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In the second half of 2020 and continuing into 2021, protests against racial injustice spread across the United States after the death of George Floyd while in the custody of Minneapolis Police Department officers. What transpired during this troubled time cast a bright light on the contemporary relationship between the press and police in the United States. The relationship between these two fundamental institutions is, however, a long and complicated one.

How is popular knowledge of war shaped by the stories we consume, what are the boundaries of this knowledge, and how are these boundaries policed or contested by journalists producing knowledge from war zones? Based on years of fieldwork in Iraq, Syria, Lebanon, Afghanistan, and Ukraine, Conflicted challenges normative conceptions of war by revealing how representational authority comes to be.

精神科病棟の看護師たちは、夜な夜な患者をもてあそび、笑っていた。彼らはごく普通の「いい子」たち......のはずだった。　2020年３月、兵庫県神戸市西区の精神科病院「神出病院」の看護師や看護助手ら６人の男が患者への虐待容疑で一斉に逮捕された。

In Game On David Bockino, a former marketing and advertising manager at ESPN turned professor of communications and sport management, provides the first overview of the evolution of the sports media industry.

Max Hastings grew up with romantic dreams of a life amongst warriors. But after his failure as a parachute soldier in Cyprus in 1963, he became a journalist instead. Before he was thirty he had reported conflicts in Northern Ireland, Biafra, Vietnam, Cambodia, the Middle East, Cyprus, Rhodesia, India and a string of other trouble spots. His final effort was as a war correspondent during the Falklands War. Going to the Wars is a story of his experiences reporting from these battlefields. It is also the story of a self-confessed coward: a writer with heroic ambitions.

In February 2002 Max Hastings retired from his position as a 'Fleet Street' Editor. His is an enormously illustrious career which started in 1985, when he was offered the Editorship of a national institution – the Daily Telegraph – in a surprise move by its owners. This memoir tells the story of what happened to him, and to a great newspaper, over the next decade. It is all here: the rows with prime ministers, the coverage of great events including the end of the Cold War, the fall of Thatcher, the rise of New Labour and Tony Blair, the Gulf War, and the tribulations of the Royal Family.

¿Cuál será el estado de la sociedad y la política de nuestra república dentro de 70 años, cuando algunos de los niños que ahora van al colegio aún estén vivos? ¿Conservaremos un gobierno basado en la Constitución, en la igualdad de todos los ciudadanos ante la ley y en la pureza de la justicia, o nos gobernarán el dinero o la mafia? Joseph Pulitzer se lo preguntaba a principios del siglo XX, cuando por su iniciativa nacía la Escuela de Periodismo de la Columbia University de Nueva York.

Dos cronistas argentinos viajaron a la península coreana sin cruzarse –uno al norte, el otro al sur– y contrastaron visiones sobre cómo se vive el último capítulo de la Guerra Fría. Corea del Norte llevó la idea del comunismo a un insólito sistema cuasi monárquico basado en la sacralización del líder, instalando una sociedad disciplinaria que encaja con el modelo panóptico de control teorizado por Foucault.

El asesinato como forma de ganarse la vida es la pregunta fundamental de esta crónica. La investigación aborda la figura del sicario —con sus días siempre al borde del abismo— como ineluctable resultado de la descomposición social y de la incapacidad del Estado para evitar que sigan proliferando.

Why do we write? What does it mean to be a writer? This book contains no useful tips on grammar, style, or plot. Instead, it focuses on the observation and perspective that is needed to be a good writer—on the fact that writing is an expression of the art of living. A lovely journey through a very Edwardian world.

Founded in 1916, British Vogue has forged its own path from the very start. From the trauma and austerity of two world wars through to the freedom of the swinging Sixties, the rise of the supermodel to the groundbreaking editorial direction of Edward Enninful: the magazine's chameleonic ability to move with the times has ensured its perennial status at the vanguard of British cool. The book draws on hitherto unseen archives and behind-the-scenes interviews with Vogue insiders including stylist Grace Coddington, editor Alexandra Shulman and fashion editor Lucinda Chambers.

Since 1844, the Globe and Mail and its predecessor, George Brown’s Globe, have chronicled Canada: as a colony, a dominion, and a nation. To mark the paper’s 180th anniversary, Globe writers explored thirty issues and events in which the national newspaper has influenced the course of the country: Confederation, settler migrations, regional tensions, tussles over language, religion, and race. The essays reveal a tapestry of progress, conflict, and still-incomplete reconciliation.

Una mujer que asesina a tres amigas poniéndoles cianuro en la taza de té; otra que mató a su hija minutos después de parirla; un mago al que le falta una mano; un grupo de rock cuyo integrante más famoso tiene síndrome de Down, un cardiólogo que es doble de Freddie Mercury. Esta antología de crónicas, perfiles y textos que la autora publicó a lo largo de más de una década, constituyen una lección magistral de periodismo, muestran el mundo desde una perspectiva única, intensa y diferente, y tienen la capacidad de noquear al oyente.

Griselda Blanco murió asesinada en septiembre de 2012. Su muerte pasó desapercibida hasta que la prensa ató cabos y destapó el hecho de que se trataba de la conocida Viuda Negra, la Madrina, la mujer que puso en jaque a la justicia de EE.UU. y Colombia, que se hizo célebre por asesinar a cuatro de sus maridos, de allí el apelativo de Viuda Negra, y por haber sido la capo bajo cuya sombra se hicieron narcotraficantes como Pablo Escobar, quien heredó su negocio luego de que ella viajara a instalarse a los EE.UU. para desde allí dirigir el negocio en ese país.

El nombre de Alma Guillermoprieto es inseparable del auge que actualmente goza el periodismo narrativo. La autora lleva a sus lectores a conocer personajes extraviados en los confines de la globalidad, a emprender un viaje al corazón de la cultura que los hace posibles.

John Reed, escritor revolucionario y cronista insuperable, fue testigo directo de uno de los acontecimientos históricos de mayor relevancia del siglo xx, la Revolución rusa de 1917. Diez días que estremecieron al mundo es su extraordinario y conmovedor testimonio de la Revolución en que los bolcheviques, al frente de obreros y soldados, conquistaron el poder del Estado en Rusia y lo entregaron a los soviets.

By the 1970s, the country’s oldest continuously published newspaper had fallen on hard times, just like its nearly bankrupt hometown. When the New York Post was sold to a largely unknown Australian named Rupert Murdoch in 1976, staffers hoped it would be the start of a new golden age for the paper. Now, after the nearly fifty years Murdoch has owned the tabloid, American culture reflects what Murdoch first started in the 1970s: a celebrity-focused, noisy, one-sided media empire that reached its zenith with Fox News.

In 2022, Andrew Tate went from a little-known kickboxer and failed reality TV star to a lifestyle icon for legions of men and boys, and a figure that would define a new era of misogyny. Tate started the year as a fringe internet celebrity, but by August he was the most googled man in the world. In that same month, Matt Shea and Jamie Tahsin gained access to his Bucharest compound and infamous War Room, making a documentary that would result in the first women coming forward to accuse him publicly of sexual and physical violence.

How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law? Capturing News, Capturing Democracy puts these events in historical and international context-and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding.

De onderwereld heeft Brabant in zijn greep. Brabant is de drugsschuur van Europa; jaarlijks wordt er voor 1 miljard euro aan wiet geproduceerd. De criminaliteit in het zuiden is een bedrijfstak, die al jaren kan voortbestaan doordat boven- en onderwereld zich hand in hand weinig lijken aan te trekken van het gezag. Hoe kan dat en waarom gebeurt dat in Brabant?