検索キーワード： 劇場

Kleist über Menschen, Marionetten und das Theater, gelesen von Rolf Boysen. "Über das Marionettentheater", ein geistreicher Dialog über Schauspielkunst und Theater, diskutiert das Verhältnis von Bewusstheit und Überlegung zu natürlicher Anmut und Grazie. Ergänzt durch weitere Texte und Briefe ergibt sich ein umfassendes Bild von Kleists Theater- und Kunstauffassung.

Dans un livre audio à la fois recueil d'aphorismes, anthologie poétique et méditation théorique, Olivier Py nous offre ses "Mille et Une Définitions du théâtre". Métaphores, allégories ou anecdotes historiques nous font voyager à travers tous les théâtres, des Grecs à nos jours. Avec des accents lyriques et jubilatoires, il fait de cet art la forme de pensée la plus urgente de son temps, un art d'etre au monde.

The Big Secret Book is an invaluable guide on the subject of creativity, no matter the preferred artistic discipline. Written by Denise Clarke, director of One Yellow Rabbit Summer Lab Intensive, the book outlines methods and methodologies of the Lab that have inspired writers, dancers, musicians, as well as performance theatre artists.

GOOD MORNING AMERICA BUZZ PICK The Pulitzer Prize–winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse. “Quiara Alegría Hudes is...

The Art of Is contains breath-of-fresh-air thinking about how to cultivate the kind of game-changing creativity everyone seeks. Stephen Nachmanovitch shows exactly how the passion and immediacy of improvisation can be cultivated and how, in fact, we all improvise all the time - whether we are driving or deep in conversation.

Between 1997 and 2000, 'The Life & Times of Jackie Jenkins' was a hugely popular regular feature in the then best-selling Doctor Who Magazine. Readers loved catching up with the exploits of Jackie Jenkins. This masterfully produced full-cast audio drama brings the column to life, even introducing new material taking Jackie's story up to the 50th anniversary in 2013. It's perfect for lovers of sci-fi, drama and humour...and unmissable for any Who fan young or old!

For more than 50 years Michael Green's The Art of Coarse Acting has been essential reading for anyone with a passion for theatre, both amateurs and professionals alike. This acerbic yet affectionate work remains one of the funniest books about acting ever written. It's a "[W]ickedly irreverent" (The Stage) exposé which ridicules pretentiousness, pokes fun at incompetence and disaster and generally lays bare life backstage. Even after all this time it remains true that however much the theatre may change, coarse actors don't.

Much loved broadcaster, comedian and Grumpy Old Man Arthur Smith sets the world to rights in this hilarious recording of his one-man show. From the little annoyances to the slightly larger ones and everything inbetween, this is the perfect comedy audio for anyone who has ever been grumpy - or knows someone who is.

Joanne Taylor - former TV Diva - is on the verge of her 50-something birthday, seriously single, 'hot-flushing' and about to make some drastic changes in her life. Pulling Faces is an acerbic, topical comedy about society’s obsession with youth, beauty and transformation.

“Fun and gossipy.” —The Wall Street Journal * “A masterful history.” —Publishers Weekly (starred review) * “Engaging.” —Newsweek A “brisk, insightful, and deliciously detailed take” (Kirkus Reviews) on a transformative decade on Broadway, featuring behind-the-scenes...

Aside from appearing together as the leads in the movie Carry On Screaming!, comedy legend Kenneth Williams and iconic actress Fenella Fielding had a love/hate relationship lasting over several decades. Screaming Queens!, a full-cast audio drama from acclaimed comedy historian Robert Ross, takes us from the duo's hit West-End revue together Pieces of Eight (written by Peter Cook), to behind the scenes of the classic and best-loved Carry On film that spoofed Hammer Horror's output, before finishing with a poignant meeting in the final year of Kenneth's life.

All Brexit's a stage, and all the men and women merely players.... Written by the Bard himself, with a little help from novelist Boris Starling, this wonderful comedy of errors retells the tragic story of the UK's acrimonious break from the EU, written in wonderful iambic pentameter. From Cameron and Osborne, through May and Gove, to Cummings and Boris, this is a story of cynical electioneering and poisoned political scheming, and a most original take on the defining event of our time.

In this fascinating 10-part series, Lenny Henry traces the long and painful road that black Britons have travelled on stage and screen, from the overt racial discrimination of the 19th century, via the thinly veiled slurs that persisted through the first 70 years of the 20th, to today's more equal society. Interviewing playwrights, actors, directors and filmmakers - including Mustapha Matura, Roy Williams, Lolita Chakrabarti, Michael Buffong, Horace Ové and Steve McQueen - he tells the story of black drama and the influential artists who have shaped it over the past hundred years.

Five family pantomimes featuring musical numbers, silly jokes and fun for all the family! Enjoy fantastic live performances of these classics tales: Puss in Boots, Aladdin, Mother Goose, Dick Whittington and Sleeping Beauty. The pantos are recorded in front of a live audience, with full musical numbers and an orchestral score. Rousing songs, silly jokes and Widow Twankey all make an appearance! With casts including Terry Wogan, Maureen Lipman, Anita Harris, June Whitfield, Kenneth Connor and Frank Thornton.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson and Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.