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The tale of a man and the memory that haunts him, River City One is the poetic and compassionate story of John Walker, a lawyer and ex-Marine adrift in a nameless city. Home from the war, he has become a man on the edge, quietly raging against the people he must now work for and live among—the kind of people incapable of understanding the terror he felt in combat and the guilt he carries in his heart. When he meets Ruth, a beautiful, famous singer traveling through the city, John discovers a new passion for living.

It was the turning point before he became a bestselling author: Hans Fallada handed himself in to the police in September 1925, following repeated cases of embezzlement to finance his alcohol and morphine addiction. At the time, a court-appointed doctor was assigned to assess the extent to which Fallada could be made accountable. This expert opinion, thought to have been lost, was only recently rediscovered. It is an extraordinary find, because it includes unpublished and rewritten stories by Fallada that focus on hitherto taboo topics such as abortion.

Nat did something bad. Very bad. But she's not that person anymore. She has a new name and a new life, and no one, not even her husband Brett, knows what she did. She's desperate to keep it that way. When they escape the city to move to their dream home in the suburbs, it seems that life can't get any better. They quickly become friends with new neighbors Fen and Darius, and Nat begins to believe that she can finally put the past behind her. Until the letter arrives.

Longtime bachelor Ron Burley has a rule against messing around with married women in his rural upstate New York town, but sassy, lovely Lavender has convinced him to break it. Their steamy affair sets someone off, but it isn't Lavender's clueless husband—it's Marta, Burley's clingy childhood friend and ex-lover.

Mothers don't write. Mothers give life. How could a woman be capable of neglecting her children? How could she kill them? Is motherhood a prison? Complete with elements of a traditional thriller, this a groundbreaking novel in which the chronicle and the essay converge. Katixa Agirre reflects on the relationship between motherhood and creativity, in dialogue with writers such as Sylvia Plath and Doris Lessing. Mothers Don't plumbs the depths of childhood and the lack of protection children face before the law.

Sara felt she had turned her life around by marrying Edward. But their relationship comes under strain as they struggle to fulfill their dream of becoming parents. Yet when their best friends' daughter suddenly disappears and her husband begins to act suspiciously, Sara feels her world is collapsing around her. Someone's not telling the truth and Sara is determined to find out who and why. However, tracing the movements of those she suspects brings her closer to home than is comfortable.

One night, Daphne's teenage son Gabriel returns early from a house party, completely distraught. He refuses to let his mother know what's wrong and becomes very reclusive. But Daphne's son is not her only concern. Far from it. Her husband is acting oddly. And she is getting messages from an ex-partner she'd very much rather forget. Her family life seems to be unravelling at the seams, so when Gabriel's classmate Leo gets in touch and promises to help her son, she has hopes she can address at least one problem.

These loosely connected stories are laced with the familiar and the uncanny, the real and the surreal, the ordinary and the fabulistic. A documentary filmmaker refuses to give up on finding his daughter who mysteriously disappears by the river. A small-time real estate agent recovers from a brief psychotic episode upon discovering his fiancee's affair. An actress struggles to grasp reality when the recordings of lucid dreams are used in movies instead of live performances. An eccentric teenager recounts his first romance from beyond the grave.

Do you love your partner enough to share them with someone else? This is the question facing Laura when a group of close friends, all neighbors living on the same street, decide one night to put their keys in a bowl and swap partners. No one is obliged to do anything but the rules state that what does happen remains under wraps. Not everyone is keen on the idea, though Laura's husband certainly is, but group pressure mixed with alcohol means they run with it. This will set off a chain of jaw-dropping events that will change all their lives forever.

Maeve's daughter, Mila, was a happy teenager until the bullying started. But the very day Mila fights back, one of her tormentors goes missing. With Mila under suspicion and gossip raving, Maeve decides to trace her daughter's missing classmate. But the more she probes, the more everyone around her seems to have something to hide—even her step-son and partner at home. And when Mila secretly starts texting with someone offering a way out, Maeve will have to act fast to keep her out of danger and her family together.

The girl I met when we were nine is now the woman who said "yes" to being my wife. But Josie's not planning our wedding; she's too consumed by things that happened over a century ago. She has terrible dreams and unrelenting visions of the unspeakable. I believe her, but I don't understand her. If I can't understand her, I can't stop her. If I can't stop her, I can't save us. And without us . . . well, I can't imagine that world.

Ellinor, a thirty-five-year-old media consultant, has not been feeling herself; she's not been feeling much at all lately. Far beyond jaded, she picks through an old diary and fails to recognize the woman in its pages, seemingly as far away from the world around her as she's ever been. But when her coworker vanishes overnight, an unusual new task is dropped on her desk. Off she goes to meet the Norwegian Postal Workers Union, setting the ball rolling on a strange and transformative six months.

The summer before fourth grade, Colten Mosley moved into the house across the street from mine, and we became inseparable. He played the piano and baseball. I had a penchant for dead things while at the same time imagining what it would be like to kiss Colten. We were filled with curiosity and overly active imaginations. We were also forbidden to be more than friends. But that didn't stop us. Weeks before graduation, he annihilated my heart, and it's been seventeen years since the day I knew I'd hate him forever.

Each precious thing I show you in this book is a holy relic from the night we both perished—the night when I combed you from my hair and watered the moon with your blood.

Lee Walker knows it won't be easy to start a new life in a new city. But she is on a mission: to prove to everyone, and to herself, that she can make it here, working in the masculine world of the construction industry. When contracting rival Sam Brown offers her a job, Lee is stunned and a little wary. Sam's motives seem honorable enough, even if he doesn't see her in a strictly professional light. In fact, Sam sees her as the woman she's always hoped to be—smart, capable, warm, funny, and sexy. Before she knows it, Lee is falling head over heels for her boss.

When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality.

A cunning and sadistic serial killer known as Minotaur has already murdered and mutilated twelve women. When novelist David Knight comes home, he is shattered to find that his wife is the latest victim. But why has Minotaur taken David's young son? And what is the significance of the maze drawn in blood at every crime scene?

Angela is beautiful and charismatic on the outside. But on the inside, evil rages and she's determined to get anyone and anything she wants. And now with her biological clock ticking, she seduces her old friend Philip, and his partner Jonathan, into having a child with her through artificial insemination.

Dana is not in a good place financially or emotionally. So when she finds a bag of money under a bush after dropping her kids off at school, she'd be forgiven for thinking her luck has changed for the better. Unfortunately, things go from bad to worse. She starts getting threatening letters claiming to be from her "number one fan", referring to a time when she was a popular actress on an Australian soap opera. The person writing them knows about the money. Unsure what to do, paranoid and suspicious, Dana is forced to comply with her fan's ever more demanding and bizarre requests.

Aaron Platt has spent every day of his life breaking his back to scrape a living from the rocky, played-out fields of the Adirondack farm he inherited from his sadistic father. One winter morning, he follows footprints in the snow to his barn and discovers a man freezing to death in a horse stall. What unfolds between the two men, past and present, is a brisk, gritty depiction of crime and punishment. But their harrowing story is more than that, exposing the shocking hypocrisy of the people who live in the nearby bucolic town.