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The Ecstasy of Being brings together seven of Campbell’s previously uncollected articles on dance, along with “Mythology and Form in the Performing and Visual Arts,” the treatise that he was working on when he died, published here for the first time. In this new collection Campbell explores the rise of modern art and dance in the twentieth century; delves into the work and philosophy of Isadora Duncan, Martha Graham, and others; and, as always, probes the idea of art as “the funnel through which spirit is poured into life.”

In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's runtime) in light of the technological changes that have taken place in the six years since its publication.

The celebrated ballerina and role model Misty Copeland shares the secrets of how to reshape your body and achieve a lean, strong physique and glowing health.

Ariana Grande captured the hearts of a nation with her One Love Manchester concert. Less than a fortnight after a terrorist killed twenty-two people at her Manchester show, the petite princess stood tall at her tribute concert that united and healed a shaken nation. She was the emotional core of a powerful evening that reminded us all of music's redemptive power. But who is Ariana Grande? This candid book traces the US pop star's story from her childhood in Florida, through her teenage years on Broadway and Nickelodeon, and on to her gleaming pop career.

Valahányszor olvasom, a Táncórák letaglóz, befon, felvillanyoz.Remekmű csupa nagy betűvel. Hrabal világcipésze a fecsegés Paganinije, egy Pepin Paganini. Zubog, gurgulázik belőle a nyelv, tehát az élet öröme, vagyis a szeretet, árad fontosságunk szép fölöslegessége, amiből és amik vagyunk. Parti Nagy Lajos.

For more than five decades, Twyla Tharp has been a phenomenon in American dance, a choreographer who not only broke the rules but refused to repeat her own successes. Tharp has made movies, television specials, and nearly one hundred riveting dance works. Her dance show Movin’ Out ran on Broadway for three years and won Tharp a Tony award for Best Choreography.

يذكر كتاب "أرباب بلاد الآلهة: الثيام" بثقافة منسية ومجتمعات كانت محيطة بها. والثيام هو شكل من أشكال الطقوس الدرافيدية لولاية كيرالا الهندية — البلد الخاص بالإله. إذ خصصنا هذا العمل لفناني "الثيام" الآلهة الحقيقية "للشعب من الشعب وإليه". كان لمؤلف الكتاب نعمة مذهلة تتمثل في مطاردة أنوار وصور بكاميراه أثناء أدواره الاستشارية والإدارية والتطوعية ورحلاته الاستكشافية في حوالي عشرين دولة على مدار العقود الثلاثة الماضية. وبالرغم من ذلك لم يكتشف مكانا آخر (غير كيرالا) يجتمع فيه أكثر من 500 إله على أرض واحدة وخلال موسم واحد. يقع أحد مواقع التراث العالمي لليونسكو بين س&#

The Taylor Book is the ultimate guide to a generation-defining pop sensation, packed with all the context you need to fully immerse yourself in the Swiftiverse. From her humble beginnings as a teen country artist to her record-obliterating Eras tour, Taylor Swift is a supernova that shows no sign of burning out. The Taylor Book explores the life of an icon

Le divinità del Paese di Dio attesta il ricordo di una cultura dimenticata e delle comunità che la circondano. Il Theyyam è una forma d'arte rituale dravidica del Kerala, in India, il Paese di Dio. Questo libro fornisce informazioni dettagliate sul Theyyam, bellissime immagini e centinaia di storie. Dedichiamo questo libro agli artisti che eseguono il Theyyam, veri e propri dei "del popolo, dal popolo, per il popolo.

Growing up, Alice Robb dreamed of becoming a ballet dancer. But by age fifteen, she had to face the reality that she would never meet the impossibly high standards of the hyper-competitive ballet world. After she quit, she tried to avoid ballet—only to realize, years later, that she was still haunted by the lessons she had absorbed in the mirror-lined studios of Lincoln Center, and that they had served her well in the wider world. The traits ballet takes to an extreme—stoicism, silence, submission—are valued in girls and women everywhere.

