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This concise study examines how western histories and practices of theatre have functioned to achieve their effects, through understanding dramaturgy as the arrangement or structure of the work in time and space – both at the fictional level and in relation to performance. Exploring the relationship between plays and their meaning in production, this guide focuses on how understanding dramaturgy is critical to understanding how plays achieve their effects.

Theatre and tourism are kindred practices. Both engage their patrons in experiences of temporary escape to distant places, times, or different lives. Both stage expressive, communicative, embodied encounters in real time and space. Tourism and theatre are both sites of public pedagogy, cultural diplomacy, and cosmopolitan consciousness, promising pleasure and knowledge from the spectacle of others and elsewheres.

Theatre and Race centers on the interrelationship of the words on either side of the ampersand. It offers an accessible overview of how race is performed and how western theatrical practice has wrestled with the topic, question, and "problem" of racial difference over centuries. This study introduces critical and theoretical concepts to account for how the simple act of being attentive to the seeming "otherness" of another person within the expressive arts, as well as in everyday life, invites an engagement with the social history and lived experience of race.

In this book, she discusses running disabled-led Graeae theatre company for the past 30 years. She reveals her passionate and long-standing commitment to inclusivity and equality within the arts and how she and Graeae have made strides in the area, including the creative integration of sign language, captioning and audio description in performance.

The long-awaited memoir by the late, much-lauded theater and visual artist Robert Wilson Robert Wilson was a driving force in the avant-garde art and theater worlds for half a century: He was the creative mind behind the seminal Einstein on the Beach (1976), among dozens of other original works...

The untold story of the real, extraordinary people who inspired Christopher Isherwood's characters in Cabaret, the landmark Broadway musical and Oscar-winning film, and the vibrant Bohemia that escaped from Berlin or endured under the Nazi regime Even diehard fans of the movie remain unaware...

Brought to you by Penguin. A major and definitive portrait of Sir Michael Gambon, one of the greatest actors of the last fifty years who died in 2023 Jasper Rees, the acclaimed Sunday Times bestselling author of Let’s Do It: The Authorised Biography of Victoria Wood, interviewed Gambon more...

A vibrant celebration of Andrew Lloyd Webber’s iconic multi-award winning musical, exploring its rich history, with letters from its cast, crew, and global fanbase, and featuring exclusive photos and archival materials. Since its opening night in 1986, Phantom of the Opera has become not only...

This is the story of the real battle for Broadway, where the men who controlled the business determined not only who produced for the theatrical and vaudeville stage but also what they produced, who would perform, where the show would play, how much the audience would pay, and how those profits would be divided. Discover how it took the law nearly sixty years to catch up to the illegal anticompetitive strategies of the Barons of the Gilded Age and their successors and why this story matters today.

Antigone is universally celebrated as the ultimate figure of ethical resistance to the state power which oversteps its legitimate scope and as the defender of simple human dignity. But is she really so innocent and pure? What if there is a dark side to her? What if Creon, the representative of state power, also has a valuable point to make? And what if both Antigone and Creon are part of a problem that only a popular intervention can confront?

Using detailed contemporary case histories, theatre artist, scholar and activist Ali Campbell demonstrates how the underlying principles of Boal's practice are today enacted in the work of - among others - an urban network (Theatre of the Oppressed NYC), a rural and developmental theatre organisation (Jana Sanskriti, West Bengal), Boal's original company CTO Rio (Brazil), and a theatre-based group led by learning-disabled adults in the UK (The Lawnmowers Independent Theatre Company).

The Anatomy of Art reconnects you with the creative current already moving through you. A choose-your-own-adventure for performing artists, it offers 1000+ questions, frameworks, and field-tested scores that reveal options, deepen rigor, and help you trust yourself. Twelve elements—Time, Space, Relationship, Meaning, Environment, Process, Facts, Faith, Communication, Material, Context & Culture, and Priorities—create a working map for practice and performance.

Legendary actress Diana Rigg was a force to be reckoned with. Her 50+-year, multi-award-winning career included everything from the iconic smart-talking, cat-suited Emma Peel in the Avengers to being the only Bond girl 007 ever married, to iconic stage performances in Mother Courage, Jumpers and...

With a focus on the processes within each stage of creation and the key roles involved, the book offers insights into the benefits of using puppetry in your performance; how to research and design your puppets; how to perform with a puppet, from the technical considerations to character acting; how to maintain your puppet and even repair it during a production; how to pursue a career in puppetry.

The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations.

Much of the theatre we make starts with a script and a story given to us by someone else. But what happens when we're required to start from scratch? How do we begin to make theatre using our own ideas, our own perspective, our own stories? A Beginner's Guide to Devising Theatre, written by the artistic directors of the award-winning young people's performance company Junction 25 and is aimed at those new to devising or wanting to further develop their skills. It explores creative ways to create original theatre from a contemporary stimulus.

Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance, exploring ease and focus, the nature of action, interaction and objectives, the imaginary reality, senses and feeling, active analysis of text, physical and vocal expression of character, the actor in the context of training and the industry.

In Arthur Miller's New York Stephen Marino offers a rich, panoramic study of NYC across all of Miller's oeuvre, exploring how Miller transformed the defining experiences of his youth and early adulthood – formed on the streets and in the neighborhoods of the New York boroughs of Manhattan, Brooklyn, and Queens – into art. A crucial component of his creative DNA, NYC figures prominently in Miller's dramatic work: Death of a Salesman, A Memory of Two Mondays, A View From the Bridge, After the Fall, The Price, The American Clock, The Ride Down Mt. Morgan, Broken Glass, and Mr.

This Critical Companion to the American Stage Musical provides the perfect introductory view for students of theatre, music and cultural studies. It traces the history and development of the industry and art form in America with a particular focus on its artistic and commercial development in New York City from the early 20th century to the present.

Most students encounter drama as they do poetry and fiction – as literature to be read – but never experience the performative nature of theater. How to Teach a Play provides new strategies for teaching dramatic literature and offers practical, play-specific exercises that demonstrate how performance illuminates close reading of the text. This practical guide provides a new generation of teachers and theatre professionals the tools to develop their students' performative imagination.