検索キーワード： 制作 "-30- Press LLC" 歴史・批評

En este clásico ensayo el filósofo Eugenio d´Ors realiza un recorrido por la que es considerada una de las pinacotecas más importantes del mundo, el Museo del Prado. A través de la visita por las diferentes salas del museo, d´Ors nos guía a través de una selección de obras y a través...

Hemos querido presentar en esta serie las primeras obras que van a sentar las bases del Renacimiento y que, como es bien sabido, se produjeron en Italia a finales de la Baja Edad Media. Se trata de un pequeño grupo de genios que comprenden la profundidad de la transformación socioeconómica...

Suele denominarse así el siglo XV (o mil cuatrocientos), que representa el estallido de la inteligencia artística italiana puesta al servicio de la Iglesia y de la nobleza. Aunque durante mucho tiempo se conservaron las formas góticas, el nuevo estilo transforma radicalmente los elementos...

Pablo Picasso fue publicado por primera vez en español en 1946. Su núcleo originario, sin embargo, hay que buscarlo en la edición francesa de 1930, en la que Ors y Picasso trabajaron en estrecha colaboración, el primero preparando un texto que había de ser la realización efectiva, en el...

Este ejemplar de Eugenio D'ors gira entorno al artista que fue el pionero del rejuvenecimiento del arte clásico, con conceptos y realidades muy claras sobre su arte. Asimismo mostrar la disposición de Cézanne de realizar una innovación en el arte del siglo XX, llevado desde la astuta...

Primer episodio de la colección Primera Temporada. Un ensayo sobre el electrodoméstico favorito, escrito por una de las voces más influyentes y polémicas de nuestra época. El ojo de la casa nos vigila mientras descansamos o trabajamos. Su poder se extiende más allá de las cuatro paredes y...

A palavra pressa é o particípio passado, em latim, do verbo premere (apertar). Assim, pode-se dizer que A História do Cinema para Quem Tem Pressa se propõe a contar uma das maiores sagas do século 20 (e deste início do 21) para quem precisa apertar o passo ou está apertado de tempo. E quem não está? Sabadin traça um panorama do cinema – linguagem que há mais de um século revoluciona nossa maneira de ver a vida –, desde a época em que seus inventores nem sabiam direito o que fazer com ele, até os dias de hoje, quando movimenta bilhões de dólares pelos cinco continentes.

In Defence of Leisure presents Marion Milner as a writer for our times. In asking the simple question: how do I want to spend my free time? Milner developed a method for discovering her true likes and dislikes. As Singh follows Milner's approach - from keeping a diary to painting, building a home and travelling to the sea - she discovers the importance of rest, creativity and play in all of our lives, and how it can open the door to achieving what we truly desire.

Forty essays on history, art, and literature to lift your mind and spirit. Guy Davenport serves as the listener's guide through history and literature, providing links between music and sculpture, modernist poets and classic philosophers, the past and present-pointing out the values and avenues of thought that have shaped our ideas and our thinking.

In Art as Information Ecology, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode—information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. In this way, art constitutes information that remains in formation---a difference that makes a difference that keeps on differencing.

In this concise and incredibly engaging short history, Dr Ellie Mackin Roberts journeys from the warrior societies of The Bronze Age all the way to the invention of democracy during the golden age of Athens, charting the incredible rise and fall of the Greek world and revealing just how much the Greeks influenced the world we live in today, from art and philosophy to architecture and politics.

In this concise and incredibly engaging short history, Dr Campbell Price takes us through every aspect of Ancient Egypt, from the incredible architectural marvels of the pyramids of Giza to the visually stunning and complex language of hieroglyphics all the way through to those at the top of society, pharaohs such as Tutankhamen and queens like Cleopatra.

The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

Many people try to describe their experience when “in the zone” or “in the flow” during the creative process. Some claim that a Greater Power or Divine Guidance assisted them. But, what is this state of consciousness, and how do we replicate it? In search of answers, writer and painter Christopher J. Miller took the suggestion of one of his art mentors to watch and chronicle his creative process.

Responding to many recent calls for redress and restitution, Richardson summarises the historical and current situation and attributes its problematics to the fact that theorists and historians have taken the concept art as a generic that includes both design and craft - which are actually and validly distinguishable from art by application of the concept function/al-or else ignored the two entirely.

Is there such a thing as a timeless classic? More than a decade ago, Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true.

This book has one purpose—to offer everyone the opportunity to become as wild about modern and contemporary art as I am. I am committed that your visits to modern and contemporary art exhibits become joyful, enriching experiences that you eagerly anticipate, avidly soak in and never get over. I say that the ability to appreciate art, including every type of art, is innate to all human beings. I have discovered that unlocking this natural love of art has much more to do with clearing out what's in the way than it does with accumulating information.

Designing Terry Pratchett's Discworld takes listeners behind the scenes of the amazing partnership between Sir Terry Pratchett and artist Paul Kidby. It shows how the Discworld was brought to visual life - from the earliest sketches to the final magnificent masterpieces - and how Terry and Paul absorbed influences from art and pop culture, fusing them into the Discworld landscape.

Surrealist painter Salvador Dalí eccentrically presents his ideas of painting, judging good or bad the prominent figures in the history of art, and expounding on 50 "secrets" that cover topics like the movements of types of brushes, blending, objects needed in a painter's space, the characteristics of colors, sleep, spiders, and sea urchins.

Игорь Викторович Долгополов (1917–1991) — заслуженный деятель искусств РСФСР, искусствовед, писатель, просветитель, главный художник самого популярного в советское время журнала «Огонек». Ученик А. Дейнеки, он был личностью поистине масштаба Джорджо Вазари, человеком, всю жизнь создававшим единый образ мирового искусства. Его очерки о великих творцах, собранные позже в книги «Мастера и шедевры», при жизни автора печатались огромными тиражами.