検索キーワード： ストーリーテリングの技術

Bloomsday on Broadway celebrates June 16, 1904, the most famous fictional date in literature, when Leopold Bloom walked around Dublin in the pages of James Joyce's Ulysses. Since 1981, hundreds of acclaimed actors have joined avid Joyceans, writers, critics, and scholars on stage at Symphony Space to read selections from the book that heralded the birth of modern literature.

Drawing upon his childhood memories of West Texas, artist, musician, and writer Terry Allen has created this magical, multi-layered evening in the tradition of Southern story-telling. As Allen explains, “Dugout is a love story; an investigation into how memory is invented."

Two deeply funny stories by Stephen Glass; one about a battle of wills with his psychiatrist, and a bonus track about his dog's "problem".

Two deeply funny stories by Peter Mehlman. One is an epistle to Albert Einstein, and the other is about trying to have an opinion about our confusing world.

A deeply funny story by Jason Kordelos about his therapist's needs.

A deeply funny story by Dan Bucatinsky about letters to the prospective mother of his adopted child and to his own future self.

A deeply funny story by Kevin Nealon about his new home. This is a rare chance to hear Kevin writing for himself, and discover that his wit is as bright as his house. This piece was recorded at Un-Cabaret's reading series, Say the Word, featuring great comedy writers reading their own original first-person nonfiction at the Skirball Cultural Center in Los Angeles.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

Mike Daisey is a fierce storyteller, one minute hilarious, the next minute sweet, with a fine-tuned ear for digression. He circles in on his uneasy subject matter, closer and closer, until he exposes the raw heart. The New York Times calls him "the master storyteller" and he has been compared to Garrison Keillor, Spalding Gray, and David Sedaris.

The Teachers' Lounge is Bill Harley's newest spoken word recording: a collection of hilarious and dead-on observations about life in elementary school. On this latest recording, two richly detailed and plotted stories of his school experiences ("The Teachers' Lounge" and "The Science Fair") are coupled with three poems.

In the final play of a trilogy that began with Pretty Fire and continued with Neat, In Real Life finds Charlayne Woodard pursuing her dreams in New York City. From early days as a stuggling actor to being nominated for a Tony Award, the harsh realities of Broadway are balanced by the unusual and comforting characters that touched her life.

A Grammy-nominated recording artist, Bill Harley - songwriter, storyteller, author, playwright - is known as one of the finest family performers in the United States. His unique combination of song and story, silly and serious, has entertained families for 20 years, and led him to be called "the Mark Twain of contemporary children's music" by Entertainment Weekly.

In five autobiographical vignettes, Charlayne Woodard tells the moving and inspirational tale of her African-American family through three generations of love, struggle, and triumph.

In Neat, writer/performer Charlayne Woodard shares her memories of growing up black in America in the '60s and '70s. The play focuses around the life of Woodard's Aunt Beneatha, Neat, who was mistakenly fed camphor oil as a baby, resulting in permanent brain damage. Stories of family and of time spent with Neat are weaved together with touching results.

Everybody knows an Aunt Edith - picky, disagreeable, animal-hating, who couldn't possibly ever have been a kid herself. Well, if you know that Tricky is Jack's escape-artist hamster, you can just imagine the fun in the story "Aunt Edith Meets Tricky." This is just one example of the potential for silliness loaded in this engaging collection, in which master storyteller and songster Bill Harley presents originals, as well as his own, unique takes on old favorites. Others include "Wacka Wacka Woo," "Soap Soap," "Is Not, Is Too," "Tara and the Magic Sack," and "Aiken Drum."