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Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.

Alfie Boe is the first official bad boy of opera: a musical superstar celebrated not only in Britain, but worldwide. This is the story of his life - the ups and the downs, from finding fame to losing his father - and, essentially, of his love affair with music. This is the tale of how Alfie went from car mechanic to the UK's most popular and well-known opera star, lauded by Baz Luhrman, Cameron Macintosh and Michael Parkinson as the best tenor we've produced in a generation.

Russell 'The Voice' Watson is a star with a real story to tell. While most stars of today find success early, Russell was still working in a Salford factory at the age of 30. He spent the evenings singing in working men's clubs for extra cash to keep the bailiffs from his family's door. The chairman of Manchester United gave him his big break in May 1999: the opportunity to sing at Old Trafford. His extraordinary performance was quickly followed by a record deal and his phenomenal debut album.

Alex Ross, renowned New Yorker music critic and author of the international best seller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics - an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.

For anyone who has been intimidated, overwhelmed, or just plain confused by what they think opera is, Who’s Afraid of Opera? offers a lively, easy-to-follow guide to what author Michael Walsh describes as “the greatest art form yet invented by humankind.” From opera’s origins in Renaissance Italy to the Who’s rock odyssey “Tommy”, and Stephen Sondheim’s “Into the Woods”, Walsh explores what opera is and what it’s not, what makes a great singer, and why it takes Tristan so long to die.

Frederick is freed of his indentures to the ferociously temperate Pirates of Penzance. What will he do with his newfound freedom?

Ryan Speedo Green had a tough upbringing in Southeastern Virginia: His family lived in a trailer park and later a bullet-riddled house across the street from drug dealers. His father was absent; his mother was volatile and abusive. At the age of 12, Ryan was sent to Virginia's juvenile facility of last resort. He was placed in solitary confinement. He was uncontrollable, uncontainable, with little hope for the future. In 2011, at the age of 24, Ryan won a nationwide competition hosted by New York's Metropolitan Opera, beating out 1,200 other talented singers.

Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love.

Die Zauberflöte ist eine der bekanntesten Opern und ein zeitloses Meisterwerk. Schon Kinder pfeifen den „Vogelfänger” und die Rachearie der Königin mit ihren waghalsigen Koloraturen ist unvergesslich. Die Musik Mozarts gepaart mit Schikaneders märchenhaften Libretto sorgt – damals wie heute – für ein Erlebnis, dem man sich nicht entziehen kann. Doch wie war das noch gleich? Warum zürnt die Königin der Nacht dem weisen Sarastro? Warum hat der eigentlich nochmal Pamina in seinen Tempel entführt? Diese Fragen und noch viele mehr wollen wir beantworten.

Since this rock opera is based on my Baby Boomer generation, the war representing my father was of course WWII. Although my father fought in the South Pacific, this story is more symbolic by starring an American soldier in Europe. During this European theater of war, the soldiers socialized with the citizens of the countries they passed through and fought in. As a result, there were many babies born in Europe with an absent American father.

Die Semperoper als Schauplatz von politischen Wirren, dramatischen Schicksalen und gefährlichen Leidenschaften. Dresden, 1869: Die gefeierte Violinistin Elise Jacobi hat ihre Liebe zur Musik an die Kinder weitergegeben. Ihre Tochter Netty probt an der Semperoper als Primaballerina für die Rolle ihres Lebens, Sohn Julius ist ein begabter Pianist und verliebt sich in die unabhängige Bankierstochter Rahel Cohn. Eine neue Generation wächst heran, die den Mut hat, nach der Freiheit zu greifen und neue Wege zu gehen.

Russell Watson was at the peak of his success as a much-loved classical singer. He had gone from humble beginnings, working in a factory making nuts and bolts in Salford to singing in working men's clubs to performing to stadiums filled with thousands of fans. But then tragedy struck. In 2006 and 2007 he was diagnosed with two brain tumours. In the subsequent years he battled crippling treatment, lifesaving operations, HRT therapy and mental health struggles. In Encore he tells his remarkable story of triumph over tragedy and the resilience he built along the way.

Die Hochzeit des Figaro gilt als Höhepunkt der Oper und eines der größten Werke des Genies Mozart. Es begründet die Zusammenarbeit zweier Meister ihres Fachs: Des Komponisten Mozarts, mit dem Librettisten Lorenzo da Ponte. Die literarische Vorlage war ein Skandalstück, das den Autoren ins Gefängnis brachte, der Zensur zum Opfer fiel und überhaupt für Furore sorgte. Ludwig XVI urteilte: „Wenn ich dieses Stück genehmigen würde, müsste ich konsequenterweise gleich die Bastille einreißen.“

Der wunderbare Schauspieler und Mensch Christoph Quest ist 2020 verstorben und bleibt unvergessen. 2008 hat er lyrische Texte des Wiener Autors und Komponisten Walter Baco interpretiert, die dieser nun mit eigener Musik als Hörbuch gestaltet hat.