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There's a fender missing on the family car, and Molly's afraid to tell Fibber.

Frank takes another merciless ribbing about his physique. Frank, Bud, Lou, and Connie are back in school in Hasbrouck Heights, New Jersey. Who invented the steam engine? Not Watt! Frank and Lou sing a duet to "One Meatball". Frankie sings "If You Were But a Dream".

In The Six-Shooter, James Stewart starred as Britt Ponset, a drifting cowboy in the sunset years of the Wild West. Episodes ranged from straight Western drama to light and sentimental comedy. Stewart, being one of the reigning stars of Hollywood at the time, also brought his own touches to bear. His use of whispered narration during tense scenes created a heightened sense of drama and then relief when the situation was resolved.

In The Six-Shooter, James Stewart starred as Britt Ponset, a drifting cowboy in the sunset years of the Wild West. Episodes ranged from straight Western drama to light and sentimental comedy. Stewart, being one of the reigning stars of Hollywood at the time, also brought his own touches to bear. His use of whispered narration during tense scenes created a heightened sense of drama and then relief when the situation was resolved.

In The Six-Shooter, James Stewart starred as Britt Ponset, a drifting cowboy in the sunset years of the Wild West. Episodes ranged from straight Western drama to light and sentimental comedy. Stewart, being one of the reigning stars of Hollywood at the time, also brought his own touches to bear. His use of whispered narration during tense scenes created a heightened sense of drama and then relief when the situation was resolved.

In The Six-Shooter James Stewart starred as Britt Ponset, a drifting cowboy in the sunset years of the Wild West. Episodes ranged from straight Western drama to light and sentimental comedy. Stewart, being one of the reigning stars of Hollywood at the time, also brought his own touches to bear. His use of whispered narration during tense scenes created a heightened sense of drama and then relief when the situation was resolved.

A current affairs parody and stupidly feasible visit to the 24-hour Hall Of Opinion Mirrors. Because there are two stories to every story. In the first episode - 'Stalemate' - a new trend in children’s parties and an international humanitarian disaster come under the Agendascope™. Plus - should Britain seek the expert advice of wheelwrights and hubmen? In episode two, 'Timebomb', some exciting new old repeats on your TV, a new use for cardboard and shepherds pie quite literally sweeps the nation. Plus an extraordinary revelation about Kate Bush...

Miranda is an unconventional woman. She’s six feet tall, self-conscious and posh. And is frequently mistaken for a man. She’s also invested her inheritance in a joke shop that she runs with her friend Stevie while trying to deal with her outrageously embarrassing mother. Though surrounded by chocolate willies, Miranda is determined to suss out what it takes to be a girly girl and to not look a complete idiot every time she meets the gorgeous Gary.

Like its predecessor Dragnet, Tales of the Texas Rangers adapted actual police case files for its broadcasts. Leading each week’s investigation of an actual Texas Ranger case was the same Texas Ranger, Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present day, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn’t have a regular partner, typically working with the local sheriff instead (who was usually portrayed by Parley Baer).

Sir Arthur Conan Doyle’s detective genius, Sherlock Holmes, came to NBC radio in 1930 starring Richard Gordon. By 1939, Basil Rathbone was heard as Holmes with Nigel Bruce as Doctor Watson. The duo were simultaneously starring in a popular series of Sherlock Holmes features for Fox, and later for Universal. By the end of the feature run in the mid 1940s, Rathbone was eager to separate himself from the radio show to avoid being typecast. Tom Conway took over with Nigel Bruce continuing as Watson (in this pairing Nigel Bruce received top billing).

In 1952, radio program creator Lawrence Klee brought The Chase to NBC radio. Developed as a psychological drama, the premise was that many life situations place their subjects in a chase of one type or another. A chase for fame. A chase from peril. A chase to beat the clock. A chase to escape death. The added twist was the question of, who is the hunter or the hunted in these situations? The scripts were fast-paced, starring top New York talent. The plots focused primarily on fear-inducing pursuits of one form or another.

Humphrey Bogart began his screen career mostly playing gangsters due to his resemblance to John Dillinger. Bogart’s breakthrough from supporting roles to A-list stardom came with his performances in High Sierra and The Maltese Falcon. In between film work, he enjoyed appearing on radio, often with his wife, Lauren Bacall. Here are 14 examples of his radio work spanning 1943 until 1952.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready.

On the 31st of October 2019, Britain finally didn't quite yet leave the EU. To celebrate this, Matt Lucas and David Walliams returned for a special episode of their much-loved sketch show Little Britain, the hit comedy that moved from radio to TV in 2003, running for three series, and went on to win back-to-back BAFTA awards for best comedy programme. News of the show was kept secret right up to the moment Matt & David walked out on stage to a tremendous roar.

Named by Time as America's Favourite Humorist, the uniquely perceptive and hilarious David Sedaris reads from his essays and diaries for his seventh series for Radio 4. This is the complete recording of Meet David Sedaris Series Seven, which was broadcast on Radio 4.