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Although Greenwich Village takes up less than a square mile in downtown New York, rarely has such a concise area supported and nurtured so many groundbreaking artists and genres. Musician used the Village’s smokey coffeehouses and clubs to chronicle the tumultuous Sixties, rewrite jazz history, and take rock & roll into eclectic places it hadn’t been before. Based on new interviews with surviving participants, previously unseen and unheard archives, and author David Browne's years immersed in the scene, Talkin’ Greenwich Village lends the saga the epic, panoramic scope it has long deserved.

The year 1972 saw the beginning of a five-year span in which Stevie Wonder released five groundbreaking, critically acclaimed albums, garnering him more than half a dozen Grammys and more than 10 million albums sold, securing his place as one of the most important American musicians and songwriters in history. For the first time, uncover the untold story of an extraordinary artistic journey that shaped the greatest creative era in popular music history.

James Douglas Morrison (December 8, 1943 - July 3, 1971), born in Melbourne, FL, was an American singer, songwriter and poet who was the lead vocalist and primary lyricist of the rock band The Doors. Due to his distinctive voice, poetic lyrics, erratic and unpredictable performances, along with the dramatic circumstances surrounding his life and early death, Morrison is regarded by music critics and fans as one of the most influential frontmen in rock history. The following recording is from a June 1970 interview.

After twenty years on the road, Eric Krasno has spent time sharing stories with countless artists — and these conversations have become some of his most cherished memories. In Eric Krasno Plus One, the audience is invited to join moments like these in podcast form—topics range from early inspirations to discussions about the state of the music industry, to the challenges of life on the road, backstage shenanigans, and much more.

Hence this is a story without precedent, a story in which Elton John plays a royal funeral, Mick Jagger gets a knighthood, Bob Dylan picks up the Nobel Prize, the Beatles become, if anything, bigger than the Beatles and it's beginning to look as though all of the above will, thanks to the march of technology, be playing Las Vegas forever.

After more than two decades of research and travels, Christophe Lebold, who befriended the poet and spent time with him in Los Angeles, delivers a stimulating analysis of Cohen’s life and art. Gracefully blending biography and essay, he interrogates the mission Cohen set out for himself: to show us that darkness is just the flip side of light.

By the early 1960s nearly everybody paying attention to country music agreed that George Jones was the greatest country singer of all time. After taking honky-tonk rockers like “White Lightning” all the way up the country charts, he revealed himself to be an unmatched virtuoso on “She Thinks I Still Care,” thus cementing his status as a living legend. That’s where the trouble started.

Chances are you've heard Handel's Messiah at least once, if not many times. Maybe you've even performed it, as have countless musicians around the world. After all, it's probably one of the best-loved, and certainly one of the best-known, works in the standard repertoire. But if you think you know all there is to know about the great composers famous oratorio, think again. For example, it may surprise you to learn that: Handel's first impulse to compose the work came not from religious or even musical inspiration. It had a whole lot more to do with money.

After 20 years on the road, Eric Krasno has spent time sharing stories with countless artists — and these conversations have become some of his most cherished memories. In Eric Krasno Plus One, the audience is invited to join in and hang out with these old friends. Topics range from early inspirations to discussions about the state of the music industry, to the challenges of life on the road, backstage shenanigans, and much more.

After twenty years on the road, Eric Krasno has spent time sharing stories with countless artists — and these conversations have become some of his most cherished memories. In Eric Krasno Plus One, the audience is invited to join moments like these in podcast form—topics range from early inspirations to discussions about the state of the music industry, to the challenges of life on the road, backstage shenanigans, and much more.

Eric Krasno Plus One is an interview-style series that brings listeners backstage and deep into the lives of incredible musicians. After twenty years on the road, Eric Krasno has spent time sharing stories with countless artists—and these conversations have become some of his most cherished memories. In Eric Krasno Plus One, the audience is invited to join moments like these in podcast form—topics range from early inspirations to discussions about the state of the music industry, to the challenges of life on the road, backstage shenanigans, and much more.

Eric Krasno Plus One is an interview-style series that brings listeners backstage and deep into the lives of incredible musicians. After twenty years on the road, Eric Krasno has spent time sharing stories with countless artists—and these conversations have become some of his most cherished memories. In Eric Krasno Plus One, the audience is invited to join moments like these in podcast form—topics range from early inspirations to discussions about the state of the music industry, to the challenges of life on the road, backstage shenanigans, and much more.

Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface.

In One Last Song, Ayers invites thirty musicians to consider what song they would each want to accompany them to those pearly white gates. Weaving together their explanations with evocative illustrations and poignant interludes-what your song to die to says about you, what songs famous people have died to, and more. The book offers insight into the minds of famous artists and provides an entry point for considering how integral music is to our own personal narratives.

Watford Forever is the remarkable account of Elton John’s ownership of Watford FC, and its transformational journey to the top of the First Division under iconic manager Graham Taylor, who was, in the words of award-winning journalist John Preston, “as traditional as Elton was unconventional.” Inspiring, funny, and ultimately heartrending, this is a tribute to soccer’s unlikeliest duo as Elton and Taylor—a straight-talking former fullback with literally no interest in rock music—both beat the odds and their personal demons to save a club and a community.

Sex, Drugs & Rock Stories. Alles, was ein wahrer Rockfan wissen muss. Warum wollte Axl Rose einst David Bowie verhauen? Was verbindet AC/DC mit einem Serienkiller? Und was haben Faith No More mit dem Fall der Berliner Mauer zu tun? Die Musikgeschichte steckt voller Sonderbarkeiten, aberwitzigen Begebenheiten und wilden Geschichten, die der Journalist und ehemalige Metal Hammer-Chefredakteur Christof Leim in diesem lustig-krachenden Anekdotenreigen für die Ewigkeit festgehalten hat.

Cello is a group biography that weaves together four narratives of cellists who suffered various forms of persecution, injury, and misfortune. Interwoven with their remarkable and often moving stories are a series of interludes that offer a foil to the group biographies. These examine the themes explored in the narratives from different perspectives, drawing together essay-like musings, historical research, personal experience, and the author’s many interviews and encounters with contemporary cellists.

In the 1930s, composers and musicians began to flee Hitler's Germany to make new lives across the globe. The process of exile was complex: although some of their works were celebrated, these composers had lost their familiar cultures and were forced to navigate xenophobia as well as entirely different creative terrain. Others, far less fortunate, were in a kind of internal exile-composing under a ruthless dictatorship or in concentration camps and ghettos.

Was haben so unterschiedliche Künstler wie Alexandra, GG Allin und Michael Hutchence gemeinsam? Sie sind alle tot. Und niemand von ihnen starb an Altersschwäche. Was die Menschheit bei einem selbst – in hoffentlich erst vielen Jahren – achselzuckend zur Kenntnis nehmen wird, erschüttert im Falle der Popstars Millionen: Der Tod. Ehrliche Trauer mischt sich mit Sensationslust, der Kontrast zwischen der (mehr oder weniger) fröhlichen, lebensbejahenden, glamourösen Welt der Popmusik und dem unwiderruflichen Ende könnte größer nicht sein.

What does it mean to be a "diva"? A shifting, increasingly loaded term, it has been used to both deride and celebrate charismatic and unapologetically fierce performers like Aretha Franklin, Divine, and the women of Labelle. In this brilliant, powerful blend of incisive criticism and electric memoir, Deborah Paredez-scholar, cultural critic, and lifelong diva devotee-unravels our enduring fascination with these icons and explores how divas have challenged American ideas about feminism, performance, and freedom.