検索キーワード： 歴史・批評

Zur Einstimmung auf laute Tage und lange Nächte präsentiert Nico Rose vom "Ministerium für Schwermetall" erhellende Erkenntnisse rund um die Psychologie des Metalheads. In "Hard, Heavy & Happy" gehen wir der Frage auf den Grund, wie Metal das Leben bereichert und einfach glücklich macht – oder manchmal: etwas weniger unglücklich. Wir werfen einen meist heiteren, bisweilen aber auch melancholischen Blick auf die besonderen Sitten und Gebräuche der Szene. Als Psychologe beleuchtet Nico Rose insbesondere die seelisch-emotionale Seite dieser außergewöhnlichen Musik.

The central experience of the Ramones and their music is of being an outsider, an outcast, a person who’s somehow defective, and the revolt against shame and self-loathing. The fans, argues Donna Gaines, got it right away, from their own experience of alienation at home, at school, on the streets, and from themselves. This sense of estrangement and marginality permeates everything the Ramones still offer us as artists, and as people. Why the Ramones Matter compellingly makes the case that the Ramones gave us everything.

Since its launch in late 1992, the BBC’s ‘Later….with Jools Holland’ has been widely regarded as the world’s foremost music programme, showcasing a huge variety of bands, singers and musicians in a live performance setting. Now in its 50th series ‘Later…’ has broadcasted over 300 episodes. The book will be a definitive, celebratory oral history of the show—and the last three decades of music more generally—featuring interviews with many of those who have performed over its quarter century.

Few people in recent memory have dedicated themselves as devotedly to the story of twentieth-century American music as Rob Kapilow, the composer, conductor, and host of the hit NPR music radio program, What Makes It Great? Now, in Listening for America, he turns his keen ear to the Great American Songbook, bringing many of our favorite classics to life.

Beloved music critic Tom Breihan's fascinating narrative of the history of popular music through the lens of game-changing #1 singles from the Billboard Hot 100, The Numbers Ones features the greatest pop artists of all time, from the Brill Building songwriters to the Beatles and the Beach Boys; from Motown to Michael Jackson, Prince, and Mariah Carey; and from the digital revolution to the K-pop system. Breihan also ponders great artists who have never hit the top spot, like Bob Dylan, Bruce Springsteen, and James Brown.

Of all the white American pop music groups that hit the charts before the Beatles, only the Beach Boys continued to thrive throughout the British Invasion to survive into the 1970s and beyond. The Beach Boys helped define both sides of the era we broadly call the sixties, split between their early surf, car, and summer pop and their later hippie, counterculture, and ambitious rock.

When you listen to music, do you prefer lyrics or melody? Intricate harmonies or driving rhythm? The “real” sounds of acoustic instruments or those of computerized synthesizers? Drawing from her successful career as a music producer (engineering hits like Prince’s “Purple Rain”), professor of cognitive neuroscience Susan Rogers reveals why your favorite songs move you. She explains that we each possess a unique “listener profile” based on our brain’s reaction to seven key dimensions of any record: authenticity, realism, novelty, melody, lyrics, rhythm, and timbre.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

New York City Blues: Postwar Portraits from Harlem to the Village and Beyond offers a deep dive into the blues venues and performers in the city from the 1940s through the 1990s. Interviews in this volume bring the listener behind the scenes of the daily and performing lives of working musicians, songwriters, and producers. The interviewers capture their voices—many sadly deceased—and reveal the changes in styles, the connections between performers, and the evolution of New York blues.

Die größte Challenge ihres Lebens: Eva Ries und der Wu-Tang Clan. Sie sind unangepasst, wütend und stets auf Ärger aus – und sie erfinden den Hip-Hop neu. Von Beginn an lehren die Members des Wu-Tang Clan, allen voran der völlig irrationale Ol' Dirty Bastard, jeden das Fürchten. Doch die junge Musikmanagerin Eva Ries lässt sich davon nicht abschrecken. In New York City erarbeitet sie sich den Respekt des Clans und gehört über zwanzig Jahre lang zum engsten Kreis der größten Hip-Hop-Band der Welt.

The immense cultural contribution made by two maverick Scottish independent music labels, Fast Product and Postcard, cannot be underestimated. Bob Last and Hilary Morrison in Edinburgh, followed by Alan Horne and Edwyn Collins in Glasgow, helped to create a confidence in being Scottish that hitherto had not existed in pop music (or the arts in general in Scotland). Their fierce independent spirit stamped a mark of quality and intelligence on everything they achieved. Hungry Beat is a definitive oral history of these labels and the Scottish post-punk period.

This classic book is the whole unruly story of dance music in one volume. It recreates the dance floors that made history, conjuring their atmosphere with loving detail and bringing you the voices of the DJs and clubbers at their heart—from grime, garage, house, hip hop and disco, to techno, soul, reggae, rock 'n' roll and EDM. Whether musical outlaw, obsessive crate-digger or overpaid superstar, the DJ has been at the spinning centre of nightlife for a century, making parties wilder, pushing clubbers harder and driving music into completely new shapes and styles.

The only hip hop book series that explains the culture fully in the fewest words! Hip hop truth for the art and pulse of America! Hip hop from 2011-2020, so what happened now that it's been a decade in? Only one hip hop history book tells you how hip hop and trap combined to take over for years to come! As this music legacy continues to expand its sway, know for sure it's here to stay. History of Hip Hop: Volume Five gives you a direct, straight to the point history of the indisputable legendary force of rap and trap artists here to stay. Hip hop lives on!

In 2010—long before the release of Lemonade—Professor Kevin Allred created the university course "Politicizing Beyonce" to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain't I a Diva?, exploring the process of teaching Beyonce and what it means to use a superstar to blow up the canon. Allred brings his syllabus to life by pairing music videos and songs with historical and academic texts, and combines analysis with classroom anecdotes.

