom, the global financial crisis, the rise of China, Brexit and mainstream media's fight for survival in the age of fake news. In this unparalleled, no-holds-barred diary of life behind the headlines, he reveals the private meetings and exchanges with political leaders on the eve of referendums, the conversations with billionaire bankers facing economic meltdown, exchanges with Silicon Valley tech gurus and pleas from foreign emissaries desperate for inside knowledge.

The biggest crime story in American history began on the night of March 1, 1932, when the 20-month-old son of Charles and Anne Lindbergh was snatched from his crib in Hopewell, New Jersey. The news shocked a nation enthralled with the aviator, the first person to fly solo nonstop across the Atlantic. American law enforcement marshalled all its resources to return “Little Lindy” to the arms of his parents - and perhaps even more energized were the legions of journalists catering to a public whose appetite for Lindbergh news was insatiable.

At a time when the role of journalism is especially critical, the former executive editor of the Washington Post writes about his nearly 50 years at the newspaper and the importance of getting at the truth. In 1964, as a 22-year-old Ohio State graduate with working-class Cleveland roots and a...

Using his famed on-the-nose commentary, Twitter legend James Felton has dissected 99 of the most outlandish stories The Sun (for a long time the biggest-selling British newspaper) has run since it became a tabloid in 1969, hoping to answer once and for all whether the press has reflected - or manipulated - the British people over the last 50 years.

Las señales estaban a la vista, no solo en las calles sino en todos y cada uno de los informes de organismos internacionales. No verlas era un acto voluntarioso de ocultamiento de la realidad. Son más que simples dolores de crecimiento asociados a la modernización de Chile, tan exitosa en algunos aspectos, como el combate a la pobreza o la liberalización de la vida social.

Les fake news no són un fenomen nou: els governs, els partits polítics, els mitjans de comunicació i les grans corporacions --o els monopolis d'informació equivalents en cada època-- sempre n'han fet ús interessat. No és sospitós, doncs, que les polítiques i les reformes normatives que s'estan proposant per combatre-les criminalitzin les noves tecnologies i, en canvi, no facin el mateix amb els que s'han dedicat a produir notícies falses des de sempre?

Que explote todo es el segundo libro de la escritora y periodista Arelis Uribe, autora del libro de cuentos Quiltras y columnista de varios medios nacionales. Este audiolibro reúne distintos textos que viajan por temáticas que cruzan la vida e ideología de muchas identidades, en especial mujeres que buscan no sólo luchar por un bien común y por una vida de respeto mutuo en un mundo liderado por lo masculino, sino que buscan de alguna u otra forma destruir desde la base todas las ideologías y los discursos imperantes.

The Fleet Street Girls is the inspiring story of the female journalists who broke down barriers in the 1970s as women arrived on Fleet Street for the first time. Julie Welch was the first ever female football reporter. To achieve this role at the Observer, she had to battle the National Union of Journalists nearly calling a strike when she dared to write an article as a mere secretary; an entire room of men falling silent to listen to her give her first football report over the phone, before pronouncing it passable; and many other battles in-between.

The locker rooms of winning teams are crowded with coaches, family, and fans. Reporters flock to the athletes, brimming with victory and celebration, to ask, "How does it feel?" In contrast, the locker rooms of the losing teams are quiet and awkward, and reporters tend to leave quickly, reluctant to linger too long around loss. But, as sports journalists Mary Pilon and Louisa Thomas argue, losing is not a phenomenon to be overlooked, and in Losers, they have called upon novelists, reporters, and athletes to consider what it means to lose.

Las fake news no son un fenómeno nuevo: los gobiernos, los partidos políticos, los medios de comunicación y las grandes corporaciones - o los monopolios de información equivalentes en cada época - han hecho siempre un uso de ellas. FakeYou expone investigaciones que desmontan los mitos en los que se respalda la ola de legislaciones liberticidas que sufrimos en la actualidad. Este libro se plantea como una herramienta de defensa contra los recortes de las libertades fundamentales y un arma contra las nuevas formas de manipulación, mentira, y falsificación.

Siempre asombrado, un punto incrédulo, Miguel Ángel Aguilar saborea el espectáculo del circo contemporáneo en silla de pista, en primera fila. Apenas a unos metros de los prestidigitadores de la Transición, los domadores del golpismo y el terrorismo, los trapecistas de la libertad que parecía imposible. Aplicado alumno de la realidad, maestro del periodismo, Aguilar evoca hechos memorables del último medio siglo de España. Fue testigo, a veces incluso un poco protagonista, y lo cuenta como nadie, con su inconfundible estilo irónico, agudo y elegante.

Veteran journalist Jon Snow gives us unique, untold stories and fresh insight into some of the most poignant news moments in history. Using original news tapes from the ITN archive, Jon takes us behind the scenes of some of the most significant news events of his reporting career.

Between the 1970s and the 1990s American journalists began telling the news by telling stories. They borrowed narrative techniques, transforming sources into characters, events into plots, and their own work from stenography to anthropology. This was more than a change in style. It was a change in substance, a paradigmatic shift in terms of what constituted news and how it was being told. Thomas Schmidt analyzes the expansion of narrative journalism and the corresponding institutional changes in the American newspaper industry in the last quarter of the 20th century.

As we have seen with the recent COVID-19 pandemic, disaster preparedness is not a luxury. Everyone from Louis Pasteur to the Girl Scouts has championed the motto “Be Prepared”—but what does that mean in today’s constantly changing world? In this age of anxiety, when reports of mass...

Randall Sumpter questions the dominant notion that reporters entering the field in the late 19th century relied on an informal apprenticeship system to learn the rules of journalism. Arguments for “professional journalism” did not resonate with the workaday journalists examined here. While scholars have traced some of the connections between beginning journalists and learning opportunities, Sumpter shows that much more can be discovered, with implications for understanding the development of journalistic professionalism and present-day instances of journalistic behavior.

Recounts the story of America’s last great newspaper war between the New York Daily News and the New York Post, as both papers’ long rivalry turned existential amid the rise of digital news. The story is told through the eyes of the reporters, or “runners”, and photographers who fought the war on the ground in cities across America.

Sodoma expone la decadencia y la corrupción en el corazón del Vaticano y de la actual Iglesia Católica. Este libro expone la decadencia en el corazón del Vaticano y de la actual Iglesia católica. Un brillante trabajo basado en cuatro años de investigación rigurosa, que incluye entrevistas a los más altos cargos eclesiásticos. Sodoma revela los secretos de un sistema que se inicia en los seminarios y continúa hasta el Vaticano; basado en la doble vida de algunos sacerdotes y en la homofobia más radical. La esquizofrenia resultante en la Iglesia es insondable.

Recounts the story of America’s last great newspaper war between the New York Daily News and the New York Post, as both papers’ long rivalry turned existential amid the rise of digital news. The story is told through the eyes of the reporters, or “runners,” and photographers who fought the war on the ground in cities across America.