検索キーワード： 都市

Conceptually unique, hilarious, and frightening, a: A Novel is the perfect literary manifestation of Andy Warhol's sensibility. In the late sixties, Warhol set out to turn a trade book into a piece of pop art, and the result was this astonishing account of the artists, superstars, addicts, and freaks who made up the Factory milieu.

In a busy maternity ward, first-time father Dan meets Jada, a dad welcoming his fifth — no, sixth? — child into the world. Dan and Jada come from very different places: both called Glasgow. Dan is a successful TV writer with a townhouse in the West End and a shiny Tesla ready to drive his wife and baby home. Jada is a hustling, small-time criminal who is already planning how to separate Dan from some of the luxuries Jada has never been able to enjoy in his tiny flat in a Brutalist sixties council block. Both men find that the birth of their sons has fired their ambitions.

My family was my driving force. Everything I did was to uphold the Moretti name, to prove to my father that he could step down in peace. But I was hiding my true nature behind an easy smile and forced control. Then, I met her, and she wanted me whole, not part of me, but all of me. Galina Whitlock hadn’t been what I was searching for, but she was the redemption I never knew I needed.

In their Saitama office, Ashikawa is the kind of woman Nitani knows he will likely marry: sweet, obliging, and determined to wean him off his addiction to instant noodles. But he finds himself increasingly unable to respect her – or the sugary treats she shares around the workplace, winning their colleagues’ affection with baking rather than hard work. Oshio is bolder and uninhibited – she is Nitani's drinking buddy. In the oppressive office atmosphere, the pair grows closer, both outsiders struggling with the rigid status quo.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

Every day at 8:05, Iona Iverson boards the train to go to work. Every day, she sees the same people and makes assumptions about them, even giving them nicknames. But they never speak. Obviously. Then, one morning, Smart-but-Sexist-Surbiton chokes on a grape right in front of Iona. Suspiciously-Nice-New Malden steps up to help and saves his life, and this one event sparks a chain reaction. With nothing in common but their commute, an eclectic group of people learn that their assumptions about each other don't match reality.

Yumi Parr is the new project coordinator of a Manhattan design agency. Set apart from her coworkers by their race, salaries, alma maters, perfect teeth, and waistbands, Yumi bears their grunt work. After one microaggression too many, she decides to implement a change. Either senior white employees with their mouthfuls of wokespeak will comply or Yumi will learn a difficult lesson about the realities of modern business culture.

Inequality. Influence. Fraud. Sabotage. These are the themes of great fiction and our modern economy. In this collection of short stories by some of today’s most scintillating writers, the rich get poorer and the poor get richer. Yeah, right! From the heartbreaking to the hilarious, here are eight instantly classic battles over currency, class, privilege - and social distance.

"Al mattino la superficie del fiume splende come se migliaia di fogli d'oro stropicciati scorressero sull'acqua." Sei bozzoli di preziosa seta esistenziale. Sei fili tesi dal destino. Sei racconti intorno al tempo, alla guarigione, al fato. Sei racconti tessuti in una Tokyo sfolgorante di luci notturne e pulsante di vita. Tutti feriti, chi da un trauma infantile, chi da un abbandono, chi da una storia d'amore tormentata, i protagonisti si sono chiusi in un guscio che li protegge ma insieme li separa dal mondo.

Wendy doesn't mean to kill Dina, the energy therapy practitioner who recruited her to an allergy study. She's not even sure how it happened. How could something as silly as hand waving and hypnotism turn Wendy's skin from empathic to lethal? Better yet, how can she change it back? She has a brother to take care of; earning a little extra money was not supposed to ruin her life this way. Refusing to live forever in fear of physical contact, Wendy goes straight to the source: the company whose strange energy practices caused her dramatic transformation.

It’s 1997, and Cool Britannia’s in full swing. Oasis and Blur are top of the pops, and it feels like the whole country’s sorted out for E’s and wizz. But it’s not just UK plc that’s on a high. Life’s looking up for Frankie James, too. He’s paid off his debts to London’s fiercest gang lord, Tommy Riley. His Soho Open snooker tournament is about to kick off at his club. He might even have fallen in love. But then Frankie finds himself being blackmailed by a face from his past. They want him to steal something worth millions. Enough to get him killed.

