検索キーワード： 心理学

Es gibt keinen Weg, der nicht irgendwann nach Hause führt Am Ende des Zweiten Weltkriegs wird mitten in Deutschland ein kleiner Junge gefunden, der nichts über sich selbst und seine Herkunft weiß. Sein Alter wird geschätzt, er bekommt den Namen Hartmut und wächst in einem katholischen Kinderheim auf, in dem viel Ordnung und noch mehr Zucht herrscht. Dort lernt er die etwas ältere Kriegswaise Margret kennen, die ihn schon im Heim zu beschützen versucht. Die beiden werden zu einer unverzichtbaren Stütze füreinander und beschließen, sich nie wieder loszulassen.

Everything will be fine. That is what Mary and John promise when they tell their two children that they are getting a divorce. But while the end of their marriage offers them both freedom from their dissatisfaction, it brings to the fore the pain and resentments that have always percolated in their relationship and throws into stark relief their shortcomings as partners and as parents.

New Year’s Day. A dog walker is enjoying the early morning calm in Birmingham’s Woodgate Country Park. At first he thinks it’s some old rubbish. His dogs are always digging up trouble. But it’s a mummified body. The victim is Nathan Troy, an art student who disappeared twenty years ago. Days later, a second body is found. This time it’s a fresh kill. And the ligature marks on the victim’s neck are identical. It’s been twenty years, but after all this time, forensic psychologist Kate Hanson knows that Nathan’s killer is back.

Alles ist schwierig, bevor es leicht wird: Daniela Dröscher erzählt so intensiv wie humorvoll von einer Frau, die endlich Verantwortung für das eigene Glück übernimmt. Zeit ihres Lebens stand Ela wortwörtlich im Schatten ihrer Mutter. Deren dicker Körper, so die Überzeugung des Vaters, war für das Unglück der gesamten Familie verantwortlich. Nun ist Ela erwachsen, und es ist ihr eigener, ihr kranker Körper, der sie verzweifeln lässt. Kurz vor dem Abschluss ihrer Promotion erlebt Ela einen Zusammenbruch.

I would do anything for my loving husband Mark and I couldn’t be happier in his ocean-view home. I just wish we didn’t live near his possessive sister, Sarah. So when I’m given a winning lottery ticket, it should be our chance to start afresh somewhere new. But the publicity is too risky; if my past comes to light, I’ll end up behind bars…

When does silent compliance with an oppressive regime become unbearable? For Charlie Simpkins, the manager of a small vegetable shop in Los Angeles' San Fernando Valley, part of the West Coast People's Democratic Republic, the breaking point comes when he is asked to display a meaningless propaganda poster in his shop window. It is a seemingly insignificant act in a lifetime of obedience. But Charlie just can't bring himself to do it. This minor act of defiance, however, shows too much independent thinking on Charlie's part, setting off a chain of escalating consequences.

Nach dem Tod seines Vaters verlässt Yann Paris, um sich in Saint-Malo in dem Haus seiner Kindheit niederzulassen. Erinnerungen an unbeschwerte Sommer an der Seite seines Zwillingsbruders werden wach: Wie sie als Kinder den hüpfenden Wellen auswichen und mit dem Segelboot die Küste erkundeten. Hier, gegenüber der Insel Cézembre, wurde das Schicksal der Familie Kérambrun geschrieben. Zu Beginn des 20. Jahrhunderts heiratete sein Urgroßvater die Frau, die er liebte, und gründete eine florierende Reederei, die an die folgenden Generationen weitergegeben wurde.

As night falls on the city of Carbon, Hal and his friends are cruising the backroads in their terrible car. From the wrestling gym to the gas station, from his mom’s kitchen to the mall parking lot, Hal bears quiet witness to the beauty and the horror he perceives in the slow, lonely world of his hometown. Withdrawn and reticent, Hal is haunted by the specter of violence. Safety and comfort are hard won in Carbon, a town dogged by stories of desperation and brutality, and his own home is a dark vault of troubled and unspoken memory.

At a crossroads in their lives, a couple arrives in Greece to house-sit for a friend. Emma is searching for a meaningful next step beyond work or starting a family, and Julian is struggling to come to terms with the failure of his academic career. Their visions for the future seem to be pulling them in different directions, and they hope that this summer away will help them mend their frayed connection.

