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When does popular entertainment become art—and who is responsible when it does not? In The Theatre, celebrated drama critic George Jean Nathan delivers a sharp, unapologetic assessment of the American stage during the early twentieth century. Nathan examines a theatrical culture in which safe...

Now in a second edition, Theatre Studies: The Basics is a fully updated guide to the wonderful world of theatre. The practical and theoretical dimensions of theatre – from acting to audience – are woven together throughout to provide an integrated introduction to the study of drama, theatre...

On ne badine pas avec l'amour d'Alfred de Musset est un classique du theatre romantique francais. Cette version audio integrale en francais propose une interpretation dramatique full cast, avec des voix distinctes pour les personnages et une mise en scene sonore pensee pour l'ecoute. Entre...

When her high school drama club chooses Phantom as their annual production, she lands the coveted lead, but stepping into Christine’s shoes comes with more than just stage lights and romance. She finds herself torn between two co-stars—Tom, the golden-boy athlete playing the dashing hero, and Justyn, the enigmatic Goth who is almost too convincing as the tortured Phantom. As rehearsals begin, the drama doesn't stay onstage. Curtains fall, mirrors shatter, and chilling messages echo lines from the script.

Ein Essay über Theater, Moral und die gesellschaftliche Verantwortung der Kunst. Schiller zeigt darin, wie das Theater als Bühne der Menschlichkeit wirken kann: nicht nur zur Unterhaltung, sondern als Ort der sittlichen Bildung, Reflexion und gesellschaftlichen Erneuerung. Mit leidenschaftlicher Rhetorik und philosophischer Tiefe erklärt Schiller, warum die Kunst – insbesondere das Drama – eine zentrale Rolle für das ethische Bewusstsein der Gesellschaft spielt.

Adapted from Mary Shelley's masterpiece, THE DEVIL I MADE is a musical audiodrama charting Victor Frankenstein's cautionary journey: from creating new life... to living with the terrible consequences of it. Written by Logan Reynolds, with music by Timothy Brunskill. CAST: Victor...

“Acting is a reflex, a mechanism for development and survival.... It isn’t ‘second nature,’ it is ‘first nature.’” —Declan Donnellan This immensely popular and ever-practical book on acting takes a scalpel to the heart of actors’ persistent fears, helping them to release their...

Shakespeare's most powerful female character, her historical inspiration, and her reinventions in performance through the centuries. She is more violent than Lady Macbeth, more complex than Ophelia, more strategic than King Lear’s daughters. She is the only Shakespearean character, male or...

Throughout the twentieth century, in theaters, ballrooms, and nightclubs, dancers blazed trails of resistance and revolution. From the exuberant endurance of dance marathons during Prohibition to the militant precision of the Rockettes through WWII and the strait-laced fifties; from the aloof...

In Hamlet, Shakespeare's play, a ghost tells a prince a terrible tale. ‘Is it true?’ the prince asks himself. This book asks, and answers, that same question. A ghost is something one may see and believe or look through and doubt. Doubt runs through the entire play. But it is in how...

Written in two parts in an accessible, conversational style, this book is more than a ‘how-to’ primer on the cue-script method: how Shakespeare and his actors staged his plays with minimal to no full company rehearsal. In Part 2, the author (a professional actor, director and academic...

A groundbreaking history, decades in the making, that chronicles how blackface dominated American society culturally, financially, and racially for nearly two centuries. Never before has the disturbing story of blackface and its piercing reflection of American society been so comprehensively...

Beyond Ridiculous tells the story of Theatre-in-Limbo, a downtown band of actors formed in 1984 by director Kenneth Elliott and playwright Charles Busch. They launched Vampire Lesbians of Sodom at the Limbo Lounge, a raffish club in the fringes of the East Village, but it would later become the longest running non-musical in off-Broadway history.

C'è un giardino, da qualche parte, dove giocano bambini che nessuno ha più visto tornare a casa. Hanno nomi siciliani, calabresi, napoletani. Alcuni hanno solo date, solo silenzi. In quel giardino, nel 1994, il magistrato Luciano Violante, ex Presidente della Camera dei Deputati e protagonista della lotta alla mafia, ha fatto fiorire una Cantata. Una festa, quella che quei bambini avrebbero meritato e non hanno avuto. Trentadue anni dopo, quella Cantata riprende voce.

The Bawdy Bard: Shakespeare, sex, and the liberation of love In Shakespeare on Sex, listeners will discover William Shakespeare as they’ve never seen him before: a daring playwright determined to challenge Elizabethan sexual mores and champion the freedom of love.

Bloomsbury presents Opening Doors, written and read by John Doyle. “In this honest, self reflective piece, John so beautifully and succinctly shares of his experience in theatre and the passion with which he pursues the opportunity to create art that is connective tissue for humanity and a...

„Recht haben ist auch keine Lösung" zeigt genau diese Momente – bissig, ehrlich und so treffsicher, dass es manchmal wehtut. Du hörst. Du lachst. Und erkennst dich schneller wieder, als dir lieb ist. Über 125.000 Menschen feiern Tims Humor bereits auf Social Media. Jetzt kommt er als Hörbuch genau dahin, wo er am meisten wirkt: in deinen Alltag. Freue dich auf humorvolle Kurzgeschichten über Missverständnisse, Ego und den ganz normalen Kommunikationswahnsinn.

Bloomsbury presents Stephen Sondheim's Sweeney Todd by Rick Pender, read by John Chancer. An award-winning Sondheim expert dives into all facets of this unique, murder-filled masterpiece—its slimy roots, original production, characters from killers to lovers to bakers, soaring score, gripping...

Disney Theatrical Productions: Producing Broadway Musicals the Disney Way is the first work of scholarship to comprehensively examine the history and production practices of Disney Theatrical Productions (DTP), the theatrical producing arm of the studio branch of the Walt Disney Corporation...

Who decides what a character is on the American stage? The playwright who created the character, or the institution that controls the production?