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"Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt," writes New Yorker literary editor Bill Buford. As a journalist, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. She also bewitched Eleanor Roosevelt's secret love and enraptured Ernest Hemingway with her courage as they dodged shell fire together.

One of America's most admired television newsmen gives us an intimate chronicle of the final year of the 20th century. Here is the voice we know from Nightline - intelligent, curious, opinionated, witty, concerned - reminding us in entertaining and thought-provoking ways that even the most public events reverberate in our private lives. Hear an interview with Ted Koppel on The Connection.

Throughout his 25-year journalistic career, David Carr was noted for his sharp and fearless observations, his uncanny sense of fairness and justice, and his remarkable compassion and wit. His writing was informed both by his own hardships as an addict, and his intense love of the journalist's craft. His range - from media politics to national politics, from rock-n-roll celebrities to the unknown civil servants who make our daily lives function - was broad and often timeless.

The Fox Effect follows the career of Ailes from his early work as a television producer and media consultant for Richard Nixon, Ronald Reagan, and George H.W. Bush. Consequently, when he was hired in 1996 as the president of Rupert Murdoch’s flagship conservative cable news network, Ailes had little journalism experience, but brought to the job the mindset of a political operative. As Brock and Rabin-Havt demonstrate through numerous examples, Ailes used his extraordinary power and influence to spread a partisan political agenda....

A few weeks after the planes crashed into the World Trade Center on 9/11, journalist Megan K. Stack, a 25-year-old national correspondent for the Los Angeles Times, was thrust into Afghanistan and Pakistan, dodging gunmen and prodding warlords for information. From there, she traveled to war-ravaged Iraq and Lebanon and other countries scarred by violence, witnessing the changes that swept the Muslim world and laboring to tell its stories.

Over his 30-year career at Condé Nast, Nicholas Coleridge has witnessed it all. From the anxieties of the Princess of Wales to the blazing fury of Mohamed Al-Fayed, his story is also the story of the people who populate the glamorous world of glossy magazines. With relish and astonishing candour, he offers the inside scoop on Tina Brown and Anna Wintour, David Bowie and Philip Green, Kate Moss and Beyonce and a surreal weekend away with Bob Geldof and William Hague.

In Not Quite World's End, John Simpson looks at the world's troubles, the Middle East, global warming, population explosion, and takes the perhaps surprising view that it's actually not nor will be the end of the world. His vivid prose, his clear-sightedness, and the wonderful anecdotes about the many strange people and places he has come across all add up to a richly satisfying read.

On November 13th 2001, John Simpson and a BBC news crew walked into Kabul, and the liberation of the Afghan capital was broadcast to a waiting world. It was the end of a sustained campaign against the Taliban, a campaign that Simpson had covered from the beginning, despite appalling difficulties and, often, great danger. In this, his third riveting volume of autobiography, John Simpson focuses on how journalists set about finding the stories that make the headlines.

The purpose of this insider's account is to provide an answer to all these questions and more. Andrew Marr's brilliant, and brilliantly funny, book is a guide to those of us who read newspapers, or who listen to and watch news bulletins but want to know more. Andrew Marr tells the story of modern journalism through his own experience.

When Caitlin Moran sat down to choose her favorite pieces for her new book, she realized that they all shared a common theme - the same old problems and the same old asshats. Then she thought of the word Moranifesto, and she knew what she had to do.... Introducing every piece and weaving her writing together into a brilliant, seamless narrative - just as she did in Moranthology - Caitlin combines the best of her recent columns with lots of new writing unique to this book.

When New York Times reporter Michael Finkel meets accused killer Christian Longo - who has taken on Finkel's identity - his investigation morphs into an unforgettable game of cat and mouse. True Story weaves a spellbinding tale of murder, love, deceit, and redemption, following Finkel's relentless pursuit of the shocking truth.

Marilyn Johnson was enthralled by the remarkable lives that were marching out of this world - so she sought out the best obits in the English language and the people who spent their lives writing about the dead. She surveyed the darkest corners of Internet chat rooms, and made a pilgrimage to London to savor the most caustic and literate obits of all. Now she leads us on a compelling journey into the cult and culture behind the obituary page and the unusual lives we don't quite appreciate until they're gone.

A Day Like Today charts John’s journey from the poverty of his post-war childhood in Cardiff, leaving school at 15, to the summits of broadcasting. Humphrys was the BBC’s youngest foreign correspondent, the first reporter at the catastrophe of Aberfan, an experience that marked him for ever; he was in the White House when Richard Nixon became the first American president to resign, in South Africa during the dying years of apartheid, and in war zones around the globe throughout his career. John was also the first journalist to present the Nine O’Clock News on television.

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, hard-drinking figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers. Get the Damn Story is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events.

People everywhere feel ever more alienated from - and mistrustful of - news and those who make it. We no longer seem to know who or what to believe. We are living through a crisis of 'information chaos'. News: And How to Use It is a glossary for this bewildering age. From AI to bots, from climate crisis to fake news, from clickbait to trolls (and more), here is the definitive user's guide for how to stay informed, tell truth from fiction and hold those in power accountable in the modern age.

