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In Bright Boulevards, Bold Dreams, Donald Bogle tells - for the first time - the story of a place both mythic and real: Black Hollywood. Spanning 60 years, this deliciously entertaining history uncovers the audacious manner in which many Blacks made a place for themselves in an industry that originally had no place for them. Through interviews and the personal recollections of Hollywood luminaries, Bogle pieces together a remarkable history that remains largely obscure to this day.

Bradley Whitford is a West Wing alumnus and 2015 Emmy nominee for his Transparent role as Mark, Maura's tough friend who argues the hardest when they confront what it means to be true to themselves - and what it takes to break a secret. Bradley talks about his own family and his preparation for this role; his son reports, "Dad, this is the most excited I've ever seen you for a part!"

Veteran actor Titus Welliver (Lost, The Good Wife) talks about what it’s like to play the iconic Detective Harry Bosch. From becoming a leading man to the dramatic journey Bosch takes in season one, Titus opens up about bringing this much-beloved character to the screen.

Van Barnes, whose performance as the "Houston T-Girl" left a huge impression on viewers, shares what it was like to be an actor, set dresser, and transgender consultant on set. In this emotional and charismatic interview, she shares how her involvement in the TransFIRMATIVE action program changed the way Hollywood approaches and represents the transgender movement on set and on-screen - from writers and actors, to art directors and consultants.

Raynard Waits pays a visit—and we live to tell the tale. Actor Jason Gedrick talks about his role as Harry Bosch’s central antagonist, serial killer Raynard Waits. Keep your ears open for when Michael Connelly “pod-crashes” the episode to discuss Gedrick and his unforgettable performance.

Bosch Behind-the-Scenes is the Official Podcast of the critically acclaimed Amazon Original Series about LAPD homicide detective Harry Bosch -based on Michael Connelly's best-selling novels.

A look at some of the real-life experiences that helped bring Bosch to life and the production techniques that translate them to the screen. Veteran detective Mitzi Roberts opens up about her hallmark case - the pursuit and capture of real-life serial killer Samuel Little - and how it influenced Jason Gedrick's depiction of Raynard Waits. The producers describe the crucial role of postproduction in creating the dramatic scenes, with an exclusive breakdown of how specific action sequences were filmed and edited to achieve the show’s realism.

Jeffrey Tambor doesn't work without Marie Larkin, Transparent's hair and wigs guru. In this interview, she convinces us that half the puzzle of character development is solved in the hair studio. (She has enough wigs in her personal collection to furnish 60 extras with '90s locks!) Marie has worked with Jeffrey since the beginning of his career, and talks about their partnership that - despite getting off to a rocky start - ended up lasting a lifetime.

Bosch Behind-the-Scenes is the official podcast of the critically acclaimed Amazon original series about LAPD homicide detective Harry Bosch - based on Michael Connelly's best-selling novels. NOTE: Spoilers ahead! Key plot and character details are revealed from season one of Bosch. An in-depth look into how Bosch's creators strove to bring authenticity to the screen. Co-executive producer Pieter Jan Brugge discusses filming in Los Angeles and the cinematic qualities that give the series scope and scale.

In this exclusive podcast, author Michael Connelly and Executive Producer Henrik Bastin (The Killing, Burn Notice) discuss the creation and production of Bosch, from the origins of the series to how it found a home at Amazon to casting its star, Titus Welliver (Lost, The Good Wife). Connelly shares his experiences of working on the show, and offers Harry Bosch fans an idea of what they can expect from the much-anticipated series.

The untold story of the innovative pioneers who helped make movies the preeminent art form of the 20th century by founding the Academy of Motion Picture Arts and Sciences. The founders of the now infamous Academy were a motley crew as individuals, but when they first converged in Hollywood, then just a small town with dirt roads, sparks flew and fueled a common dream: to bring artistic validity to their beloved new medium.

The Divergent series is delighting the world with its epic of Tris and Four struggling through revolutions to create a better world. But there are deeper meanings and symbols beneath the surface. Why is it fitting that teens numbered three and four should remake the world? How many Biblical references appear? Why are ravens and crows such popular symbols? And what themes and images does this series share with The Hunger Games and all the other dystopias, past and present?

Google se prend pour Dieu : il veut "augmenter" l'homme et tuer la mort... pour les plus riches. Les autres deviendront les "chimpanzés du futur". Google considère la vie privée comme une anomalie et la surveillance comme un désagrément inévitable. Google milite pour la viande sans viande et la voiture sans conducteur. Google, champion des paradis fiscaux, exerce un pouvoir totalitaire : celui de faire vivre ou mourir les sites internet qui le concurrencent. Google est le leader de l'intelligence artificielle, qui pourra décréter un jour que l'homme est inutile.

The Shining, de Stanley Kubrick, cette histoire étrange située dans un hôtel où s’installent hors-saison un écrivain, sa femme et leur garçon aux pouvoirs extrasensoriels, a impressionné une foule de spectateurs depuis sa sortie en 1980. C’est à l’âge de dix ans que Simon Roy a découvert ce film, médusé par une réplique: «Tu aimes les glaces, canard?» Depuis, il l’a revu au moins quarante-deux fois, sans doute parce qu’il «contient les symptômes tragiques d’une fêlure» qui l’habite depuis des générations.

From "Over the Rainbow" to "Moon River" and from Al Jolson to Barbra Streisand, The Songs of Hollywood traces the fascinating history of song in film, both in musicals and in dramatic movies such as High Noon. This delightful book sheds much light on some of Hollywood's best known and loved repertoire, explaining how the film industry made certain songs memorable, and highlighting important moments of film history along the way.

Charlotte Stewart is known by millions of fans worldwide for her role as the beloved schoolteacher, Miss Beadle, on the iconic TV show, Little House on the Prairie, currently broadcast in syndication in more than 100 countries around the world. Here for the first time an adult cast member writes about the experience of making the show - the challenges, the joys, and the sometimes-turbulent behind-the-scenes relationships.

Rula Lenska's is an extraordinary life. Born in Britain to Polish aristocrats, refugees from the Nazis and then the Soviets, Rula found fame in the 1970s as Q in the TV series Rock Follies. Shortly afterwards she accidentally conquered America with the infamous VO5 hair advert, prompting Johnny Carson to ask, 'Who the hell is Rula Lenska?'

In "The Corpse as Big as the Ritz", Ron Rosenbaum, author of Explaining Hitler and master of the "investigation of investigations", gives us a Hollywood noir with shades of F. Scott Fitzgerald and Raymond Chandler: An inquiry into the "Dirty Little Death in the Desert" of David Whiting, the love-stricken business manager of actress Sarah Miles, who was found dead in the actress's hotel room during the filming of the Burt Reynold's Western The Man Who Loved Cat Dancing.

Yet another brilliant entry in Kenemore’s zombie canon - Cap’n Hook meets the undead. Set in the Caribbean of the eighteenth century, the epicenter of piracy, voodoo, and the dark arts, The Code of the Zombie Pirate reveals all the secrets to selecting, customizing, and managing a motley crew of pirates-cum-zombies.

He prepared therefore for the meditative journey that proves most excruciating in Limbo, a rounding through the past, a trip back! It is a venture full of perils. To meditate on TV might prove equal to writing a recollection of an enemy one has never met and cannot quite believe in. Indeed, how to conceive of an enemy who is without personal animosity? It was like writing a memoir of an oxymoron. Limbo set its tasks.