検索キーワード： 制作 "Tantor Media" 文芸小説

May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She's been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste its authentic cuisine.

Set on the outskirts of a small Southern town, The Grass Harp tells the story of three endearing misfits - an orphaned boy and two whimsical old ladies - who one day take up residence in a tree house. As they pass sweet yet hazardous hours in a china tree, The Grass Harp manages to convey all the pleasures and responsibilities of freedom. But most of all it teaches us about the sacredness of love, “that love is a chain of love, as nature is a chain of life.”

Sentaro has failed. He has a criminal record, drinks too much, and his dream of becoming a writer is just a distant memory. With only the blossoming of the cherry trees to mark the passing of time, he spends his days in a tiny confectionery shop selling dorayaki, a type of pancake filled with sweet bean paste. Into his life comes Tokue, an elderly woman with disfigured hands and a troubled past. Tokue makes the best sweet bean paste Sentaro has ever tasted. She begins to teach him her craft, but as their friendship flourishes, social pressures become impossible to escape.

Here he is, husband and father, scruffy romantic, a shambolic scholar - a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow - antagonist, trickster, goad, protector, therapist, and babysitter.

At the age of 12, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully's Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face - and heart - of a debauched child; and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love. 

On this journey through the labyrinthine streets and hidden corners of one of the world's most fascinating cities, everybody is searching for something, and maybe searching in the wrong places. Elements of the fantastical and the surreal abound, as they tend to do in the early predawn hours of the morning, yet the settings, the human stories, and each character's search are all as real as can be.

Shusaku Endo (1923-1996), widely considered one of the greatest writers of the twentieth century, is known for his historical novels, which masterfully probe the encounters between the cultures and religions of East and West from a Japanese Catholic perspective. A salient and curious theme in his work is the unique image of a maternal God, and a concomitant sense of loss and longing for maternal love.

From the unique standpoint of an American woman who married into a Japanese family and has lived in Japan for more than 30 years, Rebecca Otowa weaves enchanting tales of her adopted home that portray the perspective of both the Japanese and the foreigner on the universal issues that face us all - love, work, marriage, death, and family conflict.

First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys". Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle.

Sixty years after the publication of his first novel, Cat Man, Edward Hogland is publishing his 25th book at the age of 83. This capstone novel, set in Vermont's Northeast Kingdom, introduces Press, a stockbroker going blind. Press has lost his job and his wife and is trying to figure out his next move, holed up in his Vermont cabin surrounded by a hippy commune, drug runners, farmers-gone-bust, blood-thirsty auctioneers, and general ne'er-do-wells.

During a demonstration in Hyde Park, Communist bus driver Jim Drover acts on instinct to protect his wife by stabbing to death the policeman set to strike her down. Sentenced to hang—whether as a martyr, tool, or murderer—Drover accepts his lot, unaware that the ramifications for the crime, and the battle for his reprieve, are inflaming political unrest in an increasingly divided city. But Drover's single, impulsive act is also upending the lives of the people he loves and trusts.

Asle is an aging painter and widower who lives alone on the west coast of Norway. His only friends are his neighbor, Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers-two versions of the same person, two versions of the same life. Written in melodious and hypnotic "slow prose,"

Percival Everett's The Trees is a must-listen that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.

Welcome to Lemon Bliss, Louisiana, where an abandoned lemon tea factory is the most happening place in town and witches secretly rule the roost. Violet Broussard gets called back to the hometown she left in the dust when a dead body is found in the abandoned factory bequeathed to her by her grandmother. Violet has plans, and they most definitely don't involve staying in Lemon Bliss any longer than necessary. The town is mostly famous for its lemon tea infused with enough alcohol to make one experience bliss, hence the town's name. Yet, once she's there, things get a tad wacky. 

Violet Broussard finds herself hanging tight in her tiny hometown, although that most definitely wasn't her plan. She's busy learning all the secrets kept hidden about her, um, secret witchy ways, running the bakery with her bestie, and falling for Gabriel. Just when she's starting to wonder if the dust has settled in Lemon Bliss, someone breaks into the town's museum. Because everything in Lemon Bliss seems to be tangled up in magic, Violet isn't the least bit surprised to discover every item stolen from the museum is connected to the ancient witch coven. 

The legendary writer Patricia Highsmith is best remembered today for her chilling psychological thrillers The Talented Mr. Ripley and Strangers on a Train. A critically acclaimed, best-selling author in Europe, Highsmith has for too long been underappreciated in the United States. Eleven is Highsmith's first collection of short stories, an arresting group of dark masterpieces of obsession and foreboding, violence and instability.

When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality.

At the end of the Victorian era, a handful of public intellectuals advocated for tolerance of the "Uranian"—a man who loved other men. Some went so far as to propose that these "intermediate sexes" might, in fact, constitute a totally different species, even serve as intrepid guides in our march toward an uncertain future. The five speculative stories in Theodore McCombs's kaleidoscopic collection span several possible worlds, teasing the boundaries between coexisting realities and taking up the question of queer difference from one surprising vantage after another.

Professor Belinda Coltswood has made a name for herself. As the recent winner of a prestigious art prize, and the object of lingering rumors that nearly ended her career, Coltswood walks a fine line between celebrity and outcast. Though seemingly immune to both censure and accolades, Coltswood's capacity for cool indifference dissolves in a rip tide of memory when she finds herself face-to-face with a woman from her past. A woman she knew only as Wolf.