A spiky, edgy collection of five wickedly funny stories spotlighting clear-eyed and “difficult” women who are navigating their identities as workers and women in contemporary Japan—a feminist, anti-capitalist modern classic published outside Asia and in English for the first time. The Dilemmas of Working Women is Fumio Yamamoto’s darkly witty look at modern Japanese women who are ambivalent about their lives and jobs

Seeking release from their small-town existence, two teenagers drive north on a vaguely plotted road trip. Adam and Teddy hope to leave boyhood behind. But they carry with them all the upsets and resentments they have accrued in their unhappy lives to date.

We seem like perfect families. But our secrets must never come out... I trust my best friend Lydia with my life. We share everything, even the things we can't tell our husbands. So when we go on a beach holiday together, it's a dream come true. One night, we treat ourselves to dinner on the beach with our husbands while our children sleep soundly in the cottage behind us. But when I go to check on them, my entire world shatters. My son's bed is empty, the window wide open, his favourite teddy left between the crumpled sheets. I stifle a scream as my worst nightmare comes true.

In taut and stylish prose, The Passenger Seat examines how men learn and perform masculinity. Rejecting easy answers, it keeps our eyes trained on the vanishing point where vulnerability edges into violence, alienation into aggression.

Olive just wants people to open up. As a radio host, she interviews writers about their works-in-progress, probing for insight; as a friend and a sister, she’s hungry for closeness. She has a habit of recording people without their knowledge, just to hear the world reflected back at her. Olive is approaching her mid-thirties, coddled by her mother and perpetually single, when she meets Theo. He’s a surgeon – he literally cuts people open, which fascinates her – and, with a quick wit and a charming gap between his two front teeth, he seems to adore her.

My husband says I shouldn't be watching Beth and Gary through binoculars. But they're not just our next-door neighbors; they're renting our property. I know something's wrong. When I took over a chicken casserole, they told me they were vegetarians. Now Gary's barbecuing steak in the backyard. They're liars. I don't like the way Gary looks at me. And he keeps finishing Beth's sentences, squeezing her arm hard. My husband says to leave them alone. But I'm sure Beth needs my help. And when she disappears, I know he's killed her.

Vicken has a plan: throw himself into the Saint Lawrence River in Montreal and end it all for good, believing it to be the only way out for him after a lifetime of depression and pain. But, stepping off the subway, he finds himself in an endless, looping station. Determined to find a way out again, he starts to explore the rooms and corridors ahead of him. But no matter how many claustrophobic hallways or vast cathedral-esque rooms he passes through, the exit is nowhere in sight. The more he explores his strange new prison, the more he becomes convinced that he hasn't been trapped there

Reeling from a breakup and overlooked at her job as a lighting designer, Iris Sunnegren finds herself stuck, disconnected, and lonely in crowded New York City. Her wealthy friends are married and having babies, while she’s trying to pay for freezing her eggs. And the future she longs for feels out of reach. Then, a mysterious neighbor, an older Frenchwoman, makes her a gift: a bespoke perfume. One spritz, a dab behind the ears, and Iris feels like a different woman. Suddenly, she is the object of every man’s desire, and she can satisfy her own hungers for sex, love, and ambition.

Thea’s third pregnancy was her easiest. She wasn’t consumed with anxiety about the baby. She wasn’t convinced it was going to be born green, or have a third eye, or have tentacles sprouting from its torso. Thea was fine. Her baby would be fine. But when the nurses handed Lucia to her, Thea just knew. Her baby girl was a monster. Not only was Lucia born with a full set of teeth and a devilish glint in her eye, but she’s always hungry. Indiscriminately so.

After a steady descent from literary stardom, Lane Warren is back. She’s secured a new book deal based off the life of her sometimes friend and more often rival, notorious free spirit and muse, Gala Margolis. Lane’s only problem is that Gala has been missing for months…nobody can find her. Ten years earlier, Gala was a charming socialite and Lane was a Hollywood outsider amidst the glittering 1960’s LA party scene. Though never best friends, Lane found Gala sharp and compelling. Gala liked that Lane took her seriously. They were both writers. They were drawn to each other.

Seit Jahren lebt Emilie im Altersheim. Längst hat sie zu sprechen aufgehört – und kommuniziert nur noch mit ihrer Freundin Rosi, ebenfalls Bewohnerin des Heims. Ihre Tochter Andrea scheint Emilie kaum wahrzunehmen, vielleicht lehnt sie sie sogar ab, das ist nicht so genau zu sagen. Liegt es an mangelnder Zuwendung der Tochter, sind es die Verletzungen, die sie über die Jahrzehnte einander zugefügt haben? In einem Akt der Erlösung entführt die Tochter ihre Mutter und deren Freundin Rosi und fährt mit ihnen ans Meer. Dorthin, wo ein lange vergangener Sommer positive Erinnerungen birgt.