Augie is a poor but exuberant boy growing up in Chicago during the Depression. While his friends all settle into chosen professions, Augie demands a special destiny. He tests out a wild succession of occupations, proudly rejecting each as too limiting - until he tangles with the glamorous perfectionist Thea.

Giselle Doran is a daddy's girl - a sexy 18-year-old siren who's all about the Benjamins. Her father is a king in the drug distribution game, and she views him as the perfect man. When she meets Shawn, she thinks she's found the one. Mimi Gordon is not attracted to drug dealers, until Tony comes along. He provides her with a lavish lifestyle, and once she's had a taste, Mimi is hooked. Giselle and Mimi cross paths in the most unusual way. Eventually, both women will be forced to make life-changing decisions when they find out their men aren't who they thought they were.

A year away helped me realize that Delgato power doesn't just apply to the males in our family. Being away showed me that the same power cruised through my blood. That same power helped me remember who I am. I am Capri Delgato… Baby Doll. A lawyer by day, and the hood's princess by night. The one who will ride for her family. Ms. Delgato, who will make sure her brother never returns to prison because I know the ins and outs of the legal system. With my niece-in-law, we gonna show 'em that the Delgatos don't just run the streets…

When Meer saw me off at the airport, I never expected to come home and become his wife. His daughter becoming mine. Our lives intertwining into one. I didn't think I was worthy of being loved the way this man loved me. Worthy of a man telling me how's he coming behind me and actually standing on that. He loves and accepts all parts of me. Our families have become one because of our love. For every good thing in my life, there's always a bad thing lurking. Death. Dishonor. Redemption? We're in the end game now.

I came home and ended up with two enemies because of the women I choose to love. Kendra was the one I thought I loved, but the feeling I felt when I looked into Alaia's eyes told me that I had never experienced love with Kendra. When I looked into my Joy's eyes, I wanted to give her the stars, moons, and the sky wrapped up with a big fat ass bow. So, for her, I would go to war to make sure Tweety had no part in touching her ever again.

I always knew marriage for me would never be to a man of my choosing. As a young girl, I was all too aware of the power I wielded in a world where men were supposed to be the superior gender. To the underworld, I was just a mafia princess. To my family, I was an equal. To my soon-to-be husband? Well, that was yet to be determined. But I prayed Enzo Bianchi was ready for me because I was damn sure prepared for him.

Welcome to the Japan of tomorrow. Here, the practice of radical sympathy toward criminals has become normalized. The incarcerated are considered victims influenced by their environments to commit crime and are labeled accordingly as Homo miserabilis. A grand, yet controversial, skyscraper in the heart of Tokyo is planned to house lawbreakers in compassionate comfort—Sympathy Tower Tokyo. Acclaimed architect Sara Machina has been tasked with designing the city’s new centerpiece but is filled with doubt.

This is the 1927 book that years later inspired the movie of the same name. It is a book about criminal violence, corrupt politics and police, and illicit sex. The City of New York, from the late colonial period up to the early twentieth century, was a bustling hub of commerce, industry, and immigration. For many the city was the gateway to a new life in America, and for many others it was a place to steal a buck from their fellow New Yorkers and visitors to the city with thievery, fraud, and vice—in neighborhoods such as the Five Points, the Bowery, Hells Kitchen, and the Water Front.

Agnes Green is not having the summer of her life. Trapped in the suburbs with a strict religious mother, her nights are spent secretly dating Toby—who loves arthouse film, getting stoned, and ignoring her texts—and her days listening to sermons about the sins of the flesh. Then she meets Emily. Beautiful, charismatic and oddly controlling, Emily has a suggestion for Agnes. A life-changing way of making cash and having fun. It might even involve love. And it's easy. All you have to do is put a little black dress on and go to lunch.