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The Overland Trail, 1853: Naomi May never expected to be widowed at 20. Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both. But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each other, the trials of the journey and their disparate pasts work to keep them apart.

Chicken Charlie was being shut out by the town and didn't know why. No one would buy her eggs or chickens. Then Ben Arden arrived in town, and suddenly chickens were the least of her concerns.

Joe and Kate find two young children who were lost in the mountains. The mother of the children is dead, and the father is outlaw Ripper Connor, who leads a gang of murderers and robbers who are wanted by the law from Texas to Montana. When Collins learns where his children are, he will stop at nothing to reclaim them, even if it means burning the town of Bow River and killing everyone there.

First captured in The Life of John Wesley Hardin (1896), the life of America’s most dangerous outlaw was raw, violent, and astonishingly unrepentant. In Hardin Unbound, this Rebirth Series edition reshapes his story into a vivid, cinematic retelling — restoring Hardin’s myth, pride, tragedy, and humanity. From his first kill at fifteen to his fall at the hands of an assassin, Hardin’s journey defies easy judgment. Was he a monster, a martyr, or the inevitable child of a savage frontier?

BLOOD VENDETTA is a 1960s-style Acid Western — an instant cult fiction classic that’s made to order for fans of vintage Spaghetti Westerns, Japanese Samurai films, Quentin Tarantino movies, 60’s-era psychedelia, and old school guns-and-katanas-blazing action. Part Sergio Leone, part Akira Kurosawa, and part Alejandro Jodorowsky, BLOOD VENDETTA is a cinematic Far West meets Far East tale of greed and revenge, and a darkly comic (and appropriately bloody) allegory of America’s past, present, and future. Into the Western Lands come three individuals, each bent on revenge: …

New Mexico Territory, 1825: a volatile frontier where cultures collide. In Taos Valley, the brutal murder of a Mexican official and theft of the legendary Sangre de Cristo Cache—priceless Spanish gold and sacred religious artifacts—threaten to ignite open war. The cache, key to the new government's stability, becomes a magnet for deadly ambition. U.S. Territorial Marshal Sam Hartwell rides into this powder keg. The Hawken rifle used points to American mountain men, but Hartwell uncovers a deeper, more insidious conspiracy: the theft was an inside job, its secrets guarded by powerful figures.

They were innocent men, slaughtered in the Rockies. A party of land surveyors who met their grisly fate at the hands of the Crow Indians—or so it seems. Some folks think the story is a lie. And now it’s up to U.S. Army Lieutenant Ron Stanton to figure out what really happened up there in those desolate, blood-soaked mountains. As his guides, Preacher and Jamie MacCallister agree to retrace the footsteps of the doomed party—come hell or high water—but first they’ll have to pass through a particularly nasty piece of purgatory known as Fort Buzzard.

Mountain Man Morgan is a name he adopts for himself after working around Morgan horses. At age 17, he heads west to the mountains. His journey is told through his meetings with both bad and good elements of typical Westerners of that time—Indians, mountain men, and outlaws. Reaching the eastern side of the Rocky Mountains in the company of seasoned mountain men, his goal is in sight—Rendezvous. An encounter with a golden eagle, held sacred by the Crow people, wins favor with a party of Crow warriors returning from Rendezvous.

They burned her home. They stole her brother and sister. But vengeance is following. Shy South hoped to bury her bloody past and ride away smiling, but she'll have to sharpen up some bad old ways to get her family back, and she's not a woman to flinch from what needs doing. She sets off in pursuit with only a pair of oxen and her cowardly old step father Lamb for company. But it turns out Lamb's buried a bloody past of his own. And out in the lawless Far Country the past never stays buried.

The Civil War has just ended and world-weary Sheriff Jesse Smith likes his town quiet and peaceful. One night, the body of a young woman is found torn apart, and that peace is shattered as it dawns on him that a predator is among them. With little to go on, all the men in the town are potential suspects, and Jesse begins an investigation that spans the social spectrum. Unable to find the killer, the mayor goes against Jesse's wishes and brings in bounty hunters. But the cure may be more dangerous than the disease.

The year is 1823, and the trappers of the Rocky Mountain Fur Company live a brutal frontier life. Hugh Glass is among the company's finest men, an experienced frontiersman and an expert tracker. But when a scouting mission puts him face-to-face with a grizzly bear, he is viciously mauled and not expected to survive. Two company men are dispatched to stay behind and tend to Glass before he dies. When the men abandon him instead, Glass is driven to survive by one desire: revenge.

