検索キーワード： 歴史・批評

The definitive, no-holds-barred oral history of 1990s alt-rock festival Lollapalooza―told by the musicians, roadies, and industry insiders who lived it. From the New York Times bestselling authors of Nothin’ But A Good Time.

L’uguaglianza, la fine delle guerre, la solidarietà, il rispetto per l’ambiente non sono soltanto i temi di cui ogni giorno, e con sempre più forza, si impara ora a discutere, ma anche ciò in cui Edoardo Bennato crede con forza e i valori che da sempre, con le sue canzoni, porta avanti. La sua discografia, infatti, può essere letta come un’antologia di spirito civico e un manuale di teoria e pratica della rivoluzione: attraverso il filtro giocoso e ironico delle sue storie, i suoi singoli più famosi.

Discovered at last, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter, written in the early 1960s—a wry, richly observed, and enlightening remembrance of “the scene” in Palo Alto that gave rise to an incredible partnership of Hunter and Jerry Garcia, and then to the Grateful Dead itself—with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier.

And the Roots of the Rhythm Remain is like no other. It shows how personalities, events and politics in Havana, Lagos, Buenos Aires, Soweto, Rio and Seville are as colourful and fascinating as anything that took place in Storyville, Harlem, Laurel Canyon or Liverpool. And, moreover, how jazz, r&b and rock 'n' roll would never have happened if it wasn't for sounds emanating from over the horizon and below the equator.

Uma viagem no mundo antigo do blues: como nasceu, as suas origens, o seu percurso no mundo. E depois muitas histórias e biografias sobre os seus protagonistas, brancos e negros, que contribuíram para criá-lo e para difundi-lo ao grande público.

A Really Strange and Wonderful Time features a representative cross-section of what was being created in and around Chapel Hill between 1989 and 1999. In addition to the aforementioned indie bands, it documents―through firsthand accounts―other local notables like Ben Folds Five, Dillon Fence, Flat Duo Jets, Small, Southern Culture on the Skids, Squirrel Nut Zippers, The Veldt, and Whiskeytown. At the same time, it describes the nurturing infrastructure which engendered and encouraged this marvelous diversity. In essence, A Really Strange and Wonderful Time is proof of the genius of community.

Married for more than thirty years to the greatest country music singer who ever lived, the man Frank Sinatra had whimsically referred to as “the second-greatest singer in America,” Nancy Jones knew George Jones better than anyone else on earth—the good George and the bad George, the horrendous, and the hilarious. George and Nancy married March 4, 1983, and with her help and encouragement, he quit his wild and wicked ways—for a while. Nancy soon learned, however, that the demons held a strong grip on the man she loved, and they were not about to release him without a fight.

40-Foot Lemon: The Complete Story of U2's Pop & PopMart takes listeners into the studio and onto the stage during U2’s most experimental and ambitious era. It chronicles the difficult and expensive yearlong recording of Pop, where the band worked with five producers in multiple studios on two continents, striving to create a masterpiece. Instead, with tour dates already booked, U2 handed in an unfinished album.

In dieser Ausgabe Legendärer Songs geht es um 5 Songs, die auch heute noch von Millionen Hörern gehört werden. Games without Frontiers von Peter Gabriel, Blue Monday von New Order, Go your own way und Dreams von Fleetwood Mac und Breakfast in Amerika von Supertramp. Ich bin sicher, dass auch Du einiges noch nicht über die Songs wusstest. Wie zB bei wem alles New Order sich für "Blue Monday" bedient haben. Ja, klar bei Kraftwerk aber auch bei Giorgio Moroder. Mit welchem Song ? Hör mal rein.

In this, the first book to take a big-picture view of the entire post punk period, acclaimed author and music journalist Simon Reynolds recreates a time of tremendous urgency and idealism in pop music. Full of anecdote and insight, and featuring the likes of Joy Division, The Fall, Pere Ubu, PiL and Talking Heads, Rip It Up And Start Again stands as one of the most inspired and inspiring books on popular music ever written.

