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It is 2008, and Stefania Maurizi, an investigative journalist with a growing interest in cryptography, starts looking into the little-known organization WikiLeaks. Through hushed meetings, encrypted files, and explosive documents, what she discovers sets her on a life-long journey that takes her deep into the realm of secret power.

Reporting on China has long been one of the most challenging and crucial of journalistic assignments. Nonetheless, American media coverage of China has profoundly influenced U.S. government policy and shaped public opinion not only domestically but also, given the clout and reach of U.S. news organizations, around the world. This book tells the story of how American journalists have covered China—from the civil war of the 1940s through the COVID-19 pandemic—in their own words.

A finales de los noventa, en dos pequeños pueblos de la Bassa Modenese, una zona situada en el centro norte de Italia, los servicios sociales separaron a dieciséis niños de sus familias y los enviaron a otros lugares del país. Los padres eran sospechosos de pertenecer a una secta de pedófilos satánicos que realizaban rituales nocturnos en el cementerio bajo supervisión de un cura católico muy querido por los vecinos.

Tras No digas nada y El imperio del dolor, Patrick Radden Keefe explora los límites, a menudo imperceptibles, entre lo legal y lo ilegal, a través de doce retratos reales protagonizados por maleantes de medio mundo.

In 1961, equipped with a master’s degree from famed Columbia Journalism School and letters of introduction to Associated Press bureau chiefs in Asia, 26-year-old Beverly Deepe set off on a trip around the world. Allotting just two weeks to South Vietnam, she was still there seven years later, having then earned the distinction of being the longest-serving American correspondent covering the Vietnam War and garnering a Pulitzer Prize nomination.

An essential history of women in American journalism, showcasing exceptional careers from 1840 to the present Undaunted is a representative history of the American women who surmounted every impediment put in their way to do journalism’s most valued work. From Margaret Fuller’s improbable...

Charles Dickens was a writer and social critic who created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity. THE SHIPWRECK: Never had I seen a year going out, or going on, under quieter circumstances. Eighteen hundred and fifty-nine had but another day to live, and truly its end was Peace on that sea-shore that morning.

Lernen Sie das Handwerk des Schreibens. Im Journalismus Hörbuch der ZEIT Akademie steht das Schreiben lernen an erster Stelle. Was guten Journalismus ausmacht? Was eine moderne Redaktion leisten muss? Von ZEIT-Redakteuren verständlich erklärt: Lernen Sie von Chefredakteur Giovanni di Lorenzo mehr über guten Journalismus. Finden Sie mit Harald Martenstein den perfekten Ton für eine Kolumne. Erfahren Sie von Iris Radisch, wie man eine fundierte Rezension schreiben lernt. Vom Essay bis zum Leitartikel, vom Interview bis zur Reportage.

El libro detrás de la serie de Netflix La enfermera. Una madrugada de marzo de 2015, la policía danesa recibió la llamada de una enfermera del hospital en Nykøbing Falster. La enfermera sospechaba que una compañera de trabajo había matado a algunos de sus pacientes y temía que hubiese ocurrido otra vez.

On May 7, 1945, journalist Edward Kennedy bypassed military censorship to be the first to break the news of the Nazi surrender executed in Reims, France. While, at the behest of Soviet leaders, Allied authorities prohibited release of the story, Kennedy stuck to his journalistic principles and refused to manage information he believed the world had a right to know. No action by an American correspondent during the war proved more controversial.

Bill Bryson is the world's funniest travel writer, and a master of comic observation. His hugely popular books, spanning topics from linguistics to Shakespeare to the human body, have sold over 16 million copies and been translated into 30 languages, and his 2003 science book A Short History of Nearly Everything won the prestigious Aventis and Descartes prizes.

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, hard-drinking figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers. Get the Damn Story is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events.

Americans' current trust in journalists is at a dismayingly low ebb, particularly on the subject of national and international politics. It might be tempting to look back to the mid-twentieth century, when the nation's press corps was a seemingly venerable and monolithic institution that conveyed the official line from Washington with nary a glint of anti-patriotic cynicism. As Kathryn McGarr's City of Newsmen shows, however, the real story of what Cold War-era journalists did and how they did it wasn't exactly the one you'd find in the morning papers.

""An affecting, singular story...a bracing tale of life on the edge of death."" —Kirkus Reviews When veteran war reporter Benjamin Hall woke up in Kyiv on the morning of March 14, 2022, he had no idea that, within hours, Russian bombs would nearly end his life. As a journalist for Fox News...

In Kneading Journalism, award-winning international journalist Tony Ganzer provides an insider's view of the Fourth Estate through compelling personal narratives and keen insights. Essays transport the listener from a bread riot before the French Revolution, to the inside of Germany’s public media and bread industries, to the streets of post-revolutionary Cairo, all while exploring the who, what, and why of journalism.

In What Wars Leave Behind, J. Malcolm Garcia reveals the people and pain behind the statistics. He writes about impoverished families scraping by in Cairo’s city of the dead, ordinary Syrians pretending all is well as shells explode around them, and others caught in conflicts that rage long after the cameramen have packed up and gone away.

The Uncollected Essays of Elizabeth Hardwick is a companion collection to The Collected Essays, a book that proved a revelation of what, for many, had been an open secret: that Elizabeth Hardwick was one of the great American literary critics, and an extraordinary stylist in her own right. The thirty-five pieces that Alex Andriesse has gathered here-none previously featured in volumes of Hardwick's work-make it clear that her powers extended far beyond literary criticism.

NEW YORK TIMES BESTSELLER An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and...

William L. Laurence was fascinated with atomic science and its militarization. When the Manhattan Project drew near to perfecting the atomic bomb, he was recruited to write much of the government's press materials that were distributed on the day that Hiroshima was obliterated. That instantly crowned Laurence as one of the leading journalistic experts on the atomic bomb.

In this perceptive, compelling essay, Katharine Murphy offers a profile of Anthony Albanese in motion – a piece about character, the balance of forces, and the mood of the nation. Are Albanese and his party up for change? Are Australians up for it? What does the new prime minister embody, if anything? Has the centre of the polity shifted, with the success of the Teals and the Greens? Where could – and should – the new government be ambitious?