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Diese Sonderausgabe des "Klassik(ver)führers" präsentiert die Leitmotive von Wagners "Ring des Nibelungen" und erläutert sie mit fachkundigen Kommentaren...

Dr. Sven Friedrich, Direktor des Wagner-Museums in Bayreuth, vermittelt in bewährter Weise eine Einführung in Wagners "Fliegenden Holländer"...

The attraction of opera is in its scale, in the fact that it is larger than real life in actions and emotions, more magnificent in sound and in sight. And in the world of opera, no figure in our time loomed larger than the late Luciano Pavarotti. Especially in his triumphant collaborations with Placido Domingo and Jose Carreras, he captured the imagination of an audience breadth and depth is remarkable even in the grand context of classical opera.

Here is the colorful story of sometimes temperamental composers and even more temperamental singers working in an art form which has produced some of man's noblest artistic creations. This absorbing history is illustrated by over 100 musical examples by Naxos artists as well as some of the greatest singers of the 20th century, including Enrico Caruso and Fyodor Chaliapin.

"Wagner's Ring Motifs" is aimed in the first instance at listeners new to the Ring and is intended to convey the fascination of Wagner's music...

Fellebben az Operaház nagy függönye, megszólalnak a varázsos énekhangok, és a néző egyre jobban fülel: miről is énekelnek? Épp ezért, aki a halhatatlan operákat igazán élvezni akarja, annak jól kell ismernie történetüket. 

Az operairodalom legnépszerűbb remekei közül Rost Andrea ezúttal ötöt mesél el. És ezen a lemezen a művésznő énektudásából is ízelítőt kap a kedves hallgató.

Fellebben az Operaház nagy függönye és megszólalnak a varázsos énekhangok. Mi azonban nem mindig tudjuk, pontosan mi is történik a színpadon. Tótfalusi István hosszú évtizedek óta népszerű könyvében az operairodalom legnépszerűbb remekeit írta meg meseszerűen. Hangoskönyvünkön Rost Andrea négyet mesél el ezek közül. Világhírű énekesnőnk hangját, előadásait felidézve talán nem tűnik túlzásnak: ezúttal is ritka élményben lehet részünk.

Con uno stile raffinato e trascinante, Vittorio Sermonti "spiega al popolo" quattordici opere di Verdi, "il più spudorato genio della musica per teatro", dal Nabucco all'Otello, passando per l'Aida, il Rigoletto, il Trovatore e la Traviata. Ci fa riscoprire i celebri melodrammi attraverso il racconto della trama e persino della musica, l'analisi dei personaggi, riferimenti alla vita e alle lettere di Verdi, accenni alle vicende del libretto, notizie sparse sulle prime esecuzioni, annotazioni storiche sull'Italia del Risorgimento e dell'Unità.

Gesprochenes Drama sowie die komplette Opernaufnahme in einem Hörbuch! Zunächst das gesprochene Drama, dann Drama und Oper, Akt für Akt nacheinander im Wechsel, dann die komplette Oper als durchgehender Musikgenuss, eingespielt von Bayreuth-Legende Joseph Keilberth und dem Bayreuther Festival-Orchester!! Der vierte Teil des wohl berühmtesten Opern-Zyklus aller Zeiten: Durch Intrigen wird Siegfried dazu verleitet, Brünnhilde zu vergessen und Gutrune, Gunthers Schwester, zu erobern. Gunther hilft er, Brünnhilde zu besiegen. Siegfried fällt - die Rheinnixen erhalten den Ring zurück.

Gesprochenes Drama sowie die komplette Opernaufnahme in einem Hörbuch! Zunächst das gesprochene Drama, dann Drama und Oper, Akt für Akt nacheinander im Wechsel, dann die komplette Oper als durchgehender Musikgenuss, eingespielt von Bayreuth-Legende Joseph Keilberth und dem Bayreuther Festival-Orchester!! Der dritte Teil des wohl berühmtesten Opern-Zyklus aller Zeiten: Siegfried erstarkt, schmiedet Notung, das Schwert, neu, und besiegt Wotan. Er erklimmt den Walkürenfelsen und erweckt Brünnhilde, die in Liebe entbrennt. Mit dabei: Ein pdf-Dokument mit allen Szenen.

Christian Thielemann kennt Richard Wagner wie kein anderer. Jetzt widmet der große Wagner-Dirigent seinem Lieblingskomponisten zum 200. Geburtstag...

This is the story of the 36-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, “the greatest career in classical music”. During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public.

Così Fan Tutte contains some of Mozart’s most sublime music. On one level, the opera is purely a social anecdote about young people falling in and out of love; but Mozart was a supreme sensualist and a great humanist, and invested the tale with all his understanding of humanity and young love. In this title, David Timson refutes the charge that Mozart squandered his genius on a work full of trivial nonsense and proves this "miraculous yet problematic" opera to be a great work of theatre. To listen to this thought-provoking examination of the characters and the music is both thoroughly enriching and great fun.

La Traviata owes its enduring popularity to a superb story of young love and fatal sacrifice, set to music by Italy’s master melodist at the peak of his powers. Interest and poignancy are added by the fact that this is a true story - the baritone ‘heavy’ is Alexander Dumas who wrote The Count of Monte Cristo. But it is the central figure, the heroine Violetta, the archetypal ‘whore with the heart of gold’ who dominates the piece. It is her opera and we love her for it.

Madama Butterfly runs the gamut of operatic emotions. The title heroine has a fragility wonderfully expressed in her entry music, deep sexual instincts as shown in the love duet, and immense tragic stature in her last hours. The fate of Madama Butterfly - married to an American sailor and then abandoned - engages our emotions to a degree equaled by few other opera heroines. The oriental setting and the exquisite orchestral and choral writings are treasured bonuses.

There are few art forms as visceral and emotional as opera - and few that are as daunting for newcomers. A Mad Love offers a spirited and indispensable tour of opera's eclectic past and present, beginning with Monteverdi's L'Orfeo in 1607, generally considered the first successful opera, through classics like Carmen and La Boheme, and spanning to Brokeback Mountain and The Death of Klinghoffer in recent years.

'People may say I can't sing. But no one can ever say I didn't sing.' Despite having no pitch, no rhythm and no tone, Florence Foster Jenkins became one of America's best-known sopranos, giving a sell-out concert at Carnegie Hall. Born in Pennsylvania in 1868, Florence Foster adored music and as a girl was a talented pianist, but her wealthy father refused to allow her to study in Europe. In retaliation she eloped with Dr Frank Jenkins, but the marriage soon foundered, not least because the 18-year-old bride contracted syphilis on their wedding night.

Alfie Boe is the first official bad boy of opera: a musical superstar celebrated not only in Britain, but worldwide. This is the story of his life - the ups and the downs, from finding fame to losing his father - and, essentially, of his love affair with music. This is the tale of how Alfie went from car mechanic to the UK's most popular and well-known opera star, lauded by Baz Luhrman, Cameron Macintosh and Michael Parkinson as the best tenor we've produced in a generation.

This invaluable primer will introduce the uninitiated to the mysteries of opera and help more experienced fans to expand their understanding and deepen their appreciation of the art form.