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Anna and Tom, an expat couple, have fashioned a dream life for themselves in Berlin. They are young digital "creatives" exploring the excitements of the city, freelancers without too many constraints, who spend their free time cultivating house plants and their images online. At first, they reasonably deduce that they've turned their passion for aesthetics into a viable, even enviable career, but the years go by, and Anna and Tom grow bored.

On this journey through the labyrinthine streets and hidden corners of one of the world's most fascinating cities, everybody is searching for something, and maybe searching in the wrong places. Elements of the fantastical and the surreal abound, as they tend to do in the early predawn hours of the morning, yet the settings, the human stories, and each character's search are all as real as can be.

Panicked by his own mortality, despondent over his many failings as a writer and a man, Dunne leaves his wife and their three-year old child for the solitude of a crummy apartment off the Vegas Strip. There he plans to write an account of the city as he finds it; the book he ends up writing is "a fiction which recalls time both real and imagined."

A woman meets her next-door neighbor and loans her a spatula, then starts suffering horrific gaps in her memory. A man, feeling jilted by an unrequited love, becomes obsessed with sorting through his neighbors' garbage in the belief that it will teach him how to better relate to people. A landlord decides to raise the rent, and his tenants hatch a plan to kill him at a team-building retreat. In 10 captivating, unnerving stories, Flowers of Mold presents a range of ordinary individuals who have found themselves left behind by an increasingly urbanized and fragmented world.

Already the gateway for illegal Canadian liquor during Prohibition, the Motor City becomes a crucible for American class conflict during the Great Depression, with an army of laid off Ford workers drifting into the ranks of the burgeoning union movement—Henry Ford's worst nightmare.

There was zero chance of seeing the Armani-clad stranger again. I didn't even catch his name—just that he was the hottest mistake of my life. But the universe? It loves a plot twist. Because Mr. Elevator Guy...He's Nick Ashford. My broody as hell brand-new boss.

The ultra-luxe Black Rose Underground Club used to be Mary Sandusky's favorite place to play. She was happy to slip into her role as seasoned submissive Blossom and relinquish control to an expert Dom. But when a scene gets out of hand, she can no longer trust her own dark appetites. She's ready to walk away from Black Rose for good . . . until she meets a hot Highlander who pushes all the right buttons. Nothing makes Ronan O'Connor's blood heat more than commanding a submissive in a scene, but forming a relationship outside the club was an urge lost long ago.

It's 1969. An eight-year-old girl, Elizabeth Squire, has a choice to make: to be disabled by the circumstances of her own botched birth or to become extraordinary. In Buffy Cram's captivating new novel, Elizabeth narrates the story of her childhood in the late sixties, describing how she came to be at a Vancouver halfway house at the age of nineteen.

Don't get mad, get even is advice Jamie Silver takes to heart when she discovers her boyfriend is sleeping with her best friend. What she doesn't bank on is her hateful professor placing her on academic probation and it's all her ex's fault. When his rival, Ryan Sommers, offers her a way to get back into her professor's good books as well as get back at her ex, what's a girl to do? Revenge is a dish best served hot.

Powerful and enigmatic billionaire Braden Black doesn't do relationships. He doesn't fall in love. But ever since meeting Skye Manning, he's breaking every one of his careful rules. He just can't get enough of her fierce independence and the white-hot sizzle of attraction between them. Of course, there are still lessons Skye has yet to learn . . . Only Braden isn't sure Skye is ready. Falling in love is one thing. Inviting her completely into his world—and the reality of his darker, most forbidden appetites—is quite another. It's about trust. His and hers.

New York, August 1896. A "hot wave" has settled on the city with no end in sight, leaving tempers short and the streets littered with dead horses felled by the heat. In this presidential election year, the gulf between rich and poor has political passions flaring, while anti-immigrant sentiment has turned virulent. At police headquarters, the gruff, politically ambitious commissioner Theodore Roosevelt has been struggling to reform his notoriously corrupt department.

What's more important—revenge . . . or the child you never knew you had? Jolie Chapman was my first love. Now she's my most bitter enemy. Screw me once, shame on you. Screw me twice . . . who am I kidding—I don't believe in second chances anymore. Tripp Montgomery was my first love. I gave him my innocence. Then he broke my heart. And I committed the ultimate betrayal. These Manhattan royals are out for revenge. Sweet, sweet revenge. But there's something they want more. Their daughter.

Every thought I have of Letty Barnes stirs a hunger inside me that's become impossible to ignore. My housekeeper moves through my home like a whisper—quiet, careful, always trying to disappear. She thinks staying invisible keeps her safe from what burns between us. But all it does is make me crave her more. One day, everything changes, and in that moment, the line between wrong and right disappears completely. Letty doesn't just capture my attention. She becomes my world. And I'll do anything I can to protect my kitten.

When you end up knocked up by your new boss—with TRIPLETS . . . Keeping things professional is easier said than done. I was just a small-town girl with a messy past. Now, I'm the personal assistant to the city's most brooding billionaire bachelor. Brody Thorne . . . He commands every room with...

Post-war London is a city in flux, with burned-out buildings serving as vivid reminders of the past. But beneath those scars is a sense of resurging optimism. Chrissie Walker, a new student at Goldsmiths arts college, feels it keenly. So does Mary Quant, the auburn-haired classmate who becomes Chrissie's best friend.

After suffering her first big heartbreak two years earlier, Penelope Lin has built a quiet life with no romantic entanglements. She spends her days cataloging a museum's vast collection of Qing Dynasty bound-foot shoes and in the comfortable company of close friends. One day, she happens to meet Hoang, who confesses to releasing mice from the cancer research lab where he works. Hoang's openness catches Penelope off guard; from then on, she finds her carefully constructed life slowly start to unravel.

Tell Me One Thing is a portrait of two Americas, examining power, privilege, and the sacrifices one is willing to make to succeed. Traveling through the 1980s to present day, it delves into New York City's free-for-all grittiness while exposing a neglected slice of the struggling rust belt.

I'm not like most women. I don't have fantasies of finding the perfect man and settling down to have two point five children. My job is my baby. My dream position is so close I can taste it, but the rug is pulled out from beneath me when I find out there's a catch: they want the role filled by someone who is married. Liam Remington is my best friend, Natalie's, brother-in-law with a hero complex. We've both been living with her for the past three years, helping to raise her four small children after she fled an abusive marriage.

Pushing Lucy Remington's buttons is my favorite pastime and has been since we were kids. Watching as her brilliant blue eyes darken in anger when I mockingly call her Princess—even though she is one—fills me with immense satisfaction. She's the last woman on Earth I would want to take as my wife, yet that's exactly what her grandfather—my King—asks of me.

Conceptually unique, hilarious, and frightening, a: A Novel is the perfect literary manifestation of Andy Warhol's sensibility. In the late sixties, Warhol set out to turn a trade book into a piece of pop art, and the result was this astonishing account of the artists, superstars, addicts, and freaks who made up the Factory milieu.