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Completed six years after Dostoyevsky's own term as a convict, The House of the Dead is a semi-autobiographical account of life in a Siberian prison camp, and the physical and mental effects it has on those who are sentenced to inhabit it. Alexandr Petrovitch Goryanchikov, a gentleman of the noble class, has been condemned to 10 years of hard labor for murdering his wife.

Gogol's great comic masterpiece paints an hilariously satirical picture of provincial life in 19th century Russia. Its publication in 1847 not only provided inspiration for succeeding generations of Russian writers, but fanned the already flickering flames of social discontent which were eventually to flare up and consume Russia in the revolution of 1917.

Published in 1888 to immediate popularity, Looking Backward: 2000-1887 is a dynamic rejection of industrial capitalism, and presents a depiction of a socialist utopia. The novel’s protagonist, aristocrat Julian West, falls into a deep, hypnotic sleep in 1887 and wakes up in the year 2000 to find a very different Boston from the one he knows. In Dr. Leete he finds a guide who explains the humane and efficient society in which he now finds himself - its transformation made possible by political and technological advances.

When the liberal government falls and neither party is able to form a cabinet, Plantagenet Palliser is called upon to lead a coalition government. He is reluctant at first, and displays none of the charisma of his predecessors, but eventually he grows into the role. However, his confidence is short-lived as he becomes embroiled in a scandal involving the villainous Ferdinand Lopez - unintentionally brought about by Lady Glencora Palliser. Pronounced "a beautiful book" by Leo Tolstoy, The Prime Minister is a superb portrait of marriage and politics.

Former government minister Ralph Singh is the perpetual outsider: displaced, disillusioned, and now living in exile, Ralph reflects on his earlier life and the searing effects of colonialism. Ralph's constant estrangement sees him ever attempting to fit into various communities, only to find home in more transient spaces. Born on the tropical island of Isabella, he is one of West India's many "Mimic Men".

On a train to Berlin in late 1930, William Bradshaw locks eyes with Arthur Norris. This chance encounter ignites a close friendship between the two Englishmen, one that draws Bradshaw into the seedier quarters of the city. Here, Norris runs a dubious import–export business and lives in excited fear of his bullying secretary, his creditors and his dominatrix girlfriend, Anni. Yet there is something sinister about Norris himself. Bradshaw’s new companion is a man of contradictions: heavily in debt but extraordinarily lavish, excessively polite but sexually deviant.

With one impatient phone call, a young Christopher Isherwood is drawn into the film industry. On the other end of the line is the brilliant yet temperamental Austrian director Friedrich Bergmann. Christopher’s job is to rescue the script of a saccharine love story set in nineteenth-century Vienna, a film called Prater Violet. Meanwhile, in the real Vienna of 1934, the Austrian right crushes a socialist uprising. Bergmann is distraught; his family is in danger in Vienna, while his prophecy of a coming war goes unheeded by his British colleagues.