検索キーワード： 歴史・批評

In the predawn hours of a gloomy February day in 1994, two thieves entered the National Gallery in Oslo and made off with one of the world's most famous paintings, Edvard Munch's Scream. It was a brazen crime committed while the whole world was watching the opening ceremonies of the Winter Olympics in Lillehammer. Baffled and humiliated, the Norwegian police turned to the one man they believed could help: a half English, half American undercover cop named Charley Hill, the world's greatest art detective.

Join the art critic Ben Eastham on a private tour of an extraordinary, imaginary museum. Stand in front of some of the most incomprehensible art works in the world with an expert guide by your side, full of personal stories, expertise and human understanding. In a stunningly original memoir and art guide we find ourselves among outrageous artworks and we return again and again to the same question: But what does it mean?

Bacon concealed many important aspects of his life. He described himself as an asthmatic child in Ireland with foxhunting parents and a tyrannical father, but he was also rescued by a series of formidable women—women who in this biography emerge in their own right. He was never just a dissolute young man but was also a passionate reader, largely self-taught. Early on, influenced by Eileen Gray, he became a hard-working and ambitious designer, a brief career explored here in detail for the first time. He dreamed of remaking the modern room.

Imagine a Museum of Lost Art. If this imaginary museum contained just the artwork we knew was lost— whether from theft, purposeful destruction, vandalism, war, or the forces of nature—it would still contain more masterpieces than those in all the world’s current museums combined. Imagine that! In Lost Art: The Stories of Missing Masterpieces, art historian Noah Charney guides you through just such an imaginary museum. In 12 fascinating lectures, you will hear the stories behind the theft and/or destruction of some of the world’s most famous pieces of art.

Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world—from Stockholm to Boston, Worcester to Ohio—the authors track daring entries and escapes from the world's most renowned museums.

Survey documents three leading artists—Lubaina Himid, Yinka Shonibare CBE and Hew Locke—exploring their work and ideas in development, in reviews, and recorded conversations, drawn from the Cv/Visual Arts Research Archive.

Conceived over 30 years of painting and creating in his studio, this book is Makoto Fujimura's broad and deep exploration of creativity and the spiritual aspects of "making". What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise.

Clive Bell is perhaps more well-known today for being a Bloomsbury socialite and the husband of Vanessa Bell, sister to Virginia Woolf. Yet Bell was a highly important figure in his own right: an internationally renowned art critic who championed young artists, he defended daring new forms of expression at a time when Britain was closed off to all things foreign. For decades Bell has been a shadowy figure, refracted through the wealth of writing on Bloomsbury, but here Mark Hussey brings Bell to the forefront.

Until the 20th century, art history was, in the main, written by white, western men who tended to write about other white, western men. The idea that women in the West have always made art was rarely cited as a possibility. Yet, they have - and, of course, continue to do so - often against tremendous odds, from laws to religion and the pressures of family and public disapproval. Feminism has shaken up the story of art and, for the first time, cast light on the often-brilliant work by women artists who were often ignored, patronised or marginalised.

At the dawn of the 1950s, a promising and dedicated young painter named Helen Frankenthaler, fresh out of college, moved back home to New York City to make her name. By the decade's end, she had succeeded in establishing herself as an important American artist of the postwar period. In the years in between, she made some of the most daring, head-turning paintings of her day and also came into her own as a woman: traveling the world, falling in and out of love, and engaging in an ongoing artistic education.

Step into the extraordinary world of William Verdult—an acclaimed Dutch-American painter whose work blended royal heritage, mythological influence, and raw emotional depth. From his early life in war-torn Europe to his rise among American elites, The Life and Times of William Verdult explores the artist’s journey through fame, scandal, artistic brilliance, and ultimate legacy.

Essere donna ed essere artista, agli albori del Novecento, era quasi inconciliabile. Eppure qualcuna è riuscita, con grande maestria, a lasciare incantevoli tracce del proprio passaggio nel mondo. Questa è la storia di Leonora Carrington e Remedios Varo: non più muse, ma "amabili streghe". Dall'Inghilterra alla Francia, dalla Spagna al Messico, dal Messico agli Stati Uniti, le loro vite sono unite da un labirinto di fughe, di guerre, di passioni e amicizie.

The volatile years of England's Tudor dynasty (1485–1603) and the five monarchs who ruled England during this period continue to fascinate and intrigue. Thanks to the paintings of artists like Hans Holbein, we have very definitive ideas about the appearance and personalities of Henry VII, Henry VIII, Edward VI, Mary I and her successor Elizabeth I. It is through their eyes of artists that we still see the dynasty which ruled England for just over a century.

Culture is like a language. Art, architecture, history and philosophy are its grammar. And, like a language, anyone can learn it. In 2022, Sheehan Quirke took to Twitter (now X) as The Cultural Tutor with the aim of making culture accessible for everyone. He wrote about poetry, paintings, building design, and counter-intuitive but fascinating facts about history and geography. It wasn’t the sort of content you usually find on a newsfeed. Taught in forty-nine short lessons, Sheehan takes listeners on a delightful and fascinating journey through culture.

Wrapped up in a snarky idealism, it starts as a funny and poignant love letter to art, and winds up making a compelling case for a kinder, more connected world.

«Мы находим красоту не в самой вещи, а в узорах теней, света и тьмы, которые создаёт одна вещь на фоне другой… Если бы не тени, не было бы никакой красоты» - утверждает Дзюнъитиро Танидзаки в своем эссе «Похвала тени». Эта книга – настоящий поэтический гимн японской эстетике. Танидзаки учит нас слушать красоту в малом: потускневшем металле, неглазурованной керамике, напоминая о том, что слишком много яркости и цвета могут скрыть от нас главное.

Perceiving the Arts presents the basic formal, technical, experiential, and contextual qualities of the arts in a brief, clear, and factual manner. Students will develop confidence in approaching the arts and will gain skills that encourage life-long artistic and cultural engagement. Intended to provide a basic overview of the major artistic disciplines—drawing, painting, printmaking, photography, sculpture, architecture, music, theatre, cinema, dance, and literature—the book teaches listeners what to look and listen for in the humanities.

In this conversation with Audible Editor Katie, historian Dan Jones reveals that he dove into writing his first novel after a gentle shove from George R.R. Martin. Listen in to hear Dan’s story about the writing and recording of Essex Dogs.

Brought to you by Penguin. A dazzlingly original reassessment of women's stories, bodies and art - and how we think about them. For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies...

Many bemoan the decay of culture. But we all have a responsibility to care for culture, to nurture it in ways that help people thrive. In Culture Care artist Makoto Fujimura issues a call to cultural stewardship, in which we become generative and feed our culture's soul with beauty, creativity, and generosity. We serve others as cultural custodians of the future. This is a book for artists, but artists come in many forms.