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Finding seeds of inspiration in the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers—characters on the hunt for love, connection, revenge, or their own sense of purpose.

Dive into the enchanting world of Irish folklore in this captivating compendium of fairy tales, songs, and poems compiled and co-written by Nobel Prize-winning Irish wordsmith W. B. Yeats.

After an attack on the job, Homicide Detective Isobel 'Bel' Emerson takes her dog and moves to the small town of Bajka in search of a less stressful life and career. But the quaint town's peace is disturbed when a local furniture designer is murdered, his body posed to look like a human chandelier. Thrust back into the fray, Bel must confront her personal demons as she investigates an impossible case, and as bodies turned into household objects start to pile up, all clues point to the reclusive millionaire who just bought the abandoned mansion at the edge of town.

With a foreword by Neil Gaiman, this comprehensive, entertaining, and authentic collection of English folktales is perfect for fans of Madeline Miller, Philip Pullman, and the Brothers Grimm. This is a golden treasury of over one hundred English folktales captured in the form they were first collected in past centuries. Listen to these classic tales as they would have been told when storytelling was a living art—when the audience believed in boggarts and hobgoblins, local witches and will-o'-the-wisps, ghosts and giants, cunning foxes and royal frogs.

After she lands on the losing side of a war, Saga is sentenced to serve Ari Sekundär, the man she despises. But when Ari is blamed for a tragic assassination, Saga is forced on the run with her reluctant master, and they must work together to survive. Soon hate feels more like passion, and disgust more like desire. What Ari doesn't know is that falling in love with the enemy will have deadly consequences. But how can Saga tell him? If he gives his heart to her, it will unlock a hidden secret that can destroy the kingdom…and end her life.

Alice’s adventures continue in this dramatized version of the timeless classic. Join Alice as she steps through a mirror into a strange new world where she encounters very peculiar characters, including a giant egg named Humpty Dumpty, the two odd brothers Tweedledum and Tweedledee, Tiger Lily, and the White Knight. Featuring stellar performances by a full cast of talented voice actors with music and sound effects. Expect the unexpected in this incredible journey into fantasy.

The glorious but tragic story of King Arthur and the Knights of the Round Table is one of the great legends of Western civilization. Storytellers and poets down the centuries have returned repeatedly to the universal themes of the Quest of the Holy Grail and the love between Sir Launcelot and Queen Guenever. Yet the first printed account, written by the 15th century knight Sir Thomas Malory, remains unmatched.

Katherine lives in the shadows of her village. Injured as a child, she isn't a suitable match for marriage. So, instead, she dedicates herself to having some purpose in the town. Stitching people up after Gluttony has his way with them makes her realize she could be more of a solution than a problem. So she makes the trek up to his castle and offers him a deal he cannot refuse. Her blood, unlimited, if he will leave the rest of her town alone.

Young Elphie is shaped and molded by the behaviors of her promiscuous mother, Melena, and her pious father, Frex. She suffers ordinary childhood jealousies when her sister, saintly Nessarose, and brother, junior felon Shell, arrive. She first encounters the mistreatment of the Animal populations of Oz, which live adjacent to but not intertwined with human settlements, haunted by a Monkey and receiving aid from Dwarf Bears. She thrashes through her first bruising attempts at friendship, a possible lifeline from her tricky family life.

Apparently, the best time to ask someone a life-or-death question is when they're fresh from being kidnapped and tired as hell. Who knew? Now, my princes are gone to a terrible place, and it's up to me to bring them back. To do so, not only do I need to learn to survive in a new world of darkness and lies, but I need to decide how I feel and what I want for my life. Rescuing the princes is only the first step. Agreeing to turn this fake marriage into a real one is the next—if I can handle it. And then? Well, I need to figure out if I can be the wife to four men tricked by a potion.

The first Bunyan tale to reach a wider audience started with James MacGillivray of Oscoda, Michigan. With the support of his brother, the publisher and editor of the Oscoda press, he turned the stories he had heard of Paul Bunyan as a youth working in the lumber camps into a small unfeatured anecdote with no byline, titled simply “Round River” and published in the Oscoda Press on Aug. 10, 1906. In 1910, James MacGillivray rewrote and expanded the tale of “Round River,” and published it in the Detroit News Tribune on July 24 of that year as “Round River Drive.”

