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Arun knows there is only way out of this small railway town. He is about to enrol in the prestigious Indian Institute of Technology, determined to make something of himself. But once there, he meets two friends who are prepared to go to unimaginable lengths to succeed. In just a few years, Arun's friends become the success stories of their generation. In private planes and expensive cars, from New York to Tuscany, they play out their Gatsby-style fantasies.

Dublin 1996. Joan Egan lives an enviable life. She and her husband, Martin, and daughter, Carmel, are thriving in Dublin at the dawn of an economic boom. But everything changes when Joan receives a letter from Emma, the daughter who she and Martin gave up for adoption thirty years before, asking for a life-or-death favor.

Tang Yitian has been living in America, estranged from his family, for almost a decade when he receives an urgent phone call from his mother: his father has disappeared from the family’s rural village in China. When Yitian returns home and attempts to piece together what may have happened, he struggles to navigate the country’s impenetrable bureaucracy as an outsider. So he seeks out a childhood friend: Tian Hanwen, who as a teenager was “sent down” from Shanghai to Yitian’s village as part of China’s rustication campaign.

One morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders's father and Oona's mother, a sense of profound loss wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew.

England, 2014: Audrey Collins knows only two things about her beloved grandmother's past: She was born into nobility and she immigrated to America at seventeen years old. So when Audrey inherits her gran's home in North Yorkshire, she arrives expecting a sprawling country estate fit for lords and ladies. Instead, she finds an abandoned stone cottage perfectly preserved as Gran left it when she fled in 1941—ration book and all—and begins to uncover what secrets her family has been keeping.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

After leaving behind the comforts and the shackles of a prestigious law firm, a restless attorney makes ends meet in mid-2000s Brooklyn by picking up odd jobs from a colorful assortment of clients. When a mysterious woman named Anna Reddick turns up at his apartment with ten thousand dollars in cash and asks him to track down her missing husband Newton, a bookseller, he trusts it will be a quick and easy case. But when the real Anna Reddick—a magnetic but unpredictable literary prodigy—lands on his doorstep with a few bones to pick, he finds himself out of his depth.

When Alabine Rivers, a politically active young woman with a bright career and romance ahead of her, finds out the devastating news that she has terminal cancer, the only thing that gives her solace is the possibility of a second life through the emerging field of cryogenics.

Kitty Talbot needs a fortune. Or rather, she needs a husband who has a fortune. Left with her father’s massive debts, she has only twelve weeks to save her family from ruin. Kitty has never been one to back down from a challenge, so she leaves home and heads toward the most dangerous battleground in all of England: the London season. Kitty may be neither accomplished nor especially genteel—but she is utterly single-minded; imbued with cunning and ingenuity, she knows that risk is just part of the game.

For the citizens of Spokane Falls, the fire of 1889 that destroyed their frontier boomtown was no disaster; it was an opportunity. Barton Heydale, manager of the only bank in Spokane Falls, is on the verge of ending his short, unpopular life. But when his city goes up in flames, he sees an ember of hope shimmering on the horizon, headed right for him. As citizens flock to the bank to cash out insurance policies and take out loans, he realizes he can command the power he craves—and it’s not by following the rules. Here is his reason to live.

Pen/Hemingway finalist Jamil Jan Kochai ​breathes life into his contemporary Afghan characters, moving between modern-day Afghanistan and the Afghan diaspora in America. In these arresting stories verging on both comedy and tragedy, often starring young characters whose bravado is matched by their tenderness, Kochai once again captures “a singular, resonant voice, an American teenager raised by Old World Afghan storytellers.” The Haunting of Hajji Hotak and Other Stories is a moving exploration of characters grappling with the ghosts of war and displacement.

One sunny afternoon in an idyllic kingdom by the sea, a princess named Caroline pretends to sleep. When her keepers strike up a card game, Caroline sneaks into her maid’s car, turns the key, and drives right out of the palace. Alone for the first time in years, she gets on the next flight—only to land in the waiting arms of her guards. As she’s forcibly escorted back to her marble prison, something in Caroline breaks for good. It’s not her first failed attempt, and it won’t be her last. Caroline suspects that she’ll never escape. But she might find a way to be free.

Though they look like any other family, they aren’t one—not quite. They are three sets of parents who find themselves intertwined after adopting four biological siblings, having committed to keeping the children as connected as possible. At the heart of the family, the adoptive mothers grapple to define themselves and their new roles. Tabitha, who adopted the twins, crowns herself planner of the group, responsible for endless playdates and holidays, determined to create a perfect happy family.

To all appearances, the Larsen-Hall family has everything: healthy children, a stable marriage, a lucrative career for Brantley, and the means for Daphne to pursue her art full-time. Their deluxe new Miami life has just clicked into place when Luna—the world’s first category 6 hurricane—upends everything they have taken for granted. When the storm makes landfall, it triggers a descent of another sort. Their home destroyed, two of its members missing, and finances abruptly cut off, the family finds everything they assumed about their lives now up for grabs.

Why are books so powerful? What do the books we read make of us? And what does the vanishing of public libraries say about us? These stories are about what we do with books and what they do with us: how they travel with us, how they shock us, change us, challenge us, banish time while making us older, wiser and ageless all at once, how they remind us to pay attention to the world we make.

Frida Liu is a struggling mother. She remembers taking Harriet from her cot and changing her nappy. She remembers giving her a morning bottle. They'd been up since four a.m. Frida just had to finish the article in front of her. But she'd left a file on her desk at work. What would happen if she retrieved it and came back in an hour? She was so sure it would be okay. Now, the state has decided that Frida is not fit to care for her daughter. That she must be re-trained. Soon, mothers everywhere will be re-educated. Will their mistakes cost them everything?

One morning, a man wakes up to find himself transformed. Overnight, Anders’s skin has turned dark, and the reflection in the mirror seems a stranger to him. At first he shares his secret only with Oona, an old friend turned new lover. Soon, reports of similar events begin to surface. Across the land, people are awakening in new incarnations, uncertain how their neighbors, friends, and family will greet them. As the bond between Anders and Oona deepens, change takes on a different shading: a chance at a kind of rebirth—an opportunity to see ourselves, face to face, anew.

Surrounded by the dramatic beauty of Guernsey, a teenager discovers a secret and finds his betrayal has the power to ruin adult lives. In London, a marriage shot through with infidelity leads to a quest for revenge, resulting in a series of simultaneously comical and catastrophic events. And in California, as wildfires threaten landscapes and lives, a young veteran struggles with the trauma of war, seeking solace at a local ranch.

When the kids are grown and Mercy Garrett gradually moves herself out of the family home, everyone determines not to notice. Over at her studio, she wants space and silence. She won't allow any family clutter. Not even their cat, Desmond. Yet it is a clutter of untidy moments that forms the Garretts' family life over the decades, from giving a child a ride to a painstaking Easter lunch, a fateful train journey to an unexpected homecoming. And it all begins in 1959, with a family holiday to a cabin by a lake.

Following her astonishing quartet of Seasonal novels, Ali Smith again lights a way for us through the nightmarish now, in a vital celebration of companionship in all its forms.