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This hybrid engineering reference and improv manual gives practical tips on how to boost design skills and design thinking with improv exercises. It pushes designers to trust their teams, take initiative, focus on the customer, and better transform abstract ideas into reality. Engineers, artists, makers, software developers, and entrepreneurs will find the most benefit from this guide, especially if they work in teams and strive to innovate. Teachers and trainers can also use this guide to supplement their lessons in design.

In un teatro, in cui si sta provando una rappresentazione, irrompono sei "personaggi" che dotati di vita reale cercano un autore che gli permetta di realizzare e rappresentare il loro dramma. Quest'opera teatrale fu rappresentata per la prima volta il 9 maggio 1921 al teatro Valle di Roma (dunque nel 2021 ricorre il centesimo anniversario), ma in quell'occasione ebbe un esito tempestoso, perché molti spettatori contestarono la rappresentazione, sorpresi dalla novità della stessa che rappresenta il teatro nel teatro e uno dei primi esempi di teatro dell'assurdo.

What does it mean to live in your skin as a Black woman in 2021? There is no one answer - but in this powerful, spellbinding audio special, there are 11, told by women ranging in age from 17 to 91. Together, they share stories about love, work, microaggressions, mothering - about the way the world breaks your heart and how other Black women heal it.

Una ácida crónica vital que el autor dedica a las dos pasiones que han marcado su vida: el fútbol y el teatro. Humor, vivencias, deporte y arte se dan la mano en este audiolibro inolvidable que, en última instancia, habla de todos nosotros.

Kleist über Menschen, Marionetten und das Theater, gelesen von Rolf Boysen. "Über das Marionettentheater", ein geistreicher Dialog über Schauspielkunst und Theater, diskutiert das Verhältnis von Bewusstheit und Überlegung zu natürlicher Anmut und Grazie. Ergänzt durch weitere Texte und Briefe ergibt sich ein umfassendes Bild von Kleists Theater- und Kunstauffassung.

Harvey Fierstein’s legendary career has transported him from community theater in Brooklyn, to the lights of Broadway, to the absurd excesses of Hollywood and back. He’s received accolades and awards for acting in and/or writing an incredible string of hit plays, films, and TV shows.

Did you know that only one in five musicals recoup the initial costs of production? In Marketing Broadway: The Business Behind the Art, you'll learn precisely what makes a successful Broadway show. Marketing Broadway is for anyone who wants to know why good shows don’t always succeed. It’s for the theater aficionado, the business person, but most importantly, it’s for the artist in you!

50 Things to Know About Majoring in Theater by Becca Johnson offers an approach to helping prospective college students know what to expect when going to college for a theater degree. Most books on majoring in theater tell you only about one specific area of theater. Although there's nothing wrong with that, this book delves not only into multiple concentrations, but about studying theater as a whole.

Theatrical gender-bending, also called drag, is a popular form of entertainment and a subject of scholarly study. However, most drag studies do not question the standard words and ideas used to convey this performance genre. Drawing on a rich body of archival and ethnographic research, Meredith Heller illuminates diverse examples of theatrical gender-bending.

A poignant exploration of memory, loss, and regret entwined with the realization of hope for the future. An elderly couple Sheila and Ted live in domestic contentment until one morning they receive some unexpected news. They begin to discuss their pasts and reflect on the missed opportunities and regrets of their lives, each revealing truths that the other had never known.

Born and raised in a small town in Massachusetts, Scott grew up reading spy novels and watching old movies on VHS. Getting his BFA in theatre led to broadcasting and a stint as a top 40 DJ. He moved to New York where he started working in talent management and began to see some early scripts get optioned. He has had several scripts optioned, written works for hire, and excels at adaptations.

Ms. Sun is a charming, cash-strapped teaching artist put in charge of a rambunctious group of 10th graders at a public school in the Bronx. While directing her students in a play, Ms. Sun must lift them up while everything around them is falling apart. Written and performed by acclaimed playwright Nilaja Sun and based on her eight-year experience with arts education in New York City, No Child is an inspiring, multi-character solo show that examines America’s broken school system - and reveals the life and love that fill every classroom.

Tony Award® nominee Joe Morton and stage veteran Sally Murphy star in this award-winning play based on a tragic true story. Using excerpts from real newspaper transcripts, Brutal Imagination reexamines the case of Susan Smith, a white mother who falsely accused a Black man of carjacking her and kidnapping her two young children.

The Barrymores were “The Royal Family of Broadway”, and Ethel Barrymore was their queen. Along with her brothers, Lionel and John, she was a legendary presence in the theatre and in motion pictures during the first half of the 20th century. In fact, the Barrymores and the Drews were a theatrical family that dated back many generations.

It’s 1949 in Detroit’s Black Bottom neighborhood, and there’s no better place to hear or play jazz than Paradise Club. Blue (Emmy and Grammy Award winner Blair Underwood), club owner and trumpeter, can wail like no other, but as forces outside the club conspire to irreparably change life inside and outside Paradise’s walls, he must decide whether to stay or sell. Beholden to his girlfriend (Grammy Award winner Kristolyn Lloyd) and fellow bandmates (André Holland and Keith Randolph Smith), Blue faces an uncertain future as he reckons with his troubled past.

Ben is having a difficult week. After five whole years of “drinking from Mommy’s boobies”, he suddenly has to step aside for his new baby sister, Beatrice, who may or may not be human. Mommy says he has to “support her appearance no matter how humiliating it is for us as family”, but that’s hard to do when your sister has branches for arms and legs.

Michael B. Druxman’s one-person play, Ronald Reagan: Movie Star, joins the actor in 1949, when he has just lost a major film role to Errol Flynn. Indeed, not much in his life seems to be going well at this time. Divorced from actress Jane Wyman, his recent romance with Patricia Neal has also taken a wrong turn after she discovered Gary Cooper.

Christopher Lee: A One-Person Play by Michael B. Druxman (Lee’s one-time publicist), joins the actor in 1976, as he is about to depart his home in England for the United States. It is his hope that, in America, he will be able to abandon the horror genre, and find a greater variety of roles.

Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City during what is now known as the golden age of musical theater. Toward the latter half of the 20th century, decentralization and deindustrialization brought the emergence of nationally distributed regional theaters and performing arts centers.

Abe Vigoda worked as an actor for all of his adult life. He did theatre...He did television...But it wasn’t until he was 50-years-old that he got a role where the public even noticed him. He played Tessio in The Godfather. Michael B. Druxman’s humorous one-person play, Abe Vigoda, finds the actor with a major problem. The press has, erroneously, announced that he is dead, and his agent’s phone has stopped ringing. Now, Abe has to convince the entertainment industry that he is still with us.