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As the witty and passionate chief art critic for New York magazine, Jerry Saltz is often approached by artists, both amateur and professional, asking him for advice: How do I get started? How do I get better? Is what I'm doing even art at all? They want to know, in short, how to be an artist. Now, expanding on his viral cover story for New York magazine - and drawing on his decades of immersion in the art world - Saltz has the answers. How to Be an Artist is an indispensable book of practical inspiration for creative people of all kinds. 

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip Little Nemo in Slumberland, itself inspired by Freud’s recent research on dreams. McCay is largely forgotten today, but he unleashed an art form and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.’ Chuck Jones. Wild Minds is an ode to our colorful past and to the creative energy that later inspired The Simpsons, South Park, and BoJack Horseman. 

In the age of Trump and Brexit, every crisis is instantly overridden by the next. The turbulent political weather of the 21st century generates anxiety and makes it difficult to know how to react. Laing makes an inspiring case for why art matters more than ever, as a force of both resistance and repair. Art, she argues, changes how we see the world. It gives us X-ray vision. It reveals inequalities and offers fertile new ways of living. Funny Weather brings together a career's worth of Laing's writing about art and culture, and their role in our political and emotional lives.

John Heskett wants to transform the way we think about design by showing how integral it is to our daily lives, from the spoon we use to eat our breakfast cereal, and the car we drive to work in, to the medical equipment used to save lives. Design combines "need" and "desire" in the form of a practical object that can also reflect the user's identity and aspirations through its form and decoration. This concise guide to contemporary design goes beyond style and taste to look at how different cultures and individuals personalize objects.

Kyle Chayka is one of our sharpest cultural observers. After spending years covering minimalist trends for leading publications, he now delves beneath this lifestyle’s glossy surface, seeking better ways to claim the time and space we crave. He shows that our longing for less goes back further than we realize. His search leads him to the philosophical and spiritual origins of minimalism and to the stories of artists such as Agnes Martin and Donald Judd; composers such as John Cage and Julius Eastman; architects and designers; visionaries and misfits.

Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street...

The meteoric rise of the largest unregulated financial market in the world -- for contemporary art -- is driven by a few passionate, guileful, and very hard-nosed dealers. They can make and break careers and fortunes “Shnayerson tackles his subject with gusto, parading a cast of colorful...

This new biographical look at Leonardo da Vinci explores the Renaissance master's groundbreaking portrayal of women which forever changed the way the female form is depicted.Leonardo da Vinci was a revolutionary thinker, artist, and inventor who has been written about and celebrated for...

How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle's incisive essay collection illuminates the work of many of the most influential artists of the 20th century. Engaging with a wide range of Salle's friends and contemporaries - from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others - How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres.

A beekeeper herself, she gives insight into the activity in the hive and describes the bees' natural order and habits. She explores the myths of the past and how and when they were replaced by fact. For example, the heated discussions that broke out in the 18th century when it was discovered that the hive was ruled by a queen, not a king as had been the belief since Aristotle. 

For the past 140 years, Germany has been the central power in continental Europe. Thirty years ago, a new German state came into being. How much do we really understand this new Germany, and how do its people now understand themselves? Neil MacGregor argues that uniquely for any European country, no coherent, over-arching narrative of Germany's history can be constructed, for in Germany, both geography and history have always been unstable. 

Art critic and broadcaster Alastair Sooke, accompanied by some of the world's leading creative thinkers, takes an in-depth look at the outstanding exhibits in New York's MoMA, exploring how the way we 'see' art is shaped by our experiences and perspectives. His guests include some of the sharpest minds of our time - artists, writers, designers, comedians, musicians and scientists, among them Steve Martin, Margaret Cho, John Waters, Roxane Gay, Fiona Shaw, Orhan Pamuk and Stanley Tucci.

Clive Bell is perhaps more well-known today for being a Bloomsbury socialite and the husband of Vanessa Bell, sister to Virginia Woolf. Yet Bell was a highly important figure in his own right: an internationally renowned art critic who championed young artists, he defended daring new forms of expression at a time when Britain was closed off to all things foreign. For decades Bell has been a shadowy figure, refracted through the wealth of writing on Bloomsbury, but here Mark Hussey brings Bell to the forefront.

The second half of William Feaver's Baillie Gifford Prize-shortlisted work of biography: the definitive story of the epic life of one of the 20th century's most important artists. William Feaver, Lucian Freud’s collaborator, curator and close friend, knew the unknowable artist better than most. Over many years, Freud narrated to him the story of his life, ‘our novel’. Fame follows Freud at the height of his powers, painting the most iconic works of his career in a constant and dissatisfied pursuit of perfection, just outrunning his gambling debts and tailor’s bills.

In Youth, the first of two volumes, Feaver conjures Freud’s early childhood: Sigmund Freud’s grandson, born into a middle-class Jewish family in Weimar Berlin, escaping Nazi Germany in 1934 before being dropped into successive English public schools. Following Freud through art school, his time in the navy during the war, his post-war adventures in Paris and Greece, and his return to Soho - consorting with duchesses and violent criminals, out on the town with Greta Garbo and Princess Margaret - Feaver traces a brilliant, difficult young man’s coming of age.

This is the beautifully told story of charismatic and unconventional pop artist Martin Sharp, from his lonely privileged childhood to the heady days of the underground magazine Oz to Swinging London and beyond. Sharp blurred the boundaries of high art and low; he drew rock stars and reprobates into his world, collaborated with Eric Clapton, obsessively championed eccentric singer Tiny Tim, was haunted by Sydney's Luna Park and, paradoxically, became a recluse whose phone never stopped ringing.

Bestselling, award-winning writer Simon Garfield returns with an enthralling investigation of humans’ peculiar fascination with small things—and what small things tell us about our larger world. “[Simon Garfield is] an exuberant truffle-hound of the recondite and delightful factoid.”...

Master Italian sculptor, goldsmith, and writer Benvenuto Cellini is best remembered for his magnificent autobiography. In this work, which was actually begun in 1558 but not published until 1730, Cellini beautifully chronicles his flamboyant times. He tells of his adventures in Italy and France, and his relations with popes, kings, and fellow artists.

In this series of essays, Roger Kimball, managing editor of the New Criterion and an art critic for the London Spectator, examines the current art scene with a scathing intelligence and a crystalline eloquence of writing style. Particularly amusing are his dissections of art-show catalogspeak.