Do you know it, do you remember it, the drives, the attitudes, the terrors and, yes, the joys? Thus Steinbeck introduces his collection of poignant and hard-hitting dispatches for the New York Herald Tribune when the Second World War was at its height. He begins in England, recounting the courage of the bomber crews, the tragic air-raids and the strangeness of the British, before being sent to Africa and joining a special operations unit off the coast of Italy.

We have reached a state of utter absurdity, where journalism schools teach students that their own personal truth or chosen narratives matter more than reality. In Slanted, Attkisson digs into the language of propagandists, the persistence of false media narratives, the driving forces behind today's dangerous blend of facts and opinion, the abandonment of journalism ethics, and the new, Orwellian definition of what it means to report the news.

In the second half of 2020 and continuing into 2021, protests against racial injustice spread across the United States after the death of George Floyd while in the custody of Minneapolis Police Department officers. What transpired during this troubled time cast a bright light on the contemporary relationship between the press and police in the United States. The relationship between these two fundamental institutions is, however, a long and complicated one.

Obligatorischer Absatz: Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.

Obligatorischer Absatz: Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts ...

Three days after Russian tanks roll into Ukraine, President Volodymr Zelensky issues a desperate appeal for foreign military volunteers to help defend his country. Thousands answer the call from all over the world: some of them experienced soldiers, others novices who’ve never held a gun before. Among their ranks are high-minded idealists, adventure-seekers bored with civilian life, and ex-criminals seeking redemption – all risking their lives against the world's most vicious superpower.

On May 7, 1945, journalist Edward Kennedy bypassed military censorship to be the first to break the news of the Nazi surrender executed in Reims, France. While, at the behest of Soviet leaders, Allied authorities prohibited release of the story, Kennedy stuck to his journalistic principles and refused to manage information he believed the world had a right to know. No action by an American correspondent during the war proved more controversial.

¿Cuál será el estado de la sociedad y la política de nuestra república dentro de 70 años, cuando algunos de los niños que ahora van al colegio aún estén vivos? ¿Conservaremos un gobierno basado en la Constitución, en la igualdad de todos los ciudadanos ante la ley y en la pureza de la justicia, o nos gobernarán el dinero o la mafia? Joseph Pulitzer se lo preguntaba a principios del siglo XX, cuando por su iniciativa nacía la Escuela de Periodismo de la Columbia University de Nueva York.

in her exquisitely rendered, transformative memoir, Price describes how she broke free of that which had defined her childhood, to go on to create a purpose-driven life and family, on her own terms. From victim to advocate, from fearful child to empowered adult, and from despair to triumph, This Happened to Me is a story of astonishing resilience and breathtaking determination.

Dos cronistas argentinos viajaron a la península coreana sin cruzarse –uno al norte, el otro al sur– y contrastaron visiones sobre cómo se vive el último capítulo de la Guerra Fría. Corea del Norte llevó la idea del comunismo a un insólito sistema cuasi monárquico basado en la sacralización del líder, instalando una sociedad disciplinaria que encaja con el modelo panóptico de control teorizado por Foucault.

El asesinato como forma de ganarse la vida es la pregunta fundamental de esta crónica. La investigación aborda la figura del sicario —con sus días siempre al borde del abismo— como ineluctable resultado de la descomposición social y de la incapacidad del Estado para evitar que sigan proliferando.

Why do we write? What does it mean to be a writer? This book contains no useful tips on grammar, style, or plot. Instead, it focuses on the observation and perspective that is needed to be a good writer—on the fact that writing is an expression of the art of living. A lovely journey through a very Edwardian world.

Una mujer que asesina a tres amigas poniéndoles cianuro en la taza de té; otra que mató a su hija minutos después de parirla; un mago al que le falta una mano; un grupo de rock cuyo integrante más famoso tiene síndrome de Down, un cardiólogo que es doble de Freddie Mercury. Esta antología de crónicas, perfiles y textos que la autora publicó a lo largo de más de una década, constituyen una lección magistral de periodismo, muestran el mundo desde una perspectiva única, intensa y diferente, y tienen la capacidad de noquear al oyente.

Griselda Blanco murió asesinada en septiembre de 2012. Su muerte pasó desapercibida hasta que la prensa ató cabos y destapó el hecho de que se trataba de la conocida Viuda Negra, la Madrina, la mujer que puso en jaque a la justicia de EE.UU. y Colombia, que se hizo célebre por asesinar a cuatro de sus maridos, de allí el apelativo de Viuda Negra, y por haber sido la capo bajo cuya sombra se hicieron narcotraficantes como Pablo Escobar, quien heredó su negocio luego de que ella viajara a instalarse a los EE.UU. para desde allí dirigir el negocio en ese país.

El nombre de Alma Guillermoprieto es inseparable del auge que actualmente goza el periodismo narrativo. La autora lleva a sus lectores a conocer personajes extraviados en los confines de la globalidad, a emprender un viaje al corazón de la cultura que los hace posibles.