検索キーワード： 制作 "Audible Studios" ジャーナリズム

In Morning Miracle, Dave Kindred takes an in-depth look at the 21st-century newspaper by spending time in the inner sanctum of one of the country's most venerable: The Washington Post. With unprecedented access to every nook and cranny of the paper, Kindred provides a comprehensive, entertaining, no-holds-barred look at what it takes to turn out a world-class paper day in and day out.

From the fall of the Soviet Union to the Arab Spring to today’s continuing conflicts, media have played a decisive role in political affairs across the globe—driving the revolutionary changes shaping today’s new world. This is the first book presenting a comprehensive look at the emergence of media as a primary actor, and not merely an observer, of global affairs. With the rise of digital technology, the power of media to intervene in global affairs is in the hands of everyone—including you.

Bringing together Matt Taibbi's most incisive and hilarious work from his "Road Work" column in Rolling Stone, Smells Like Dead Elephants shines an unflinching spotlight on the corruption, dishonesty, and sheer laziness of our leaders.

How to Write Everything is the ultimate writer's handbook. It tells you about every aspect of writing, from having an idea to getting the idea out into the world and getting paid for it, too. It covers everything from journalism to screenwriting, from speeches to sketches, from sitcoms to novels. With thirty years' experience as an award-winning scriptwriter, journalist, author, and broadcaster, David Quantick is ideally suited, as a writer, to write this definitive writer's guide to writing...everything.

August 21, 2013: A chemical weapons attack on the suburbs of Damascus reminds the world of the existence of the Syrian war. Hundreds of journalists from every corner of the world rush to the frontier only to leave disappointed when Obama decides not to bomb. They leave behind 200,000 estimated victims, and more than half of a population of 22 million people dispersed or refugeed in nearby countries: the worst humanitarian crisis since WWII according to the UN.

Gary Webb had an inborn journalistic tendency to track down corruption and expose it. For over thirty-four years, he wrote stories about corruption from county, state, and federal levels. He had an almost magnetic effect to these kinds of stories, and it was almost as if the stories found him. It was his gift, and, ultimately, it was his downfall.

It was the 1960s - a time of economic boom and social strife. Young women poured into the workplace, but the “Help Wanted” ads were segregated by gender and the “Mad Men” office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek, renowned for its cutting-edge coverage of civil rights and the “Swinging Sixties.” Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job - for a girl - at an exciting place. But it was a dead end.

El libro está escrito en primera persona, es la voz siempre del propio poeta la que conversa con él mismo. La voz del narrador debería ser la de un hombre de más-menos 40 años. Deberá ser una voz varonil, profunda, grave. Nunca que lea en tono de declamación, o recitando, debe ser un poco cómo hablaba el poeta. Aquí dejo un video en el que se escucha la voz de Sabines cuándo leyó para su disco Voz Viva de la UNAM. y algo así deberá de ser la voz del narrador.

Melissa Lucashenko is one of Australia's most admired and awarded novelists. She is renowned for writing about ordinary Australians and the extraordinary lives they lead. This timely collection of essays and journalism - published together for the first time - spans two turbulent decades. With her trademark wit and wisdom, Lucashenko reflects on being caught in a siege, on the marginalised lives of prisoners and the urban poor, on Blak identity, Australian literature and on meeting her writing idol.

What will it take to stop gendered violence? What went wrong? Australian governments promised to end violence against women and children in a single generation. Instead, it is escalating: men have been murdering women at an increased rate, coercive control and sexual violence are becoming more complex and severe, and we see a marked rise in youth-on-youth sexual assault. Why? In Losing It, Jess Hill investigates Australia's National Plan to End Violence Against Women and Children to find out what's working and what's not – and what we can do to turn things around.

The world may have committed at Paris to hold back dangerous climate change, but Australia's fossil-fuel giant Woodside is doubling down: it has bold new plans to keep producing gas out to 2070. Support from the major parties is locked in, so something has to give. This is a story of power and influence, pollution and protest. How does one company capture a country? How convincing is Woodside's argument that gas is a necessary transition fuel, as the world decarbonises? And what is the new "energy realism" narrative being pushed by Trump's White House?

What is Australia’s place in the new global landscape? Are we ready for our post-American future? In an era of rising danger for all, and dramatic choices for Australia, Hugh White explores how the world is changing and Australia should respond. Under Donald Trump, America's retreat from global leadership has been swift and erratic. China, Russia and India are on the move. White explains the big strategic trends driving the war in Ukraine, and why America has "lost" Asia.