検索キーワード： 制作 "Tantor Media" 文芸小説

When Thwing is found sleeping with the fishes beneath a local lobsterman's boat, the police quickly finger Julia's brother-in-law Sonny as the one who cooked up the crime. Sure, everyone knows Sonny despised the Mussel King . . . but Julia believes he's innocent. Proving it won't be easy, though. It seems there's a lot more than murder on the menu, and Julia needs to act fast . . .

It was a simple promise—watch out for my best friend's little sister the same way I would my own. Turns out, Brenna is a lot more grown-up than I realized. And a lot more beautiful. Which makes sharing an apartment with her this summer tougher than I expected. Until she shares something with me. Something she's never shared with anyone. Something that makes me want to step in and help. Something that changes everything.

Hayden Reese has a bad habit of breaking people's jaws. Granted, he only breaks jaws that deserved some breaking, but he's starting a whole new feud, with the husband of his lover—and this time, it may cost him his life. Hayden's life has never been easy. His father tormented him, his kid brother got all the approval, and he made a fatal mistake that he's never been able to forgive himself for making. But when Hayden's future is shattered by his bad choices, he has to redeem himself in the eyes of his long-estranged daughter Allegra.

Vietnam veteran Max Donovan is in Bangkok, and very hungover, when his friend “Fat” Freddie Fields is arrested in San Francisco for the murder of an Australian diplomat. He knows his old buddy would never hurt a fly, so he rushes back to the Bay Area to help. There he locks horns with the District Attorney who seems intent on pursuing the case. Suspecting Freddie is being framed, Donovan tries to rustle up some cash to bail him out, but only succeeds in getting into trouble with the local mob. He’ll have to solve the case on his own. 

After offending the powerful pastor of a cult, Mari McGavin has to flee with her six-year-old son. With no money and no place else to go, she returns to the tiny Maine island where she grew up—a place she swore she'd never see again. There Mari runs into her lifelong friend Harry Richardson, one of the island's summer residents, now back himself to sell his family's summer home.

In late 1936, eighteen-year-old Isidro Elejalde leaves his Basque village in Northern Spain, spurred to join the fight to preserve his country’s democracy from the insurrectionists by the rousing words of a political essayist. Months earlier, Spanish generals launched a military coup to overthrow Spain’s newly elected left-wing government. They assumed the population would welcome the coup, but throughout the country people like Isidro remained loyal to the ideals of democracy, and the Spanish Civil War began in bloody earnest.

Travis Shelton is seventeen the summer he wanders into the woods onto private property outside his North Carolina hometown, discovers a grove of marijuana large enough to make him some serious money, and steps into the jaws of a bear trap. After hours of passing in and out of consciousness, Travis is discovered by Carlton Toomey, the wise and vicious farmer who set the trap to protect his plants, and Travis's confrontation with the subtle evils within his rural world has begun.

You could say Kyle Jr. grew up in a dysfunctional family. That'd be an understatement. His mother's wealthy family disinherited her for marrying the working-class Kyle Sr., and she's never forgiven him (or KJ) for that. When his father's suicide turns his life upside down, KJ fills his therapist-recommended grief journal with plenty of sarcasm, excerpts from sweary, punny high-school short stories, and fourth-wall-breaking asides. 

This powerful new novella is a darkly comic portrait of a Jewish family in today's Poland, struggling to express their love for one another in the face of a past that cannot and will not be forgotten. The grandfather is a doctor, a Holocaust survivor who has now vowed to live only for pleasure.

Audrey is the black sheep of the family. Always in trouble. Always causing problems. She's there in her mother's luxury house in the hills above a small rural town. There with her secrets and her issues. Now she's a teenager, things can hardly improve.

Thus Were Their Faces offers a comprehensive selection of the short fiction of Silvina Ocampo, undoubtedly one of the twentieth century's great masters of the story and the novella. Here are tales of doubles and impostors, angels and demons, a marble statue of a winged horse that speaks, a beautiful seer who writes the autobiography of her own death, a lapdog who records the dreams of an old woman, a suicidal romance, and much else that is incredible, mad, sublime, and delicious.

Summer ends, the season changes, and Coro, an artist frightened off by what her own paintings may represent, gets in her car and drives for hours in the middle of the night until she chances upon Betania, an isolated house existing in a world of its own. It's an unfamiliar place inhabited exclusively by women who, strangely, all seem to know her. Like adherents of an ancient cult, the women of Betania all dress the same, carry out strange rites and celebrations, and live alongside goats and innumerable dogs against a landscape dominated by a mountain that seems to block out the sunlight.

Just days after the close of World War II, Bess Myerson, the daughter of poor Russian Jewish immigrants living in the Bronx, is competing in the Miss America pageant. At stake: a $5,000 scholarship. The tension and excitement in Atlantic City's Warner Theatre are palpable, especially for traumatized Jews rooting for one of their own. So begins Bessie. Drawing on biographical and historical sources, Bessie reimagines the early life of Bess Myerson, who, in 1945 at age twenty-one, remarkably rises to become one of the most famous women in America.

It's 1989, and in a small town on the Austria-Hungary border, nobody talks about the war; the older residents pretend not to remember, and the younger ones are too busy making plans to leave. The walls are thin, the curtains twitch, there is a face at every window, and everyone knows what they are not supposed to say. But as thousands of East German refugees mass at the border, it seems that the past is knocking on Darkenbloom's door. Still, though, nobody talks about the war. Until a mysterious visitor shows up asking questions.

Will Alexander is the sheriff in a small town in southern Appalachia, and he knows that the local thug Holland Winchester has been murdered. The only thing is the sheriff can find neither the body nor someone to attest to the killing. Simply, almost elementally told through the voices of the sheriff, a local farmer, his beautiful wife, their son, and the sheriff's deputy, One Foot in Eden signals the bellwether arrival of Ron Rash, one the most mature and distinctive voices in Southern literature.

Haunting, sparse, and echoing Scandinavian greats like Kjersti Skomsvold, Laura Vinogradova's The River is a tightly crafted work that defies resolutions and endings, instead hailing the importance and beauty of the personal journey to one's internal truths and external freedoms.

Nidal, after many decades of restless exile, returns to her family home in Nablus, where she had lived with her grandmother before the 1948 Nakba that scattered her family across the globe. She was a young girl when the popular resistance began and, through the bloodshed and bitter struggle, Nidal fell in love with freedom fighter Rabie. He was her first and only real love—him and all that he represented: Palestine in its youth, the resistance fighters in the hills, the nation as embodied in her family home and in the land.

The bridge at Sagamore was closed when we got there that summer of 1956. We had to cross the canal at Buzzards Bay over the only other roadway that tethered Cape Cod to the mainland. Thus twelve-year-old Lily Grainger, while safe from 'communists and the Pope,' finds her family suddenly adrift. That was the summer the Andrea Doria sank, pilot whales stranded, and Lily's father built a house he couldn't afford.