検索キーワード： 歴史・批評

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

Un breve, delicioso e imprescindible tratado lleno de sugerentes ideas para comprender qué es el arte, qué utilidad puede tener para nosotros, cómo creamos, cómo el arte abre mundos y cómo puede transformarnos para imaginar un futuro diferente. Podríamos decir que el arte es uno de los principales atributos del ser humano, como el lenguaje. Es fácil entender por qué el lenguaje es universal, pero no parece ser tan sencillo imaginar que el arte también lo es. El arte es una forma de hacer que los sentimientos sucedan.

Con la obra que tiene entre sus manos conocerá la «Ocultura» que rodea a la historia del arte. A través de estas páginas, el autor presenta una serie de temas apasionantes, con interesantes datos, diversos misterios y teorías que giran en torno a ellos, así como algunas de sus posibles teorías. Todo ello con la finalidad de que el lector encuentre respuestas; pero, sobre todo, para que comience a formularse ciertas preguntas.

Wie funktioniert Kreativität? Wie hängen Psyche, unser Gehirn und das Talent zu Künstlerischem zusammen? Mit dem Besteck des Neurologen seziert Mario de la Piedra Walter die Kulturgeschichte und zeigt, was es braucht, damit ein Kunstwerk in die Welt kommt. Ob Dostojewski, Frida Kahlo oder Kandinsky – oft sind neurologische Besonderheiten oder Ausprägungen Voraussetzung für herausragende Kunst.

Uma reveladora jornada pela vida e a obra de 31 artistas geniais que compartilham uma qualidade essencial: o olhar. Frida Kahlo nos ajuda a ver através da dor. Rembrandt dá uma aula sobre autopercepção. David Hockney abre nossos olhos para a luminosidade da natureza. Jean-Michel Basquiat nos tira da inércia para que possamos ver a realidade em toda a sua complexidade selvagem.

In this influential sequence of linked interviews, Ranciere explores the interplay of art and politics. The Politics of Aesthetics rethinks the relationship between art and politics, reclaiming "aesthetics" from the narrow confines it is often reduced to. Jacques Rancière reveals its intrinsic link to politics by analysing what they both have in common: the delimitation of the visible and the invisible, the audible and the inaudible, the thinkable and the unthinkable, the possible and the impossible.

A riveting, heart-stopping family memoir that blends art, obsession, and love as the author searches for the spectacular jeweled egg that consumed her father’s dreams—and spelled her family’s downfall. When she was eleven years old, Serena Kutchinsky’s life changed forever. Her father...

Artists are expert lookers: they have learned to pay attention. The rest of us spend most of our time on autopilot, rushing from place to place, our overfamiliarity blinding us to the marvelous, life-affirming phenomena of our world. But that doesn't have to be the case. In his inimitable engaging style, Will Gompertz takes us into the minds of artists—from contemporary stars to old masters, the well-known to the lesser-so, and from around the world—to show us how to look and experience the world with their heightened awareness.

Juan Valera defendía que el arte es desinteresado. Empeñado en atacar tanto a los románticos como a los naturalistas, nunca se adscribió a ningún movimiento esteticista, como el simbolismo, que bajo la insignia de l'art pour l'art, intentaba renovar las tendencias artísticas en el cambio de siglo.

An informative, fun and rather charming essay on the nature and history of one of life’s most desirable assets, Charm, by renowned culture and design critic, Stephen Bayley. Aiming to wound, a schoolmaster wrote on future design-guru Stephen Bayley’s last ever school report “Charm alone...

A bold, expansive argument for a new way to understand immoral art in our time of cultural and political upheaval In this unconventional journey through the history of art, philosopher and artist Daisy Dixon explores works of art that society has condemned as depraved, obscene, or dangerous...

The story of the making, loss, and recovery of some of the greatest treasures of antiquity, raising questions about ancient mosaic art and its creation, the work of archaeology, and museum practice. In 1932, after years of fundraising and flurries of letters back and forth, an archaeological...

Looking at Mindfulness collects classic and esoteric paintings, from Rembrandt to Hopper to Magritte, and offers a lucid commentary on the inner workings of each. André describes the dynamic on the canvas and turns to the viewer's own reactions, exploring the connection between what we see and what we feel. Moving beyond the art, André teaches us what it means to consider our surroundings, our daily interactions and obligations, and their effects on our inner well-being.

Ce troisième tome de l'Histoire de l'art d'Élie Faure est une immersion magistrale dans l'essence de la Renaissance, cette ère de renaissance créative où l'art transcende le Moyen Âge pour embrasser l'individualisme et l'humanisme. À travers une analyse vivante des foyers italiens comme Florence, Rome et Venise, l'auteur décrypte les révolutions esthétiques portées par des géants tels que Michel-Ange, Léonard de Vinci, Raphaël et Titien.

Découvrez "Histoire de l'art. Tome 4. L'art moderne" d'Élie Faure, lu par Lluís Pujol, un voyage philosophique et poétique au cœur de la création artistique. Dans ce tome final, Faure transcende les époques pour explorer l'essence de l'art comme pulsation vitale de l'humanité. Des idoles nègres aux chefs-d'œuvre de Venise, il révèle les liens profonds entre races, cultures et expressions figurées, analysant le rythme alternant de synthèse et d'analyse qui anime l'Histoire.

Il nostro corpo racconta molte cose se può manifestarsi con libertà. I pantaloni con cui Marlene Dietrich arrivò a Parigi nel 1930 fecero gridare allo scandalo perché non solo parlavano di una sessualità dominatrice, ma di una donna che attingeva agli stereotipi del potere maschile diventando una vampira di energie invece che una donatrice devota. Il seno turgido che sbocciava dall'abito di Marilyn Monroe mentre cantava al suo amante "Happy Birthday, Mr. President", alludeva a una seduzione di nuovo conio, ribelle alle convenzioni del matrimonio, della ragion di Stato e della donna per bene.

How did the greatest artists in history look at the world through new eyes? And what can we learn from the imagination, boldness, and originality of their art? From the allusive frescos of the Renaissance to the cool irony of conceptual art in the 20th century, this is the ultimate guide to the greatest artists of the human age. Curator and writer Catherine Daunt interweaves the lives and loves of these great artists with moving and enlightening descriptions of their most famous and important works.

Leo Tolstoy is one of the most celebrated novelists of all time. As well as writing literary classics such as Anna Karenina and War and Peace, he was also the author of some hugely influential critical and philosophical works. First published in 1898, his book-length essay What is Art? has lost none of its power to challenge our perception of art and its function in society today.

From award-winning cultural historian, an enlightening and unique meditation on the presence of dogs in art, from the Paleolithic era to the present, and what our intertwined human-canine relationship reveals about human nature Long before the phrase man’s best friend became common parlance...

This is the first book to closely examine the curatorial work that the celebrated poet Frank O'Hara (1926-1966) undertook for the Museum of Modern Art in New York and abroad. Upon his premature death, the New York Times obituary ran with the headline: 'Frank O'Hara, 40, Museum Curator / Exhibitions Aide at Modern Art Dies – Also a Poet'. However, in the half a century since, O'Hara's fascinating career as a curator has been eclipsed by the critical attention given over to his poetry.