After being transformed into a woman for 10 days and experiencing what it is to be a woman in a culture that does not respect women, Odin returns to his masculine form remembering every aspect of his time as a woman. Odin has been transformed into a complete warrior, not just a great fighter. He has learned to balance his own own masculine and feminine energies and has kept his heart fully open while maintaining his lethal warrior's spirit. Odin begins making changes immediately that shock the entire kingdom—changes that are gut-wrenching for some and heart-warming for others.

An ancient creature stirs, a mysterious figure watches, and four kids are caught in the middle. Four teenagers—Momo, who nearly lost her life the day she was born, at the hands of her own father; Mia, a brilliant mind wrapped in effortless beauty; and best friends Tyson and Lucas, inseparable since the moment they met—find themselves stranded in the middle of the ocean. But something is wrong. Their memories have been stolen. Who—or what—has done this? As doubt creeps in, questions arise: Are they truly as close as they seem? Do they carry hidden agendas of their own?

Dorothea und Gretchen Wild, die Geschwister Hassenpflug und Haxthausen, Jenny Droste Hülshoff und Dorothea Viehmann usw.: Es waren überwiegend Frauen, die den Grimms die Märchen zutrugen - jedoch nicht nur.

Die Bildersprache der Märchen: fremd, wie zu einer fernen, längst vergangenen Welt gehörend, und doch unendlich nah und vertraut. Eine Sprache, die man nicht erst erlernen muss, um sie zu verstehen, und die man nicht verlernen kann, weil sie als zu den menschlichen "Denk- und Fühlformen", zum menschlichen Sein dazugehörig erscheint. Sie ist, wie Wilhelm Grimm beschreibt, eine Sprache die "längst verloren, aber […] noch empfunden" wird, die vom Damals ins Heute hinüberreicht und - mehr noch - durch das Menschliche hindurchreicht.

Tin is the most famous fae in Oz for all the wrong reasons. Cursed with a stone heart, he is the perfect assassin: ruthless, efficient, and merciless with thousands of kills to his name. When his old friend Lion offers him a small fortune to deliver Dorothy to the South for his lover to wear the girl’s head as her own, Tin doesn’t hesitate to accept the unsavory deal.

“Marigold was absorbed in her book; she had gotten as far as the V.” So begins Marigold and Rose, Louise Glück’s astonishing chronicle of the first year in the life of twin girls. Imagine a fairy tale that is also a multigenerational saga; a piece for two hands that is also a symphony; a poem that is also, in the spirit of Kafka’s Metamorphosis, an incandescent act of autobiography. Here are the elements you’d expect to find in a story of infant twins—but more than that, Marigold and Rose is an investigation of the great mystery of language and of time itself.

The Kappa is a creature from Japanese folklore known for dragging unwary toddlers to their deaths in rivers: a scaly, child-sized creature, looking something like a frog, but with a sharp, pointed beak and an oval-shaped saucer on top of its head, which hardens with age. Akutagawa’s Kappa is narrated by Patient No. 23, a madman in a lunatic asylum: he recounts how, while out hiking in Kamikochi, he spots a Kappa.

As an assassin for the rebellion group Fíur du Ath, Raeve’s job is to complete orders and never get caught. When a rival bounty hunter turns her world upside down, blood spills, hearts break, and Raeve finds herself imprisoned by the Guild of Nobles—a group of powerful fae who turn her into a political statement.

Varya lives in the shadows. As a tomb raider, it's easier that way. Known for obtaining the unobtainable, she risks life and limb to provide for her small desert town: a magical chalice with never-ending water, an amulet that heals, a map that shows where all the other magical objects are. However, the last stolen treasure came with a problem—the Demon King, Greed. When she finds herself saddled with an injured demon, tracked by a horde of warriors, and effectively lost in the desert, well, what's a girl to do?