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A Broadway understudy faces his worst fears when he has to go on at the last minute for the star of one of the biggest hits in musical theatre history, Mel Brooks’ The Producers. If he fails, he knows it’s curtains for his career.

Wanting to be a dancer while growing up in a large military family made Christine Barker somewhat of a black sheep, but she followed her dreams to New York City, where—in a moment of almost unbelievable good fortune—she was chosen for the London cast of A Chorus Line. London, and then New York, in the '70s and '80s opened up Christine’s world. The creativity, culture, and nightlife were intoxicating, enough so to compel her older brother Laughlin to join her. Once there, the divorced father, veteran, and corporate lawyer met rising fashion star Perry Ellis.

With clarity and insight, Richard Brestoff introduces the great acting teachers, explaining their techniques and how they are applied today. Beginning with Quintilian and Delsarte, he guides us to the present with an inside look at what is currently being taught in the major acting schools and private acting studios; The Actors Studio, Yale University, NYU, Juilliard and many more are visited. The Great Acting Teachers and Their Methods will help you understand the most important ideas about acting, where they originated and how they are used in training programs today.

No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters―and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels. This is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century’s most beloved Black performers.

A daughter longs to guide her mother through the hardest of journeys of memory loss, paving a way with her own remembrance; for memory is an actor’s most powerful tool. Before the settling and subsidence of life, Hayley prepares to perform a show to honour her mother, Joan.

Não há última deixa: mesmo com todos os preconceitos e mortes anunciadas, o teatro existe desde que existe o mundo. E, durante a pandemia CoVid-19, continuou a existir. O que se lê neste livro comprova isso mesmo e, mais ainda, que um espetáculo teatral é um ser vivo que nasce e morre todos os dias e cuja existência depende de uma grande equipa. Este é o álbum de família da peça Só Eu Escapei, levada à cena no Teatro Aberto, em Lisboa, entre o Outono de 2020 e a Primavera de 2021.

Take It Easy™ isn't about a new way of doing improv, nor is it meant to replace your own style or approach. Instead it's a mindset that can inform your performance and your approach to improvisation. The exercises and ideas in here will give you more freedom onstage, help you be less attached to the outcome and more in the moment, and generally see you having more fun.

Listen as stage and screen performer Jason Gotay (Gossip Girl, Evita) brings his breathtaking vocals and gift of storytelling to a musical narrative about his journey to self-acceptance. With soulful interpretations of musical theater selections and pop favorites, the Bring It On: The Musical actor walks us through transformational moments of his past while paying homage to the fierce women who have inspired him.

A soul-stirring new musical conceived by New York Times best-selling novelist Jodi Picoult and playwright Timothy Allen McDonald, Breathe places listeners inside the walls of five homes during the early days of the COVID-19 pandemic. Filled with songs and vignettes that examine new relationships, rekindling flames, parenting, racial reckoning, and grief during a pandemic, this incredibly timely world premiere—written and produced online in 2020 in real-time as events unfolded—reflects the very topics that weighed on the hearts and minds of Americans.

It’s the artist’s age-old dilemma: follow your conscience or follow the cash. So when a canceled movie star reaches out to up-and-coming writer Ivey Viola to discuss a mysterious project, she uses the opportunity to escape mid-pandemic New York for his private island with her roommate in tow. However, once on the island, she realizes that the cost of working with the toxic, closeted actor might be more than she’s willing to accept...or can refuse.

In 2017, New Yorker staff writer D.T. Max began working on a major profile of Stephen Sondheim that would be timed to the eventual premiere of a new musical Sondheim was writing. Sadly , that process – and the years of conversation – was cut short by Sondheim’s own hesitations, then the global pandemic, and finally by the great artist’s death in November 2021.

Good Morning, Olive (named for one of the most beautiful and temperamental of Broadway's ghosts) is about the ghosts that haunt theatres in New York and around the world. Broadway is the playground of stars, so it's probably not surprising to learn that even its ghosts are stars. Meet some of Broadway's best known—and most active—celebrity ghosts. Don't worry: like Casper, they tend to be friendly. For the most part.

The Music Man stands as one of the greatest achievements in American musical theatre, but few know about its rocky beginnings and the against-all-odds success story of its creator, Meredith Willson. Mark Cabaniss steps back into the Golden Age of Broadway and brings to life the origins of this classic show, the music behind it, and the unlikely story of its creator. Interweaving behind-the-scenes accounts of people who worked with Willson, Cabaniss looks at his long and unusual career as a composer, conductor, radio personality, and flutist.

Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller, the playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication. Organized around the fault lines of Miller’s life—his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller’s role as a public intellectual—this book demonstrates the synergy between Arthur Miller’s psychology and his plays.

Dangerous Theatre records the activities of the various organizations of the Federal Theatre Project involved with fostering the writing and production of new plays during the FTP's existence (1935-39). It presents a comprehensive and thorough picture of how playwrights actually worked and how their work was received by general audiences and critics.

The definitive memoir of David Williamson, author of iconic dramas such as The Removalists, The Club, Don's Party, Emerald City and Travelling North, as well as more than fifty other plays, explores the life of the writer and the true stories and real lives that inspired his works. A powerful force in theatre since the 1970s, Williamson's plays have uniquely explored the pulse of our Australianness.

In 1978 Andy Warhol and Truman Capote decided to write a Broadway play. Andy suggested that he record their private conversations over the period of a few months, and that these tapes would be the source material for the play. The tapes were then filed away and forgotten. Their play was never completed. Now, award-winning director Rob Roth brings their vision to life after a years’ long search to unearth the 80 hours of tapes between two of the most daring artists of postwar America.

Amber Iman’s powerful concert melds her onstage work in shows such as Shuffle Along and Soul Doctor with her work offstage as a founding member of the Broadway Advocacy Coalition and Black Women on Broadway. Using personal stories and songs, she takes the audience on a journey through love, rejection, race, artistry, and heartbreak in a performance that challenges, encourages, and uplifts, reminding us that we have the capacity to move forward from any setback.

When Mexican-born novelist Lucia lands her first TV writing job, she immediately feels out of place in the White, male-dominated writers' room. Before long, she’s drawn to the only other Latino around, a janitor named Abel, and the two begin an unlikely friendship—one that’s tested when Abel’s confidences start showing up in Lucia’s scripts.

Sondheim in Our Time and His offers a wide-ranging historical investigation of the landmark works and extraordinary career of Stephen Sondheim, a career which has spanned much of the history of American musical theater. Each author uncovers those aspects of biography, collaborative process, and contemporary context that impacted the creation and reception of Sondheim's musicals. In addition, several authors explore in detail how Sondheim's shows have been dramatically revised and adapted over time, bringing together his past with the present, thriving existence of his musicals.