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Madama Butterfly runs the gamut of operatic emotions. The title heroine has a fragility wonderfully expressed in her entry music, deep sexual instincts as shown in the love duet, and immense tragic stature in her last hours. The fate of Madama Butterfly - married to an American sailor and then abandoned - engages our emotions to a degree equaled by few other opera heroines. The oriental setting and the exquisite orchestral and choral writings are treasured bonuses.

Christian Thielemann kennt Richard Wagner wie kein anderer. Jetzt widmet der große Wagner-Dirigent seinem Lieblingskomponisten zum 200. Geburtstag...

Alfie Boe is the first official bad boy of opera: a musical superstar celebrated not only in Britain, but worldwide. This is the story of his life - the ups and the downs, from finding fame to losing his father - and, essentially, of his love affair with music. This is the tale of how Alfie went from car mechanic to the UK's most popular and well-known opera star, lauded by Baz Luhrman, Cameron Macintosh and Michael Parkinson as the best tenor we've produced in a generation.

Dr. Sven Friedrich, Direktor des Wagner-Museums in Bayreuth, vermittelt in bewährter Weise eine Einführung in Wagners "Fliegenden Holländer"...

Mit "Tristan und Isolde" widmet sich dieser Band des Klassik(ver)führers dem Bühnenwerk, für das Wagner die Arbeit am Ring unterbrach...

Wahrscheinlich hat niemand über Richard Wagner schöner und grausamer geschrieben als Friedrich Nietzsche...

>"Privateinrichtung" handelt von der Verbundenheit einer Mutter mit ihrem Kind, das durch einen Arztfehler für immer schwerstbehindert bleiben wird...

"Wagner's Ring Motifs" is aimed in the first instance at listeners new to the Ring and is intended to convey the fascination of Wagner's music...

Diese Sonderausgabe des "Klassik(ver)führers" präsentiert die Leitmotive von Wagners "Ring des Nibelungen" und erläutert sie mit fachkundigen Kommentaren...

The attraction of opera is in its scale, in the fact that it is larger than real life in actions and emotions, more magnificent in sound and in sight. And in the world of opera, no figure in our time loomed larger than the late Luciano Pavarotti. Especially in his triumphant collaborations with Placido Domingo and Jose Carreras, he captured the imagination of an audience breadth and depth is remarkable even in the grand context of classical opera.

New opera enthusiasts and seasoned aficionados alike will delight in Dale Harris' witty and insightful analyses of La Traviata, Carmen, The Magic Flute, and La Boheme. The notable music critic, whose lectures at the Metropolitan used to be sell-out events, examines these operas in terms of libretto, plot, music, performance history, and cultural background, amply illustrated with musical examples.

Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.

Here is the colorful story of sometimes temperamental composers and even more temperamental singers working in an art form which has produced some of man's noblest artistic creations. This absorbing history is illustrated by over 100 musical examples by Naxos artists as well as some of the greatest singers of the 20th century, including Enrico Caruso and Fyodor Chaliapin.

This invaluable primer will introduce the uninitiated to the mysteries of opera and help more experienced fans to expand their understanding and deepen their appreciation of the art form.