検索キーワード： 映画・テレビ

The eleven-year collaboration between Alfred Hitchcock and Bernard Herrmann is often called the greatest director-composer partnership in cinema history. Their eight films together include such classic thrillers as Vertigo, The Man Who Knew Too Much, North by Northwest, Psycho, and The Birds. In Hitchcock and Herrmann, Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann.

Carl Radke’s path from reality TV’s party-loving star to a life centered around recovery has been anything but straightforward. Famous for his role on Summer House, Carl’s journey in the spotlight has forced him to confront personal battles under public scrutiny. Beyond the cameras, he’s faced struggles with addiction, the weight of toxic masculinity, the heartbreaking loss of his brother and a quest to find real joy in a world that equates fun with alcohol.

This little book is packed with information on how to create compelling, complex 3-dimensional characters. Creating compelling movie characters is a big deal. Glossing over the intricacies of character is putting the screenwriter and ultimately, the feature film at a serious disadvantage. Movie-goers want to root for a character. They want to see conflicts between characters and they want to see how these conflicts are resolved.

Over the last two hundred years, Mary Shelley’s 1818 novel, Frankenstein or the Modern Prometheus has formed the basis of many motion pictures, theatrical productions, and television shows. The familiar tale of a scientist who attempts to create life from the body parts of the dead has been told as traditional drama, comedy and satire, Shakespearean tragedy, and absurdist melodrama. It has also inspired the work of other writers to create their own unique tales, like Maurice Renard’s The Hands of Orlac, Curt Siodmak’s Donovan’s Brain, Hanns Heinz Ewers’ Alraune, and many others.

In the rapidly evolving landscape of artificial intelligence, 2026 marks a pivotal year for creative production. Tools once confined to experimental labs are now indispensable for filmmakers, designers, podcasters, and marketers. This audiobook provides a comprehensive comparison of leading AI platforms across design, drawing, video production, and audio production. Drawing from the latest advancements as of late 2025, we examine capabilities, strengths, weaknesses, pricing, and real-world applications.

This engaging book by Jeff Rauseo blends film history with a modern guide to streaming, helping you navigate the complex history of movie making and ultimately how to know what to watch in the vast ocean of content. From the golden age of Hollywood to the best new movies to stream, Rauseo breaks down the ever-evolving movie watching experience to help us understand the good, the bad, and the ugly of streaming.

Un homenaje al cine español a través de una quincena de películas que el autor considera emblemáticas desde un punto de vista histórico.

Nobody knows exactly how many generations have passed since the catastrophic Event, leaving most of North America a wasteland roamed by the deformed, the doomed and the damned. But far beneath the poisoned terrain, an inhuman species of subterranean colonists has a plan to repopulate the planet. Their oily black fur glistens in the darkness. Their telepathic communication argues the details. Their long thick tails and razor-sharp incisors twitch with anticipation.

Woody Allen que durante las seis décadas que lleva haciendo cine ha escrito y dirigido cincuenta películas, nos relata sus primeros matrimonios: el más precoz con una novia de su adolescencia y luego con la maravillosamente divertida Louise Lasser, a quien es evidente que todavía adora. También escribe sobre su romance con Diane Keaton, con quien mantiene una prolongada amistad.

Ridley Scott's dystopian classic Blade Runner, an adaptation of Philip K. Dick's novel, Do Androids Dream of Electric Sheep?, combines noir with science fiction to create a groundbreaking cyberpunk vision of urban life in the twenty-first century. In his innovative and nuanced reading, Scott Bukatman details the making of Blade Runner and its steadily improving fortunes following its release in 1982.

This study of Jaws (1975) examines how Steven Spielberg's breakout film not only redefined the thriller but also pioneered the summer blockbuster, cementing his reputation as a master filmmaker. Against the odds of a catastrophic location shoot, 27-year-old Spielberg delivered a film so effective that it became the highest-grossing movie of its time, transforming Hollywood's approach to event cinema.

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic.

Stanley Kubrick hailed The Shining as 'the scariest horror film of all time' before its release in 1980. Though the film opened to poor reviews, it has since become one of the most admired horror films in cinema history. Exerting an enormous influence on popular culture, The Shining has spawned a vast array of interpretations and conspiracy theories. Roger Luckhurst's illuminating study explores the film's themes, tropes and resonances through a detailed analysis of sequences and performances.

Sofia Coppola’s Lost in Translation (2003) brings two Americans together in Tokyo, each experiencing a personal crisis. Both are distant — emotionally and spatially — from their spouses. They are lost until they develop an intimate connection. In the film’s poignant, famously ambiguous closing scene, they find each other, only to separate. In this close look at the multi-award-winning film, Suzanne Ferriss mirrors Lost in Translation’s structuring device of travel: her analysis takes the form of a trip, from planning to departure...

A legendary fusion of science fiction and horror, Ridley Scott's Alien (1979) is one of the most enduring films of modern cinema – its famously visceral scenes acting like a traumatic wound we seem compelled to revisit. Exploring the ways in which Alien compels us to think about otherness, Luckhurst demonstrates how and why this interstellar slasher movie, this old dark house in space, came to coil itself around our darkest imaginings about the fragility of humanity.

The Empire Strikes Back (1980), the second film in the original Star Wars trilogy, is often cited as the ‘best’ and most popular Star Wars movie. In her compelling study, Rebecca Harrison draws on previously unpublished archival research to reveal a variety of original and often surprising perspectives on the film, from the cast and crew who worked on its production through to the audiences who watched it in cinemas.

In this compelling study, Joshua Clover undertakes the task of decoding the film. Examining The Matrix's digital effects and how they were achieved, he shows how the film represents a melding of cinema and video games (the greatest commercial threat to have faced Hollywood since the advent of television) and achieves a hybrid kind of immersive entertainment. He also unpacks the movie's references to philosophy, showing how The Matrix ultimately expresses the crisis American culture faced at the end of the 1990s.

Guillermo del Toro's cult masterpiece, Pan's Labyrinth (2006), won a total of 76 awards and is one of the most commercially successful Spanish-language films ever made. Blending the world of monstrous fairytales with the actual horrors of post-Civil War Spain, the film's commingling of real and fantasy worlds speaks profoundly to our times. This study of Guillermo del Toro's cult masterpiece places 'Pan's Labyrinth' in its cultural and historical contexts, and provide an illuminating analysis of the film's techniques, themes and meanings.

Drawing on Daphne du Maurier's short story and contemporary newspaper reports of bird attacks in California, Alfred Hitchcock's The Birds (1963) featured Tippi Hedren in her first starring role. Camille Paglia's compelling study considers the film's aesthetic, technical and mythical qualities, and analyses its depiction of gender and family relations. A film about anxiety, sexual power and the violence of nature, it is quintessential Hitchcock.

In her insightful study of this classic, Gayatri Chatterjee draws on new research in the Mehboob studio archive to outline the film's eventful production history, the ambitious vision of its director, and the performances of its stars. Rooted both in Hindu mythology and in the collective experience of a newly-independent nation-state on the brink of industrialisation and social change, this family melodrama inexorably towards tragedy and renewal.