検索キーワード： 家庭生活

In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters - James Juniper, Agnes Amaranth, and Beatrice Belladonna - join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement.

Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one is more astounded than Monique herself. Why her? Why now? Monique is not exactly on top of the world. Her husband has left her and her professional life is going nowhere. Regardless of why Evelyn has selected her to write her biography, Monique is determined to use this opportunity to jumpstart her career.

The Vignes twin sisters will always be identical. But after growing up together in a small, Southern black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same Southern town she once tried to escape. The other secretly passes for white and her white husband knows nothing of her past.

Being in limbo, 30,000 feet in the air, offers time to reflect and take stock. For Aaron Umber, it’s an opportunity to connect with his 14-year-old son as they travel halfway across the world to meet a woman who isn’t expecting them. Unsettled by his past, and anxious for his future, Aaron is at a crossroads in life. The damage inflicted upon him during his youth has made him the man he is, but now threatens to widen the growing fissures between him and his only child. This trip could bind them closer together, or tear them further apart.

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed. So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian.

It’s 1989, and college freshman Michael Greco is ready to leave his dreary small town—and the grief of his father’s death—behind. He has everything he needs for a great year: a starting spot on the football team, new friends, and a promising flirtation with a beautiful grad student. But just as Greco settles in to campus life, his uncle shows up demanding that he take care of his father’s unfinished business with a powerful Chicago gangster.

Kimiko, giovane scrittrice di romanzi rosa, esce con Goro, che convive con Yukiko, una lontana parente molto più grande di lui. Una sera, dopo una visita all'acquario di Tokyo a vedere i delfini, Kimiko fa l'amore con Goro, ma capisce subito che la loro storia non ha futuro. Temendo di legarsi troppo a lui, decide allora di abbandonare Tokyo. Nel tempio vicino al mare in cui trova rifugio, conosce Mami, una ragazza con doti soprannaturali, e da lei viene a sapere di essere incinta.

In her youth, Tara was wild. She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents) and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.

"Kalank" is a heart-wrenching tale of a eunuch, shielded by a mother's love from the cruelty of society, who must navigate through a world that rejects and demonizes her. As he struggles to find acceptance and meaning in life, he unexpectedly finds love in the most unlikely of places and fights to defy societal norms, ultimately challenging the very foundations of a conservative and patriarchal culture.

My husband and I have moved back into my childhood home: a pretty stone cottage by the sea. Our two kids love the huge garden and the views are breathtaking. The renovations will probably cost twice what they said, but I know it'll be amazing in the end. I'm baking a cake when the builder calls me over. 'We've found something.' 'What do you mean?' 'Bones,' he says. 'You've got bones buried at the bottom of your garden.'

Cinnamon Beach is a multicultural tragicomedy, told from three female perspectives, in which an American writer living in Japan returns to South Carolina to scatter the ashes of her brother while trying to maintain the "perfect-family" facade she created from afar, and support her Indian American sister-in-law who wants a future which might upset everyone. Sparks fly at an impromptu book-signing when the author reconnects with her college friend, now a famous African American country music star, and her daughter who is deaf finds ways to communicate with a secret first-love.

1915: Manhattan’s Book Row, an eclectic jumble of forty bookshops along Fourth Avenue, is the mecca for rare book buyers from around the world, and the haunt of locals looking for a bargain. It is also the target of the most vicious censor in American history—Anthony Comstock. And home to three sisters who vow to stop him.

It’s 1977 and an air of restlessness has settled on the residents of Cambridge Road in Rochester, New York, a place long fueled by the booming fortunes of Kodak and Xerox and, for some, the mores of the Catholic church. When Nina Larkin is given a copy of The Joy of Sex by her newly divorced friend, she can no longer dismiss the nearly nonexistent intimacy of her marriage.

Sakura is the story of a family who is happy, until it isn’t. Skipping back and forth in time, it begins when the narrator, Kaoru, receives a letter from his estranged father announcing he will be home in Osaka for New Year’s. The letter spurs Kaoru to go back to his childhood home, and though he is apprehensive at returning, his spirits are unexpectedly lifted when he is greeted by Sakura, the family dog.

Die Vergangenheit unserer Mütter, die Zukunft unserer Töchter: der neue große Roman von Bestsellerautorin Miriam Georg (Elbleuchten). Laura hat ihre Großmutter Änne oft von dem Gefühl des Sommers in Schlesien erzählen gehört. Über die Menschen in ihrer Vergangenheit jedoch wollte Änne nie sprechen. Als ihre Großmutter schwer erkrankt, scheint es Laura auf einmal zu spät für all die Fragen, die jahrzehntelang unausgesprochen geblieben sind. Dann macht sie eine Entdeckung, die ein ganz neues Licht auf das Leben der Frau wirft, die ihr so vertraut war.

Het is oktober 1949 en de Tweede Wereldoorlog is alweer een paar jaar voorbij. Betty wordt dertig en viert haar verjaardag omringd door familie en vrienden. Haar huwelijk met Olof is gebaseerd op vertrouwen en vriendschap en het gaat goed met hun zoon Anders en met Martina, Betty's dochter uit een vorige relatie. Toch is niet alles zoals het zou moeten zijn. Olof trekt zich steeds meer terug en Betty begrijpt niet waarom. Daarnaast wil Martina's biologische vader, Martin Fischer, in contact komen met zijn dochter en haar zangopleiding financieren.

Drei Frauen, drei Generationen, ein Schicksal? 1898. Die siebenjährige Minna muss schon früh erfahren, wie hart das Leben sein kann. Nach dem Verlust der Eltern und der Trennung vom Bruder vertraut sie niemandem mehr. Jahre später glaubt sie, in Otto einen liebevollen Ehemann und Familienvater gefunden zu haben. Doch die Realität belehrt sie eines Besseren... Minnas persönliche Erfahrungen sowie die Kriegsjahre prägen nicht nur ihr eigenes Schicksal, sondern auch das ihrer Kinder - insbesondere ihrer Tochter Eleonore und ihrer Enkelin Franka.

The human “oddities” in the Museum of the Strange are less wondrous than the gawking rubes had been promised. But Alida is something else. The real thing. Traveling Depression-era America from carnival midways to speakeasies, Alida is resigned to an exploited and lonely life on the road as the museum’s golden ticket. Until she’s rescued by two compassionate strangers. Franklin and Loretta Fairchild see in Alida a gifted and uncannily well-read girl in need of a loving touch and a family. With the openhearted couple and their three precociously imaginative children, Alida finds it.

Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, a compulsive organizer. Evelyn is dreamy, magnetic, a smooth talker. And Anastasia is moody, chaotic, a shape-shifting presence, quick to anger. Ina meets her future husband when she’s dragged to a New Year’s rave by her sisters, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actress.

In the summer of 1967, the Levitsky family convenes for a long weekend at their home in the suburbs—an idyllic holiday for the perfect family. But Nora has always known better. Growing up, she learned to tiptoe around her mother Lillian’s explosive temper. Her father did the same. Nora’s sole confidante was their housekeeper, Clara, and their bond has only strengthened through the years.