検索キーワード： 歴史・批評

L'histoire de la comtesse Matilde et de son territoire : L'histoire, les Canossa (les origines, la famille, les biens), les personnages, Mathilde de Canossa, Henri IV, Grégoire VII, Henri V, les châteaux, les paroisses rurales (pievi), les bourgs de l'Apennin, le paysage, l'axe directeur de Mathilde, l'artisanat artistique/l'ars canusina et les produits œnogastronomiques.

How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter provides a guide for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. A much-needed provocation to look more critically at the accepted narratives about art and rethink and disrupt the way we interact with the museums and galleries that display it.

When launching the Talk Art podcast in 2018, actor Russell Tovey and gallerist Robert Diament had one clear aim: to make the art world more accessible. Since then, the podcast has grown to be a global hit, featuring exclusive interviews with leading artists, curators, gallerists, actors, musicians and fellow art lovers such as Lena Dunham, Sir Paul Smith, David Shrigley, Noel Fielding, Edward Enninful, Rose Wylie and Sir Elton John.

As the witty and passionate chief art critic for New York magazine, Jerry Saltz is often approached by artists, both amateur and professional, asking him for advice: How do I get started? How do I get better? Is what I'm doing even art at all? They want to know, in short, how to be an artist. Now, expanding on his viral cover story for New York magazine - and drawing on his decades of immersion in the art world - Saltz has the answers. How to Be an Artist is an indispensable book of practical inspiration for creative people of all kinds. 

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.

The divide between the digital and the real world no longer exists: we are connected all the time. How do we find out who we are within this digital era? Where do we create the space to explore our identity? How can we come together and create solidarity? The glitch is often dismissed as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology and the body that it creates. 

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip Little Nemo in Slumberland, itself inspired by Freud’s recent research on dreams. McCay is largely forgotten today, but he unleashed an art form and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.’ Chuck Jones. Wild Minds is an ode to our colorful past and to the creative energy that later inspired The Simpsons, South Park, and BoJack Horseman. 

In the age of Trump and Brexit, every crisis is instantly overridden by the next. The turbulent political weather of the 21st century generates anxiety and makes it difficult to know how to react. Laing makes an inspiring case for why art matters more than ever, as a force of both resistance and repair. Art, she argues, changes how we see the world. It gives us X-ray vision. It reveals inequalities and offers fertile new ways of living. Funny Weather brings together a career's worth of Laing's writing about art and culture, and their role in our political and emotional lives.

Hattie McDaniel is best known for her performance as Mammy, the sassy foil to Scarlett O’Hara in the movie classic Gone with the Wind. Her powerful performance won her an Oscar® and bolstered the hopes of Black Hollywood that the entertainment industry was finally ready to write more multidimensional, fully realized roles for Blacks. But despite this victory, and pleas by organizations such as the NAACP and SAG, roles for Blacks continued to denigrate the African American experience.

Bloomsbury presents The Longing for Less by Kyle Chayka, read by Christopher Ragland. New York Times Book Review Editor's Choice "More than just a story of an abiding cultural preoccupation, The Longing For Less peels back the commodified husk of minimalism to reveal something surprising and...

Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street...

The meteoric rise of the largest unregulated financial market in the world -- for contemporary art -- is driven by a few passionate, guileful, and very hard-nosed dealers. They can make and break careers and fortunes “Shnayerson tackles his subject with gusto, parading a cast of colorful...

This new biographical look at Leonardo da Vinci explores the Renaissance master's groundbreaking portrayal of women which forever changed the way the female form is depicted.Leonardo da Vinci was a revolutionary thinker, artist, and inventor who has been written about and celebrated for...

How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle's incisive essay collection illuminates the work of many of the most influential artists of the 20th century. Engaging with a wide range of Salle's friends and contemporaries - from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others - How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres.

A beekeeper herself, she gives insight into the activity in the hive and describes the bees' natural order and habits. She explores the myths of the past and how and when they were replaced by fact. For example, the heated discussions that broke out in the 18th century when it was discovered that the hive was ruled by a queen, not a king as had been the belief since Aristotle. 

The gigantic covert wartime mission led by the men and women of London's museums and galleries to save the nation's priceless heritage. As Hitler prepared to invade Poland during the sweltering summer of 1939, men and women from across London's museums, galleries and archives formulated...

Brought to you by Penguin. A GUARDIAN 'BOOKS OF 2021' PICK So often deployed as a jingoistic, even menacing rallying cry, or limited by a focus on passing moments of liberation, the rhetoric of freedom both rouses and repels. Does it remain key to our autonomy, justice, and well-being, or is...

For the past 140 years, Germany has been the central power in continental Europe. Thirty years ago, a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany, both geography and history have always been unstable. 

Bloomsbury presents Clive Bell and the Making of Modernism by Mark Hussey, read by Richard Trinder. 'Amusing, charming, stimulating, urbane' – THE TIMES 'Revelatory' – GUARDIAN 'Restores Clive Bell vividly to life' – Lucasta Miller ______________ Clive Bell is perhaps better known today...