検索キーワード： 映画・テレビ

From the Academy Award-winning actor and #1 New York Times bestselling author of Greenlights comes an inspiring, faith-filled, and often hilarious collection of personal poetry and prayers about navigating the rodeo of life and chasing down the original dream, belief. My prayers are my poems are...

■「この映画は出来ないんじゃないか」 かぐや姫が、それまで丹精込めてきた庭をメチャクチャにしてしまう中盤のシー ンを見ていて、私は高畑勲が必ず陥るという、作品の制作途中で「この作品を作 る意味があるのか」とスタッフに噛みつく瞬間を想起した。 「いま、この作品を作る意義があるのか？」を常に問いかける……といえばいか にも真摯なクリエーターの姿勢にみえるが、そう噛みついている時の高畑にはど こか、作品を「完成させたくない」という思いすらあるのではないか？ 音響制作デスクの古城環は、高畑のそうした態度を「土壇場で『そもそも論』に 戻る理不尽」と形容している。「大人の事情」は一切通じない人だと。 ジブリの若い社員が月曜から土曜まで日参し、毎日10～12時間話して、高畑がこの企画でやると言うまでにも数年がかかり、作業に入ってからも８年間。担当プロデューサーの西村は「この映画は出来ないんじゃないか」という局面に何度もぶつかったという。(本文より） 切通理作の「映画の友よ」はこちらから→http://yakan-hiko.com/risaku.html

Told in his own words, a very personal story from the star of many beloved and classic comedies, including Young Frankenstein, The Producers, and Willy Wonka and the Chocolate Factory Gene Wilder is one of the great comic actors who defined the 1970s and 1980s in movies. From his work with Woody...

Joining us at Audible Studios is award winning actress and national treasure, Miriam Margolyes. Though she might be remembered for her occasional profanity on air, or crude outburst, Miriam is also loved for her theatrical skill. We'll be asking Miriam Margolyes about her new book, and second memoir, Oh Miriam! We will find out what her most important life lessons are, what she thinks of being called a national treasure, and things will get a little lewd as we discuss how she loves to see people’s reactions.

This revised and updated edition is a complete resource for anyone who wants to write and produce a television drama series or create an original series, as well as for teachers in screenwriting classes and workshops. It leads listeners step-by-step through each stage of the development and writing process, offering practical industry information and artistic inspiration. This edition also takes listeners into the future, engaging provocative issues about the interface between traditional TV and emerging technologies.

For more than 15 years, Robert McKee's students have been taking Hollywood's top honors. His “Story Seminar” is the world's ultimate seminar for screenwriters, filmmakers, and novelists. Now, Robert McKee's Story: Substance, Structure, Style, and the Principles of Screenwriting reveals the...

Zombies in North London, death cults in the West Country, the engineering deck of the Enterprise: actor, comedian, writer, and self-proclaimed supergeek Simon Pegg has been ploughing some bizarre furrows in recent times. Having blasted on to the small screen in the gut-busting and now legendary sitcom Spaced, his enduring appeal and rise to nation’s-favourite-son status has been mercurial, meteoric, megatronic, but mostly just plain great.

In this compelling study, Joshua Clover undertakes the task of decoding the film. Examining The Matrix's digital effects and how they were achieved, he shows how the film represents a melding of cinema and video games (the greatest commercial threat to have faced Hollywood since the advent of television) and achieves a hybrid kind of immersive entertainment. He also unpacks the movie's references to philosophy, showing how The Matrix ultimately expresses the crisis American culture faced at the end of the 1990s.

Star Wars dominates the film world. The combined box office revenue of the Star Wars movies equates to over $10 billion, making it the second highest-grossing film franchise of all time. But this franchise is no blaster from the past. Its fantastically successful films have now been followed by multiple television series set in that same galaxy far, far away. The franchise’s flagship television series, and likely the firmest fan favorite for some time to come, is The Mandalorian.

数千の馬と幌馬車が砂煙をあげて疾走する。　　　　　　　　　　　　　　　　　巨匠フォードのスペクタクル西部劇。

You may have watched hundreds of episodes of The Simpsons (and its sister show Futurama) without ever realising that they contain enough maths to form an entire university course. In The Simpsons and Their Mathematical Secrets, Simon Singh explains how the brilliant writers, some of the mathematicians, have smuggled in mathematical jokes throughout the cartoon’s 25-year history, exploring everything from p to Mersenne primes, from Euler’s equation to the unsolved riddle of P vs. NP, from perfect numbers to narcissistic numbers and much more.