The Everly Brothers—aka Don and Phil to fans with an intimate appreciation for them—seemed to exist almost as an apparition. Emerging within the formative era for young Baby Boomers during the blandly regimented '50s, they were a ubiquitous presence, clad in snug suits and skinny ties, hair neatly Brylcreemed, never raising their voices when they sang. The two prim-looking country boys with dark, curiously penetrating eyes and perfectly merged, honey-dipped harmonies, were oddly but comfortably settled as sentimental, soothing, sometimes lovelorn voices of a still-uncharted cultural turf.

After February 9, 1964, everyone wanted to be Debbie Gendler. She was one of a handful of lucky fans who were in the live audience for the Beatles' historic performance on the Ed Sullivan Show. Everyone has a story about where they were when they watched the appearance, but very few were there in-person—and even fewer would go on not just to meet the Beatles, but end up building a career around the band. But Debbie did.

Suzi Ronson was working in a Beckenham hair salon in the early seventies when Mrs Jones came in for her weekly shampoo and set. After being introduced to her son David and his wife Angie, Suzi finds herself at the Bowies' bohemian apartment and is soon embroiled in their raucous world. Having crafted his iconic Ziggy Stardust hairstyle, Suzi becomes the only working woman in David's touring party and joins the Spiders from Mars as they perform around the globe.

While music has always been an integral part of the lives of the people of the British Isles and the diaspora around the world, an exploration of why this is so has seldom been explored. Celtic Song will take listeners on a journey to the past through a medium that uplifts the spirit and speaks to the heart.

Taking us from the present day back to the dawn of time, long-lost music is here reconstructed as we enter the worlds of its makers. We feel a child's delight at playing with a water-filled pot that chirps like a bird in Peru in 700 AD; we appreciate the challenge of a soldier sending signals by trumpet along Hadrian's Wall; we hear the chiming of 64 bells buried in a tomb in 5th century China. Graeme Lawson leads us on a grand tour of the world's greatest musical discoveries, revealing that music is part of our DNA.

New York Times-bestselling author Elijah Wald, one of the most wide-ranging and respected writers on blues and popular music, traces the beginnings of the music that became our national soundtrack. Using Morton’s life and songs as a connecting thread, Jelly Roll Blues suggests an alternate history of blues and jazz, surveying a world of Black and working class culture that at times seems startlingly modern.

One of the most celebrated artists of her generation, Joni Mitchell has inspired countless musicians and authors, while never stopping still herself. In Traveling, Ann Powers seeks to understand the paradox of Mitchell – at once both elusive and inviting – through her myriad journeys. Drawing on extensive interviews with Mitchell’s peers and deep archival research, Powers takes readers to rural Canada, charts the course of Mitchell's musical evolution, follows the winding road of Mitchell's collaborations with other greats and explores her loves along the way.

In Hip-Hop Is History, Questlove skillfully traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits--and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story of a cultural revolution and a sweeping, grand theory of the evolution of the great artistic movement of our time. And Questlove, of course, approaches it with not only the encyclopaedic fluency and passion of an obsessive fan but also the expertise of an innovative participant.

Михаил Кузищев — музыкальный журналист, исследователь и блогер, автор ряда интервью с зарубежными музыкантами, опубликованных в таких российских изданиях, как Zvuki.ru, InRock, Music Box, "СОЮЗ" (Soyuz.Ru) и другие. Лауреат премии имени А.М. Зверева журнала "Иностранная литература" за материал о текстах Боба Дилана. На протяжении двадцати лет соведущий — вместе с Владимиром Ильинским — передачи "120 минут классики рока" на радиостанции "Эхо Москвы". Автор радиосериала об истории панк-рока "Прогулки по дикой стороне", выходившего в эфир с 2006 по 2014 год.

Explore five decades of hey genre that came from the streets. With the invention of sampling and the emergence of DJs in the 1970s, it was time to grab your grandmother's photograph and start making some money. Journey through 50 years of an emergent genre and the artists and albums that made this music what it is today.