Para algunas personas, el tango es simplemente una actividad social. No posee un significado más profundo, ni constituye un camino. Solo se trata de unos cuantos pasos, mezclados y reciclados. Este libro no es para aquellas personas.

Vincent Paterson began his professional dancing career late in life. It would take an exceptional turn when he became one of the lead dancers in Michael Jackson's Beat It music video. Through hard work, he rises to the rank of choreographer and director for the world's greatest singers, but also for cinema and musical comedy. He tells with humility the fascinating universe of film sets, the rehearsal sessions where he had to orchestrate and synchronize dozens of dancers, and life backstage, where it is sometimes necessary to manage a few whims of the stars.

John W. Bubbles was the ultimate song-and-dance man. A groundbreaking tap dancer, he provided inspiration to Fred Astaire, Eleanor Powell, and the Nicholas Brothers. His vaudeville team Buck and Bubbles captivated theater audiences for more than thirty years. Most memorably, in the role of Sportin' Life he stole the show in the original production of Gershwin's Porgy and Bess, in the process crafting a devilish alter ego that would follow him through life.

From its modest beginnings in the 1960s in a Harlem church basement, to its meteoric rise to international fame, the Dance Theatre of Harlem ignited the world with one simple, still-revolutionary statement: All can do ballet. Into the 21st century, as the world, and the country, continue their historical struggles and triumphs, the story of this haven for dancers of all colors and backgrounds resonates more than ever. Here is the definitive portrait of the one-of-a-kind dance company that reflected—and shaped—our times, and whose enduring principle continues to inspire the future.

A Syria-born dancer offers his deeply personal story of war, statelessness, and the pursuit of the art of dance in this inspirational memoir.

"Als gäbe es keine Schwerkraft" ist nicht nur eine Hommage an das Tanzen - sondern vor allem an das wertschätzende Führen von Menschen. Denn je mehr es, gerade in modernen digitalen Zeiten, um das Erreichen von kreativen und innovativen Spitzenleistungen geht, desto offensichtlicher werden die Parallelen zwischen Kunst als Leistungssport und Performance im Management. Ein erfolgreiches Agieren in einer sich permanent verändernden, von Technologie getriebenen Welt stellt neue Anforderungen an Führungskräfte und fordert sie mehr als je zuvor als Mensch und Persönlichkeit.

When people ask me: “Why do you practice?” I tell them: “I practice for the opportunity to be more ME!” And this is why I wrote this guide: to help you form a constructive mentality around practice and change, help you fight mental icebergs that are keeping you back, help you set up your framework, your practice, your own Tango training, and your path to becoming more YOU every day!

HowExpert publishes how to guides by everyday experts. Lauren Dillon is a multifaceted writer who has been dancing classical ballet for over two decades. She has worked as a dance instructor for children and enjoys sharing classical ballet with others. If you are thinking about taking ballet classes, have a child who is starting to dance, or want to know more about ballet, then HowExpert Guide to Ballet is for you.

When the Nicholas Brothers danced, uptown at the Cotton Club, downtown at the Roxy, in segregated movie theatres in the South, and dance halls across the country, audiences cheered, clapped, stomped their feet, and shouted out uncontrollably. In Brotherhood in Rhythm, Constance Valis Hill interweaves an intimate portrait of these great performers with a rich, detailed history of jazz music and dance, both bringing their act to life and explaining their significance through a colorful analysis of their eloquent footwork, their full-bodied expressiveness, and their changing style.

Motsi opens up about the determination, hard work and resilience it took to get to where she is today from the moment she fell in love with the glitterball world as a young child watching a dance tournament whilst on holiday. She takes us back to growing up in apartheid South Africa where she experienced exclusion and discrimination, raising money to compete in cut-throat international competitions and the huge leap of faith she took giving up her law degree, moving to Germany to be with her dance partner and throwing everything in to becoming the best dancer she could be.