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Jazz 101 is a fascinating entry into the world of jazz, for the beginner, novice, or jazz enthusiast. Szwed takes listeners on a tour of the varied and nonlinear history of jazz, exploring how it developed from an ethnic music to become America's most popular music and then part of the avant-garde in less than 50 years.

In clear and entertaining prose, Plotkin explores a thousand years of music, introduces listeners to more than 100 great works, and profiles in depth many significant composers, including Bach, Mozart, Beethoven, Berlioz, Tchaikovsky, Dvoxak, and Mahler. He describes all the musical instruments in the orchestra, defines major musical terms, and makes music theory comprehensible for the uninitiated. There are also conversations with important musicians who offer fascinating insights about their art.

In this collection of musical portraits, jazz pianist and radio host Marian McPartland pays sparkling tribute to such beloved and legendary figures as Benny Goodman, Bill Evans, Joe Morello, Paul Desmond, Alec Wilder, Mary Lou Williams, and others.

Miles to Go is a frank and intimate exploration of Miles Davis' eccentric working life, drug habits, paranoia, depression, and subsequent recovery. Murphy explores Davis' troubled relationship with his children and the controversial role Cicely Tyson played in his life. The book also delves into the dynamics that made Davis' band work so well together, placing Davis' work in a historic, literary, and musical framework.

Laurel Canyon was the neighborhood perched above the clubs and record companies of Sunset Strip where Joni Mitchell, Jim Morrison, Graham Nash, Cass Elliot, Carole King, Don Henley, and Peter Tork, just to name a few, lived and collaborated to make an indelible mark on our music and our culture.

Punk rock and hip-hop, disco and salsa, the loft jazz scene and the downtown composers known as Minimalists—in the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented, all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another.

No singer has been more mythologized and more misunderstood than jazz legend Billie Holiday, who helped to create much of the mystique herself with her autobiography, Lady Sings the Blues - and this authentic biography sets the record straight. Donald Clarke was given unrivaled access to a treasure trove of interviews from the 1970s with those who knew Lady Day in all stages of her short, tragic life - from her childhood in the streets and good-time houses of Baltimore, through the early days of success in New York and the years of fame, to her tragic decline.

A landmark release, this is the first of a two-volume biography of Metallica, the biggest metal band of all time, told via exclusive interviews with the band and their world.

A small-town Florida teenager discovers punk rock through a loaned mix tape, and punk music and culture slowly takes over all aspects of his life. His new passion causes him to form a band, track down out-of-print records he loves and reissue them, open a record store, start a record distribution operation as a public service, mentor a host of young musicians, and befriend all manner of punk luminaries along the way. Slowly his life's pursuit pushes him to the point of personal ruination and, ultimately, redemption.

What was it about a small, humble folk instrument that allowed it to become an American icon? The guitar represents freedom, the open road, protest and rebellion, the blues, youth, lost love, and sexuality. Tim Brookes explores with adoration these ideas and how they became entwined with the history of America.

Now it can be told! The true, behind-the-scenes story of Casablanca Records, from an eyewitness to the excess and insanity. Casablanca was not a product of the 1970s, it was the 1970s. From 1974 to 1980, the landscape of American culture was a banquet of hedonism and self-indulgence, and no person or company in that era was more emblematic of the times than Casablanca Records and its magnetic founder, Neil Bogart.

February, 1940. After a decade of worldwide depression, World War II had begun in Europe and Asia. With Germany on the march and Japan at war with China, the global crisis was in a crescendo. America's top songwriter, Irving Berlin, had captured the nation's mood a little more than a year before with his patriotic hymn "God Bless America."

The national debate over popular music's effect on character is both furious and confused. Conservatives complain primarily about lyrics, appealing to public decency and safety. Liberals, swift to the defense of any self-expression, simultaneously celebrate rock's liberating ethos and deny its cultural influence.

Reggae superstar Bob Marley is one of the world’s most important and influential artists. Exodus, named by Time magazine as “Album of the Century,” is Bob Marley’s masterpiece of spiritual exploration. Recorded in London after an assassination attempt on his life sent Marley into exile from Jamaica, Exodus is the most lasting testament to his social conscience. Now, in The Book of Exodus, Goldman chronicles the making of this album, from its conception in Jamaica to the raucous but intense all-night studio sessions in London.

Dangerous Melodies vividly evokes a time when classical music stood at the center of American life, occupying a prominent place in the nation’s culture and politics. The work of renowned conductors, instrumentalists, and singers - and the activities of orchestras and opera companies - were intertwined with momentous international events: two world wars, the rise of fascism, and the Cold War.