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From one of Australia's leading Indigenous journalists comes a collection of fierce and powerful essays proving why the media need to believe Black witnesses and showcasing ways that journalism can be used to hold the powerful to account and make the world a more equitable place. Black Witness is the essential collection of First Nations journalism that we need right now – and always have.

Hay consenso entre periodistas, académicos y lectores en reconocer a Julio Scherer García como el mejor periodista mexicano de la segunda mitad del siglo xx. Su fama se debió al desarrollo constante de su oficio, siempre con excelencia y sentido crítico.

90歳の〈モンスター〉が「遺言」として語り下ろす。「朝生」で死にたい！なぜ僕は暴走するのか？

Na melhor tradição do novo jornalismo, Adriano Wilkson constrói uma história vibrante e dramática, cheia de personagens de carne e osso (e músculos) inesquecíveis, em que o ringue onde as batalhas se desenrolam se torna uma alegoria dos percalços que a vida impõe a milhões de brasileiros. Acácio Pequeno precisa evaporar de seu corpo cerca de três litros de água para ter acesso à luta mais importante de sua carreira.

Through many decades of groundbreaking journalism, John Simpson has become not only one of the most recognisable and trusted British personalities, but has transferred his skill to books with multiple bestselling success. With this book he turns his eye to how Great Britain has been transformed by its free press down the years. He shows how, while the press likes to pretend it's independent, they have enjoyed the power they have over the events they report and have at times exercised it irresponsibly.

Dejó muy claro Gabriel García Márquez que el periodismo siempre fue su principal pasión, la más perdurable y por la que quiso ser recordado: «No quiero que se me recuerde por Cien años de soledad, ni por el premio Nobel, sino por el periódico. [...] Nací periodista y hoy me siento más reportero que nunca. Lo llevo en la sangre, me tira».

The Case of Lizzie Borden and Other Writings is the first and only comprehensive collection of writings by Elizabeth Garver Jordan, the groundbreaking journalist, suffragist, and editor whose fearless reporting on women preceded the #MeToo movement and popularized the true-crime genre.

In 1967, by accident, Melba Tolliver was the first Black American to anchor network news. Going on to report and anchor for WABC-TV Eyewitness News, WNBC, and News 12 Long Island, Tolliver became known for her human-interest stories starring everyday people—but she also covered celebrities, musicians and politicians, from Stevie Wonder to Robert Kennedy. Packed with telling detail, Accidental Anchorwoman fills in the backstory of a life that has deeply influenced modern journalism.

La obra más enloquecida de Hunter S. Thompson, figura legendaria del nuevo periodismo. Una acción delirante: así como los caballeros de la Tabla Redonda se lanzaban en pos del Santo Grial envueltos en una armadura de poder sobrenatural, Thompson entró en Las Vegas pertrechado con un arsenal verdaderamente mágico de "nefandas sustancias químicas" en su búsqueda del Sueño Americano.

In one of her escapades as a reporter for Joseph Pulitzer's New York World, the renowned Nellie Bly feigned insanity in 1889 and slipped, undercover, behind the grim walls of Blackwell's Island mental asylum. She emerged ten days later with a vivid tale about life in a madhouse. Her asylum articles merged sympathy and sensationalism, highlighting a developing professional identity—that of the American newspaperwoman.

These Foolish Things captivatingly charts Dylan's life: from his peripatetic childhood and late adolescence in 1970s London - a city then alive with possibility - to his award-winning tenure at what would become one of the most dynamic magazines of its era, GQ.

Com experiência extensa no jornalismo, Ricardo Viveiros traz uma escrita que deixa transparecer seu olhar perspicaz para os fatos e do qual o ouvinte não sai ileso. De modo amplo e didático, a obra nos leva a entender o cenário no qual a população brasileira dividiu-se entre os “contra” e os “a favor”.

Despierta, que no te engañen. Así sufre la censura un periodista en España. Así te apartan por considerarte incómodo. Cloacas, bulos, intercambio de favores muy burdos, complots entre el poder político y el económico. Así controlan tus noticias. Así es como la propaganda se carga la información. Intoxican a la opinión pública, acceden a tus datos más íntimos, te subastan en el mercado de la mentira. Así te polarizan para distraerte.

In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market.

Cien años de odio desembocan en tres asesinatos en una aldea de trece casas.

Just before the small-time bootlegger Max Gerlach died, he tried to reveal his secret: he was the inspiration for the mysterious Jay Gatsby. It’s a nice story, but was he telling the truth? Veteran reporter Joe Nocera and producer Poppy Damon investigate this century-old literary mystery and uncover untold secrets about the Great American Novel.

If you watch the news, you already know what pretty much everyone knows: everything is worse than ever. Politics, crime, big Pharma, the environment. According to media, what is worse than ever? Every freaking thing. And you interact with this message virtually every day. The rate of media consumption has never been higher.

It has been eleven years since Diane Foley’s son, the American journalist James Foley, was kidnapped in northern Syria, and nearly ten since that day in August 2014 when she would learn that he had been murdered by ISIS in a public beheading that would ricochet in video around the world. A whole decade. Time rushes past. And yet, for Diane, that moment is unending. In American Mother, legendary author Colum McCann tells Diane’s story as she recalls the months of his captivity, the efforts made to bring him home and the days following his death.

Deaths resulting from interactions with the US criminal legal system are a public health emergency, but the scope of this issue is intentionally ignored by the very systems that are supposed to be tracking these fatalities. In order to make a real difference and address this human rights problem, researchers and policy makers need reliable data.

Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press.