検索キーワード： 映画・テレビ

Written during the formative years of motion pictures, How to Write Photoplays (Third Edition) by Embrie Zuver is a practical, no-nonsense guide to storytelling in the silent-film era—when images carried meaning, structure was everything, and writers learned to think in reels rather than words.

The complete soundtracks of the seventh series of the evergreen comedy show – plus Christmas specials Debuting in 1981, Only Fools and Horses ran for more than two decades, clocking up 64 episodes and 16 Christmas specials. It drew record-breaking audiences, winning multiple BAFTAs and, in...

The complete soundtracks of the third and fourth series of the award-winning comedy show – plus Christmas specials First broadcast in 1981, Only Fools and Horses soon became a firm favourite with viewers, running for 22 years and 64 episodes and attracting record-breaking audiences. It...

The complete soundtracks of the last eight Christmas specials – plus The Only Fools and Horses Story documentary Running from 1981 to 2003, Only Fools and Horses grew into Britain’s most popular sitcom, with audiences of millions and a string of award wins. In 1996, more than 24 million...

The complete soundtracks of the fifth and sixth series of the much-loved comedy show – plus Christmas specials From 1981 to 2003, Only Fools and Horses followed the lives of lovable south London wheeler-dealer Del Boy and his hapless but loyal younger brother Rodney – winning the nation’s...

The complete soundtracks of the first two series of the iconic comedy show, plus Christmas specials Often voted Britain’s best-loved sitcom, Only Fools and Horses ran on BBC One from 1981 to 2003, spanning seven series and 16 Christmas specials. Created and written by John Sullivan, the show...

読めば読むほどアニメ鑑賞レベルが上がる！魔法の書『HUNTER×HUNTER』（新）、『はじめの一歩』、『しろくまカフェ』、『ポケットモンスター　メガボルテージ』など。

The enormously puzzling TV series The Prisoner has developed a rapt cult following, and has often been described as "surreal" or "Kafkaesque." Alex Cox watched all the episodes of The Prisoner on their first broadcast, at the ripe old age of thirteen. In I Am (Not) a Number, Cox believes he provides the answers to all the questions which have engrossed and confounded viewers.

A stunning and immersive retelling of Disney Beauty and the Beast, accompanied by SFX and music. Collect the whole Animated Classics series! Disney Beauty and the Beast is one of the best-loved films of all time and has been a family favourite for thirty years. Relive the magic through this...

Mais, loin d'être de simples contes de fée, ces dessins animés mythiques nous invitent à nous questionner sur notre rapport à la Nature, à l'animal et sur notre propre place sur Terre.

Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.

The eleven-year collaboration between Alfred Hitchcock and Bernard Herrmann is often called the greatest director-composer partnership in cinema history. Their eight films together include such classic thrillers as Vertigo, The Man Who Knew Too Much, North by Northwest, Psycho, and The Birds. In...

Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children's literature. Animating the Victorians: Disney's Literary History explores Disney's adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen.

Carl Radke’s path from reality TV’s party-loving star to a life centered around recovery has been anything but straightforward. Famous for his role on Summer House, Carl’s journey in the spotlight has forced him to confront personal battles under public scrutiny. Beyond the cameras, he’s faced struggles with addiction, the weight of toxic masculinity, the heartbreaking loss of his brother and a quest to find real joy in a world that equates fun with alcohol.

The following two recordings include Mr. Rogers' speeches for his 1997 Emmy Award, and his 1999 induction into the TV Critics' Television Hall of Fame. In the second clip, wheelchair-bound Jeff Erlanger, who had appeared on Mister Rogers' Neighborhood as a boy, surprises Mr. Rogers with his on-stage presentation. Mr. Rogers goes on to address the audience of television celebrities and producers, and asks the poignant question, "How do we make goodness attractive?"

This updated and expanded edition of A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. Succinct yet comprehensive, this edition provides new information on contemporary horror, comic book, and franchise films; issues surrounding women and minority filmmakers; the effects of the COVID-19 pandemic on movies worldwide; the shift from film to digital production; the rising use of artificial intelligence in cinema; and the impact of streaming on the industry.

If the West had its Swinging Sixties, Hindi cinema had its Seventies. Everything that journalists today call 'retro' when referring to Bollywood is a product of the 1970s. But to refer to the decade as 'swinging' and 'retro' is missing the wood for the trees. The 1970s is the most influential decade of Hindi cinema. Not the 1950s, not the 1960s which unapologetic nostalgists hark back to.

This book teaches the complex, sometimes confounding, and often beautiful art of directing live performance for videogames. Starting from a clear and comprehensive introduction to the nuts and bolts of directing on the motion capture floor and in the voiceover booth, the book dives deeper with concrete examples from the author’s 25-year career directing seminal games from the early years to today’s blockbusters.

This little book is packed with information on how to create compelling, complex 3-dimensional characters. Creating compelling movie characters is a big deal. Glossing over the intricacies of character is putting the screenwriter and ultimately, the feature film at a serious disadvantage. Movie-goers want to root for a character. They want to see conflicts between characters and they want to see how these conflicts are resolved.

Over the last two hundred years, Mary Shelley’s 1818 novel, Frankenstein or the Modern Prometheus has formed the basis of many motion pictures, theatrical productions, and television shows. The familiar tale of a scientist who attempts to create life from the body parts of the dead has been told as traditional drama, comedy and satire, Shakespearean tragedy, and absurdist melodrama. It has also inspired the work of other writers to create their own unique tales, like Maurice Renard’s The Hands of Orlac, Curt Siodmak’s Donovan’s Brain, Hanns Heinz Ewers’ Alraune, and many others.