Un concienzudo y emocionante repaso a la historia del rock progresivo, desde sus raíces contraculturales en los años sesenta a la fusión con otros lenguajes musicales, pasando por la veta sinfónica británica o la instrumentación multicultural que marca tendencia en la actualidad. Un audiolibro ideal para entendidos en la materia y para neófitos que quieren iniciarse en el apasionante mundo del rock progresivo.

Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song’s use in sports, at times of war, and for political protest, he argues that the anthem’s meaning reflects—and is reflected by—the nation’s quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key’s song is the story of America itself.

In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü, Bad Brains, Sonic Youth, Dinosaur Jr., Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s - until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. This investigative deep-dive leads listeners through SST’s tumultuous history.

Tracing his roots from recording beats in his mom's attic in Edmonton to performing with some of the most recognizable names in rap and electronic music—De La Soul, Public Enemy, Mos Def, Questlove, Diplo, and more—Polaris Prize winner Rollie Pemberton, a.k.a Cadence Weapon, captures the joy in finding yourself, and how a sense of place and purpose entwines inextricably with a music scene.

Psychotic Reactions and Carburetor Dung contains the wild and brilliant writings of Lester Bangs—the most outrageous and popular rock critic of the 1970s—edited and with an introduction by the reigning dean of rock critics, Greil Marcus.

In this first of a groundbreaking multivolume set, THE MCCARTNEY LEGACY, VOL 1: 1969-73 captures the life of Paul McCartney in the years immediately following the dissolution of the Beatles, a period in which McCartney recreated himself as both a man and a musician. Informed by hundreds of interviews, extensive ground up research, and thousands of never-before-seen documents THE MCCARTNEY LEGACY, VOL 1 is an in depth, revealing exploration of McCartney’s creative and personal lives beyond the Beatles.

Paper Cuts is the inside story of the slow death of the British music press. But it's also a love letter to it, the tale of how music magazines saved one man's life. Ted Kessler left home and school around his 17th birthday, determined 'to be someone who listened to music professionally'. That dream appeared forlorn when he was later arrested for theft behind the counter of the record shop he managed during acid house's long hot summer of love.

The music that would come to be known as hip-hop was born at a party in the Bronx in the summer of 1973. Now, fifty years later, it’s the most popular music genre in America. Just as jazz did in the first half of the twentieth century, hip-hop and its groundbreaking DJs and artists—nearly all of them people of color from some of America’s most overlooked communities—pushed the boundaries of music to new frontiers, while transfixing the country’s youth and reshaping fashion, art, and even language.

The only hip hop book series that explains the culture fully in the fewest words! Whether you are a fan of hip hop or you are just curious about it, you will not have to look further after finding Eric Reese's The History of Hip Hop. This concise but in-depth audiobook explores all the distinguishing traits of what is not only a genre of music but a lifestyle. Reese traces the history of hip hop from its beginnings in the 1970s and reveals how it changed in the next decades until it became a worldwide phenomenon.

In 2003, Robert Morgan released what would become a future classic for more than a million people, a unique book entitled Then Sings My Soul. This collection of the world’s greatest hymns and the stories behind them stirred an entire generation to better understand the heritage of our faith through song. Now, in the long-awaited third volume of this series, Morgan expands his material to include the great history of worship, the first biblical hymns, biographical sketches of the most interesting composers, and almost 60 generations of hymn singing.

In Pop Masculinities, author Kai Arne Hansen investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early 21st century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That.

Arianna Warsaw-Fan Rauch’s life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She’s loved classical music her whole life. But she’s also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach—especially since they were born 148 years apart and the thing we call “classical music” is really just centuries of compositions shoved into one hodge-podge of a genre.

"So fremdartig und verzaubert klang diese Musik und ging mittenrein in mein verzweifeltes Hasenherz" In der Mitte der 1970er-Jahre sucht und findet eine Jugendliche Halt in der Musik einer der erfolgreichsten britischen Prog-Rock-Bands: Genesis. Es ist die Peter-Gabriel-Ära, der Susann Pásztor kenntnisreich und voller Humor ein leuchtendes literarisches Denkmal setzt. Im Januar 1974 touren Genesis mit ihrem aktuellen Album "Selling England By The Pound" durch Deutschland. Im Publikum: die dreizehnjährige Mimi, die ihr erstes Konzert nie vergessen wird, was nicht nur an der Musik liegt.

Meticuloso ensayo que repasa punto por punto todo el desarrollo del heavy metal en España, empezando por sus orígenes en los años setenta, la época dorada de los ochenta y su devenir con el paso de los años. Un volumen imprescindible tanto para expertos y apasionados en la materia como para aquellos que pretenden zambullirse en una género musical que acabó convertiéndose en un auténtico estilo de vida.

West Midlands 1980s, home to heavy metal. Black Sabbath and Judas Priest are household names, but over the smoking chimneys and factory yards, something new and equally ugly forms.... "Grebo" was a media-constructed music genre that even today sends a shudder down the spines of discerning music fans and critics. A homegrown proto-grunge, grebo was a British phenomenon that drew on an eclectic range of influences, from punk, '60s garage, and psychedelia, through to '70s heavy rock and thrash metal. It foreshadowed rave culture and was steeped in class politics.

Frémeaux & Associés, label de référence historiographique du jazz avec la Collection Quintessence d'Alain Gerber, édite dans le cadre de la collection "Une histoire expliquée par" avec les Presses Universitaires de France, une histoire du jazz racontée par Laurent Cugny, professeur à la Faculté des Lettres de Sorbonne Université et ancien directeur de l'ONJ (Orchestre national de jazz).