"Everything about me is in my films," Steven Spielberg has said. Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg's works for the light they shine upon the man himself. Through such powerhouse hits as E.T., Jurassic Park, and Indiana Jones, to less-appreciated movies like the haunting Schindler's List, Haskell shows how Spielberg's uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined.

拙著『本多猪四郎（ほんだ いしろう）　無冠の巨匠』の中の怪獣映画論でも言及したが、巨大な白いマッコウクジラ「モビイ・ディック」と人間たちの戦いが描かれる、1851年に書かれたハーマン・メルヴィルの小説『白鯨』は、怪獣映画史的にも重要な作品である。 非常に長部（ちょうぶ）であり、鯨の生態学的な記述や捕鯨技術の詳細がえんえんと続き、メインの人物が登場するのは読み始めてかなり経ってから……というこの小説は、一般には読みにくいものとして多くの読者を持てなかったが、実は映画化され、巨大なクジラが観客にイメージ出来るようになったことで、広く知られるようになったのだ。 文明史家、作家の原田実は著書『怪獣のいる精神史』において、これを、巨大生物の描写に映画という「動く視覚表現」が追いついた記録だとしている。(本文より）切通理作の「映画の友よ」はこちらから→http://yakan-hiko.com/risaku.html

Despite increasing corporate mergers and bottom-line thinking, the entertainment business will never function like a bank or an insurance company because it is an industry rooted in imagination. Rules are meant to be broken. The best work is often produced in an environment where plans change by the minute and nothing seems to make sense. To wit, those who choose this profession must alter preconceived notions of work itself, sometimes discovering that fantasy and horror describe both movie genres and life on the job.

中世イタリアを舞台に美男子ドン・ファンが繰り広げる大ロマンである。

To tie in with the release of his first James Bond film, Live and Let Die, Roger Moore agreed to keep a day-by-day diary throughout the film's production which was published just ahead of the premiere in July 1973. From the previous October, when he was unveiled as the new 007, through to his first scenes on location in New Orleans and his final shot in New York, Moore describes his whirlwind journey as cinema's most famous secret agent. Taking in the sights of Jamaica before returning to Pinewood Studios, Moore's razor wit and unique brand of humor is ever present.

青春映画の傑作として評価された『桐島、部活やめるってよ』（2012）の原作者である平成生まれの若手作家・朝井リョウの小説を映像化。監督は演劇集団『ポツドール』を主宰する劇作家・演出家で、映画では『ボーイズ・オン・ザ・ラン』（2010）や、自作舞台の映像化『愛の渦』（2014）等を手掛けた三浦大輔。 佐藤健（さとう・たける）、菅田将樹（すだ・まさき）、二階堂ふみ、有村架純（ありむら・かすみ）、岡田将生（おかだ・まさき）が演じる５人が、就職活動に悩むお互いを表面上では励ましながらも、水面下でけん制し合う若者たちを演じている。佐藤の先輩役として山田孝之（やまだ・たかゆき）も出演。 就活といっても、企業側が彼らをどういう基準で採用・不採用にするのかという基準は一切示されない。彼らの態度の何がプラスで何がマイナスだったのかも明示されないのだ。(本文より）切通理作の「映画の友よ」はこちらから→http://yakan-hiko.com/risaku.html

Bestselling true-crime master Harold Schechter explores the real-life headline-making psychos, serial murderers, thrill-hungry couples, and lady-killers who inspired a century of classic films.

After the collapse of the Soviet Union in the early 1990s, the timing appeared perfect to bring Sesame Street to millions of children living in the former Soviet Union. With the Muppets envisioned as ideal ambassadors of Western values, no one anticipated just how challenging and dangerous this would prove to be. In Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia, Natasha Lance Rogoff brings this gripping tale to life.

गुप्त तळघराचा माग सांगणाऱ्या कोळ्यांना बघून घाबरण्यासाठी रॉन झालेल्या रूपर्ट ग्रिंट याला अजिबातच अभिनय करावा...