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With in-depth and accessible insight, How Sondheim Can Change Your Life makes the case that the greatness of Sondheim’s brilliance—beyond the clever lyrics and adventurous music—rests in his ability to tell universal stories that relate to us all. From Louise’s desire for freedom as Gypsy Rose Lee to Sweeney Todd’s thirst for revenge, and beyond, we as an audience can easily relate to Sondheim’s characters. His works understand us as much as we understand them.

Every time you deliver a speech, give a presentation, or simply tell a good story, you are taking centre stage. Here, one of the world’s leading voice coaches introduces the simple exercises that great actors use to hold people’s attention – and reveals how anyone speaking in public can use them. Drawing on 25 years working at London’s National Theatre, Jeannette Nelson explains how to warm up your voice and body before a big speech, how focusing on your breathing can improve your clarity and pace, and much more.

The only person ever to win Oscar, Emmy, and Tony awards in the same year, Bob Fosse revolutionized nearly every facet of American entertainment. His signature style would influence generations of performing artists. Yet in spite of Fosse’s innumerable—including Cabaret, Pippin, All That Jazz, and Chicago, one of the longest-running Broadway musicals ever—his offstage life was shadowed by deep wounds and insatiable appetites.

From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. The Playbook takes us through some of its most remarkable productions.

The Provincetown Players created a revolution in American theatre, making room for truly modern approaches to playwriting, stage production, and performance. In Staging America, Jeffery Kennedy gives the unabridged story in a meticulously researched and comprehensive narrative that sheds new light on the history of the Provincetown Players. At the center of the study is an extensive account of the career of George Cram Cook, the Players' leader and artistic conscience, as well as one of the most significant facilitators of modernist writing in early twentieth-century American literature.

Embark on your Musical Theater journey with this essential guide! Discover the enchanting world of live performances, where the magic of actors, songwriters, and designers unfolds right before your eyes. This guide is your gateway to the awe-inspiring realm of musical theater, packed with family-friendly recommendations and insights.

Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio.

Das stetige Erstarken der Familien der flugfähigen Drachen ist der abtrünnigen menschengestaltigen Linie der Wolkenfelser seit langem ein Dorn im Auge. Weil alle direkten Versuche, den großen Drachen zu schaden, durch Lady Tessa erstickt werden, versuchen Sie, die beiden Königreiche des Clans gegeneinander auszuspielen und Tessas Reich von innen zu zersetzen. Als sie die menschliche Gefolgschaft, die Familie des Herrn des Weihergutes, überfallen, ahnen sie nicht, dass sie ihr eigenes Ende einläuten, erst recht nicht, wer es ihnen bereiten wird.

In early 2019, when playwright Kirk Wood Bromley was diagnosed with cancer, his fans and collaborators came together to fund and record three of his plays, one of which was Icarus and Aria, an "upgraded Romeo and Juliet" that was originally performed under the dramatory of Aaron Beall at the first New York International Fringe Festival in 1997. This full cast performance was directed by Joshua Spafford.

It’s the middle of the night in Tehran when Michael arrives at the apartment of his ex-girlfriend, Shima. He finds her anxiously awaiting a mysterious visitor and fears he’s interrupted a tryst, only to gradually learn that the truth is much stranger and more sinister. What follows is a series of cunning detours in this atmospheric and elusive odyssey that challenges expectations and assumptions at every turn.

Created by The Meteor, In Love and Struggle, Vol. 3 brings together a group of visionary Black women and nonbinary people for a series of unforgettable evenings filled with storytelling, music, comedy, and monologues. This year’s theme is inspired by science-fiction writer Octavia Butler and other futurists, featuring an outstanding, eclectic, wildly creative cast.

O Auto da Compadecida consegue o equilíbrio perfeito entre a tradição popular e a elaboração literária ao recriar para o teatro episódios registrados na tradição popular do cordel. É uma peça teatral em forma de Auto em 3 atos, escrita em 1955 pelo autor paraibano Ariano Suassuna. Sendo um drama do Nordeste brasileiro, mescla elementos como a tradição da literatura de cordel, a comédia, traços do barroco católico brasileiro e, ainda, cultura popular e tradições religiosas. Apresenta na escrita traços de linguagem oral [demonstrando, na fala do personagem, sua classe social] e apresenta também regionalismos relativos ao Nordeste.

The winner of 11 Tony awards for the 2015-16 season, Lin-Manuel Miranda's "Hamilton" is a breathtaking musical based on the life of American Founding Father Alexander Hamilton. The ground-breaking musical, filled with both hip-hop and traditional Broadway songs, tells the story of Hamilton, whose life included poverty, loss, political success and a great love story has surprising relevance to our world today.

This is a full recording of Daniel Martin Berkey performing the play Remission, which Backstage magazine called "mind-blowing" and NYTheater called "90 intense and harrowing minutes of spectacular wordplay".

"Für sein legendäres Bühnenprogramm "Das ist ein Theater!" mit den amüsantesten Theater-Anekdoten aus fünf Jahrzehnten im Scheinwerferlicht erntete und erntet Heinz Marecek immer wieder aufs Neue tosenden Applaus. Nach über 4.000 Vorstellungen, vielen Dutzend Inszenierungen und Kinofilmen sowie hunderten Fernsehproduktionen blieben jedoch noch zahlreiche Geschichten unerzählt. So darf man sich nun auf die lange herbeigesehnte Fortsetzung von Heinz Mareceks Erfolgsprogramm freuen. Seine selbst durchlebten, bühnenreifen Erzählungen stehen dabei heitere Bonmots berühmter Theaterautoren gegenüber.

Среди книг западной беллетристики, изображающих жизнь театральных подмостков, Актриса - классическое произведение, может быть, лучшее, что написано в этой области. Эдмон де Гонкур дал в Актрисе своеобразное сочетание романа и исследования, сплетающихся, дополняющих друг друга и освещающих судьбу и творчество главной героини произведения, Жюльетты Фостэн, великой актрисы, вылепленной Гонкуром наподобие знаменитых трагических артисток французской сцены.

Friedrich Schiller, frisches Mitglied der "Deutschen Gesellschaft", einer Vereinigung, die sich um die deutsche Sprache bemühte, wollte sich 1784 um die Stelle des Sekretärs der Gesellschaft bewerben. Er hielt bei seiner Bewerbung eben diese Rede über die "Schaubühne als moralische Anstalt." Seiner Meinung nach diente die Bühne als eine moralische Anstalt, eine Schule praktischer Weisheit, als gesellschaftspolitische Anstalt, als Instrument der Aufklärung und nicht zuletzt als ästhetische Bildungsanstalt.

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

Чайка — знаменитая комедия Антона Павловича Чехова (1860–1904), великого русского писателя. В основе сюжета пьесы — чувства Константина Треплева и Нины Заречной и их сложный жизненный выбор: известность, слава или настоящая любовь. Одной из особенностей произведения является то, что в ней отсутствуют обязательные для жанра драматургии элементы: динамичный сюжет и зрелищные события. Почитатели творчества А. П. Чехова получат огромное удовольствие от прочтения этого произведения. Чехов Антон Павлович — автор знаменитых рассказов, повести "Палата № 6", пьес "Вишневый сад" и Чайка.

Only one performance style has dominated the lexicon of the casual moviegoer: "Method acting." The first reception-based analysis of film acting, Imagining the Method investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.