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Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City during what is now known as the golden age of musical theater. Toward the latter half of the 20th century, decentralization and deindustrialization brought the emergence of nationally distributed regional theaters and performing arts centers.  

Although he had a long career as an actor and director, Paul Henreid is certainly best remembered for two films he made in the early 1940s: Now, Voyager with Bette Davis, and Casablanca with Humphrey Bogart and Ingrid Bergman. Michael B. Druxman’s Paul Henreid is set in 1968 and finds the actor in Nice, France, about to costar in a film with Katharine Hepburn. He has just learned that his friend, the movie’s original director, has quit the production and must decide whether he will do the same.

Abe Vigoda worked as an actor for all of his adult life. He did theatre...He did television...But it wasn’t until he was 50-years-old that he got a role where the public even noticed him. He played Tessio in The Godfather. Michael B. Druxman’s humorous one-person play, Abe Vigoda, finds the actor with a major problem. The press has, erroneously, announced that he is dead, and his agent’s phone has stopped ringing. Now, Abe has to convince the entertainment industry that he is still with us.

In this world premiere play, written by and featuring Shakina Nayfack, a vibrant, international group of transgender women band together at a hotel in Thailand to confront the challenges and joys of gender confirmation surgery. Despite the group’s warm welcome, Kina (Nayfack) prepares for her life-altering operation all alone. But a caring nurse (Ivory Aquino), a wise couple (Kate Bornstein and Annie Golden), and a karaoke-loving bellhop (Telly Leung) may be exactly who she needs to ignite her truest sense of self.

Lydia (Aja Naomi King) and Henry (Jason Butler Harner)’s dinner guests (Madeline Brewer and William Jackson Harper) are about to arrive when Henry’s spontaneous marriage proposal threatens to burn the evening to a crisp. Wine bottles and years of unspoken tensions are uncorked, and before the evening is through, Lydia must confront her long-held fears and feelings if she’s going to commit to a future with Henry.

Peter Lorre, Michael B. Druxman’s one-person stage play, finds the famous actor in poor health near the end of his life. He contemplates his third divorce and ponders how he will provide for his young daughter, while remembering the greener years that he spent with the likes of Humphrey Bogart, John Huston, and Sydney Greenstreet. One simple set. 

Eight nights of horror! In this audio drama, a Brooklyn family is haunted by ghosts over Hanukkah.

Discover spiritual truths from the smash Broadway hit "Hamilton" that will transform your life. "Hamilton" - the hip-hop musical about a forgotten founding father - is the most compelling musical of our time. God and Hamilton impressively weaves together insights from the musical itself, the lives of Alexander and Eliza Hamilton, and the story of Scripture into a tapestry that challenges people of faith to reexamine their lives.

Elvis Presley’s unbreakable stronghold on the psyche of women - and theirs on him - is the focus of this much-lauded book by Elvis expert, journalist, and Country Music Association Media Achievement Award winner Alanna Nash. Baby, Let’s Play House is the first ever Elvis book to focus solely on his complex relationships with women, starting with his mother, and including celebrities such as Ann-Margret, Cher, Raquel Welch, Barbara Eden, and Cybill Shepherd. Featuring many exclusive interviews, this book is a must-have collector’s item for fans of The King everywhere.

In glittery 1980s Los Angeles, once-celebrated Broadway lyricist Beau Kellogg is disillusioned, unhappily married and yearning for one last musical hit, while he writes advertising jingles for quick money. Meanwhile, in New York, idealistic young singer, Amanda Harary, works a demanding day job at a charming West Side hotel. From their first fiery phone conversation, sparks fly, and when they begin to talk late at night, miracles begin to happen.

On the road with The Joe Perry Project in the big '80s. The untold story is unveiled in amazing detail. Captivating, riotously funny, frighteningly frank, exhilarating, and at times deeply moving. The audiobook includes everything from the original “diary” plus bonus untold stories and a whole new final chapter. With added commentary from radio personality and author, Carter Alan. And surprise visits from Joe Perry Project members Danny Hargrove and Charlie Farren.

Константин Сергеевич Станиславский (1863-1938) - русский театральный режиссёр, актёр и педагог, теоретик и реформатор театра. Создатель знаменитой актёрской системы, которая на протяжении 100 лет имеет огромную популярность в России и в мире.

Sherlock Holmes has been a beloved character from his first story, and his mystique endures to the modern age in print and on screen, but he has had a long life in the theater, as well. Where did it begin? What are the themes, stories, and characterizations that make his stage presence unique and just as enduring?

Peer Gynt, the five-act romantic play in verse by the Norwegian dramatist Henrik Ibsen, is one of the most widely performed Norwegian plays. Based on a Norwegian folk hero, the title character is a rogue who will be destroyed unless the love of a woman saves him. At a wedding he meets Solveig, who falls in love with him, but Peer ruins the wedding by abducting, then abandoning the bride. Then Peer goes global, misbehaving in a trail of adventures around the world. When he finally returns to Norway, old and embittered, Solveig welcomes him home, and he's redeemed by her love.

A native of New Jersey, Roy Scheider was his own man. He did his work well and was not afraid to butt heads with producers and directors with whom he disagreed, even to the detriment of his career. Michael B. Druxman’s Roy Scheider & the Bigger Boat finds the actor in 2002 during a lull in his career. He hasn’t done a major film for several years, as he ponders how he can change his luck.

Michael B. Druxman’s Gary Cooper at High Noon finds the 50-year-old actor at a critical point in his life. Dealing with health issues and no longer a major box-office draw, he has accepted the role in High Noon at a fraction of his usual fee, and now, as he sits in his dressing room, he ponders his deteriorating bond with Patricia Neal, as well as what to do about his friend, Carl Foreman, the screenwriter of High Noon who is about to be blacklisted. Gary Cooper has reached a point in his life where he must make a life-changing choice.

When you think of Jason Robards, you also think of Eugene O’Neill and the tragic, hard-drinking characters he created in The Iceman Cometh, Long Day’s Journey Into Night, Hughie and The Moon for the Misbegotten. Robards, the son of a failed actor, Jason Robards Sr., discovered O’Neill’s plays when he was in the Navy during WW2. After the war, without his father’s encouragement, he pursued his own acting career, but it was 11 years and two failed marriages before he finally achieved success.

Audrey Hepburn was not your usual movie star. She was the highest paid actress of her day, yet she never took a formal acting lesson. A child of war, and the daughter of a Fascist sympathizer, she spent her last years helping children of other wars. An Academy Award-winner for her first major film role (Roman Holiday), Hepburn continued her storybook career with such classic movies as Sabrina, Funny Face, The Nun's Story, Breakfast at Tiffany's, Charade, My Fair Lady and Wait until Dark. Her two marriages ended in divorce. 

Ever wondered how great singers in musicals and opera get (and keep) the job? They have a vocal coach. Expert vocal coach Jeremy Fisher lifts the lid on what goes on in a voice studio. The book is packed with real-life examples of singers and singing lessons, stories of auditions for musical theatre and opera, and voiceover training. 

Iconic actors, jealousy, tantrums, and a legendary producer’s struggle to transform the tempestuous, ill-fated union of Anne Boleyn and Henry VIII to the big screen all factor into this dramatic, behind-the-scenes story of how the popular Broadway play Anne of the Thousand Days became the quintessential Anne Boleyn movie. Richard Burton and Geneviève Bujold lit up the screen in this tragic romance, but some of the most exciting scenes were those not caught on film and which centered on a real or imagined love triangle.