Eleven years have passed sub Lieutenant John Dunbar became Dances With Wolves and married Stands With A Fist, a white-born woman raised as a Comanche from early childhood. With their three children, they live peacefully in the village of Ten Bears. But there is unease in the air, caused by increased reports of violent confrontations with white soldiers, who want to drive the Comanches onto reservations. Disquiet turns to horror, and then to rage, when a band of white rangers descends on Ten Bear's village, slaughtering half its inhabitants and abducting Stands With A Fist and her baby.

Stephen Crane was an American novelist, poet and journalist. Crane is noted for his early employment of naturalism, a literary style in which characters face realistically portrayed and often bleak circumstances, but Crane added impressionistic imagery and biblical symbolism to the austere realism.

Reno Gates and Will Morgan are on the trail again, this time going to the Pacific Ocean that Will wanted to see. Along the way, they stop at a trailside store where a blonde-haired girl gets Will's attention. She and her family are headed to Oregon by wagon. After seeing the ocean, Reno takes Will up to Oregon to visit a good friend of Reno's. Along the way, they have to deal with men who want to rob them, a town intent on hanging a Black man, and the deaths of that blonde-haired girl and her family.

Alone on the merciless prairie, Caleb Miller faces a nightmare: his wagon train lies in ashes, slaughtered by Cheyenne warriors. With his young bride, Nettie, depending on him, he must outwit hostile tribes, master the brutal wilderness, and forge himself into a warrior worthy of the frontier. 1857, Western Prairies—Freshly married and dreaming of a homestead in the Sweet Water Valley, Caleb and Nettie’s hopes are shattered by violence. Now, survival means more than building a life—it means becoming the shield between civilization and chaos.

Klu and Shad complete the construction on the Bar TC ranch. Melody gives birth to a healthy boy and the future looks great. The Colorado Cattlemen’s Association decide that the best way to defeat the drought conditions of 1868 is to drive out all the farmers and small ranchers and use their land for grazing. First, the Lanswing ranch, the Slash L, finds themselves in the crosshairs of the Cattlemen’s Association hired guns. They refuse to sell or give in. Next in the sights of the hired gunmen is the Bar TC owned by Klu Klinger and Shad Benfold.

Angel and the Badman is a 1947 American Western film written and directed by James Edward Grant and starring John Wayne, Gail Russell, Harry Carey, and Bruce Cabot. The film is about an injured gunfighter, who is nursed back to health by a young Quaker woman and her family, whose way of life influences him and his violent ways. Angel and the Badman was the first film Wayne produced and in which he starred, and was a departure for this genre when it was released. Writer-director James Edward Grant was Wayne's frequent screenwriting collaborator.

When a Wells Fargo stage is robbed outside Waco and a passenger is murdered in cold blood, Texas Ranger Pharaoh Smith is sent to track down the killers. But what starts as a manhunt quickly spirals into a tangled web of deception, double-crosses, and deadly secrets. Teaming up once more with Comanche Jack Horton, Pharaoh poses as a bounty hunter to flush out the truth—but their trail is littered with danger. The deeper they dig, the clearer it becomes: the outlaws they seek aren’t just common bandits. The robbery may have been a smokescreen, and the “murdered” man may not be dead after all.

In the depth of a cruel High Lonesome winter comes a cryptic message for Smoke Jensen. The letter tells of skullduggery by gold barons, railroad magnates, and Chinese tongs in San Francisco. Smoke knows only one person in the city by the bay: the well-rounded, open-natured Francie, mistress of one of the town's most notorious pleasure palaces. Smoke once rescued her from raiding Cheyenne, but now Madame Francie is mysteriously dead...and Smoke's arrival in San Francisco is less than welcoming.

El marine Connor Scott no solo perdió la visión en la explosión de una bomba tóxica, también se sumió en una profunda depresión. Recluido en una habitación del rancho de sus padres en Colorado, su mayor objetivo es conseguir que sus cuidadoras se despidan una tras otra para sumirse en la más absoluta soledad. Evelyn Green necesita conservar su trabajo, al cuidado del irascible Connor Scott, si quiere mantener una estabilidad económica que pueda acercarla a la posibilidad de adoptar a su sobrina. Sin embargo, él no le está poniendo las cosas fáciles.