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Few of us can claim to be the authors of our fate. Jacqueline Bouvier Kennedy knows no other choice. With the eyes of the world watching, Jackie uses her effortless charm and keen intelligence to carve a place for herself among the men of history and weave a fairy tale for the American people, embodying a senator’s wife, a devoted mother, a First Lady - a queen in her own right. But all reigns must come to an end.

The Kingdom of Jerusalem, also known as Outremer, is the land far beyond the sea. Baptized in blood when the men of the First Crusade captured Jerusalem from the Saracens in the early 12th century, the kingdom defined an utterly new world, a land of blazing heat and a medley of cultures, a place where enemies were neighbors and neighbors became enemies. At the helm of this growing kingdom sits young Baldwin IV, an intelligent and courageous boy committed to the welfare and protection of his people.

Loosely inspired by a true story, this tender portrait of marriage asks: What do you do when the person you love has to change? It starts with a question, a simple favor asked by a wife of her husband while both are painting in their studio, setting off a transformation neither can anticipate. Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history.

The lives of writers can often best be understood through the eyes of those who nurtured them and made their work possible. In The Sweetest Fruits, these three women tell the story of their time with Lafcadio Hearn, a globetrotting writer best known for his books about Meiji-era Japan. In their own unorthodox ways, these women are also intrepid travelers and explorers. Their accounts witness Hearn's remarkable life but also seek to witness their own existence and luminous will to live unbounded by gender, race, and the mores of their time.

With the beautiful and cunning Poppaea at his side, Nero commands the Roman empire, ushering in an unprecedented era of artistic and cultural splendor. Although he has yet to produce an heir, his power is unquestioned. But in the 10th year of his reign, a terrifying prophecy comes to pass and a fire engulfs Rome, reducing entire swaths of the city to rubble. Rumors of Nero’s complicity in the blaze start to sow unrest among the populace - and the politicians.... For better or worse, Nero knows that his fate is now tied to Rome’s.

He is a renowned Swedish filmmaker and has a plan for everything. She is his daughter, by the actress he directed and once loved. Each summer of her childhood, the daughter visits the father at his remote Faro island home on the edge of the Baltic Sea. Now that she's grown up - a writer, with children of her own - and he's in his 80s, they envision writing a book together, about old age, language, memory and loss. She will ask the questions. He will answer them. The tape recorder will record.

A woman's teenage son takes his own life. It is incomprehensible. The woman is a writer, and so she attempts to comprehend her grief in the space she knows best: on the page, as an imagined conversation with the child she has lost. He is as sharp and funny and serious in death as he was in life, and he will speak back to her, unable to offer explanation or solace but not yet, not quite, gone.

She’d made it sound as though her husband would be joining them for dinner. She’d made it sound that way on purpose, and then she arrived alone. Los Angeles, 1934. Mary Frances is young, restlessly married, and returning from her first sojourn in France. She is hungry, and not just for food: She wants Tim, her husband Al’s charming friend, who encourages her writing and seems to understand her better than anyone. After a night’s transgression, it’s only a matter of time before Mary Frances claims what she truly desires.

It’s 1940 and Hannie Schaft is a shy nineteen-year-old law student living in the Nazi-occupied Netherlands with ambitious goals for her future. But dreams die in wartime, and Hannie’s closest friends are no longer safe as fascism insidiously rises in her country. Hiding them is not enough. Hannie may be young but she can’t stand aside as the menace of Nazi evil tightens its grip. Driven by love and moral outrage, Hannie soon becomes an armed member of the Dutch Resistance movement.

Beatrice yearns to escape the clutches of her abusive father and determined to find a way back to Rome, enlists the help of Olimpio, the castle’s keeper. Soon the love that grows between them will transform Beatrice’s fortunes, for better and for worse. History has sold her short. She is no doe-eyed victim of her father’s brutality, nor the cunning murderer who plotted her father’s demise. No, this Beatrice - a woman pregnant by her lover, incarcerated in a remote castle by her father, and brim-full of white-hot rage - is both innocent and guilty, saint and sinner.

Early 1900s: The world belongs to men, and the art world in Stockholm, Sweden, is no different, until Hilma af Klint brings together a mysterious group of female painters and writers—Anna, Cornelia, Sigrid, and Mathilda—to form their own emotional and artistic support system. The members of the Friday Night Club find themselves thrust into uncharted territory when Hilma and her best friend, Anna, begin dabbling in the occult, believing that through séances they can channel unseen spirits to help them achieve their potential as artists.

Eighteen-year-old Mary Shelley has fled London with her lover, Percy Shelley, and her sister, Claire. Tormented by Shelley’s betrayals, haunted by the loss of their baby and suspicious of her sister’s intentions, Mary seeks a refuge. But Lord Byron’s villa, lying under ominous, ash-shrouded skies, feels more like a trap. When Byron suggests each guest write a supernatural tale, Mary is as drawn to the challenge as she is, unexpectedly, to Byron himself. And so an idea begins to form in her mind . . .

Melding prose, poetry, imagined interviews and ephemeral photography, Ondaatje weaves together a lyrical reinterpretation of Billy’s short, infamous existence, forming a portrait of a young man, and a young country, borne out of violence, threaded through with disaster, yet rich in wonder.

The boy Nero lives. His mother Agrippina has married her way to power, tangling the Emperor Claudius in her skirts. The emperor may have a son and heir of his own, but Agrippina sees no obstacles to her ambition. Rome is a path through a marsh, lit by torches. Those who walk it are always one step from disaster–and the road itself is treacherous, slippery with blood. Claudius may have the world at his feet, but he has Agrippina in his bed.

Raised on tales of her revolutionary ancestors, Frances Perkins arrives in New York City at the turn of the century, armed with her trusty parasol and an unyielding determination to make a difference. When she’s not working with children in the crowded tenements in Hell’s Kitchen, Frances throws herself into the social scene in Greenwich Village, befriending an eclectic group of politicians, artists, and activists.

1821: Thirteen-year-old Àjàyí is snatched from the Nigerian village of Òsogùn by slave raiders who burn the town and enslave its people. Shackled and taken to Lagos, he is certain he will never see his family again. Freed by English warships, Àjàyí is put in the care of the Church Missionary Society and baptised Samuel Crowther. Quickly rising through the ranks of the church, Crowther never forgets the driving passion of his life: to end the slave trade, by any means necessary.

Britain, 1961: A beautiful blonde baby is born to Viscount Althorp, heir to the Spencer earldom. But Diana grows up amid the fallout of her parents’ messy divorce. She struggles at school. Her refuge throughout is romantic novels. She dreams of falling in love and being rescued by a handsome prince.

The daughter of formerly enslaved parents, Mary McLeod Bethune refuses to back down as white supremacists attempt to thwart her work. She marches on as an activist and an educator, and as her reputation grows she becomes a celebrity, revered by titans of business and recognized by U.S. Presidents. Eleanor Roosevelt herself is awestruck and eager to make her acquaintance.

Lady Mary Wortley Montagu longs for adventure, freedom and love, believing that only by truly living can she ever escape the stalking crow of Death. An aristocratic woman in 18th century England is expected to act in certain ways. But Mary has never let society's expectations stifle her: she writes celebrated poetry and articles advocating for equality, as well as endless, often scandalous, letters to her many powerful friends. However, Mary wants more from the world. Using her charm and connections, she engineers a job offer for her husband as ambassador to the Ottoman Empire.

Born a vagabond, Tibb Ingleby has never had a roof of her own. But her mother has taught her that if you're not too bound by the Big Man's rules, there are many ways a woman can find shelter in this world. Now her ma is dead in a trick gone wrong and young Tibb is orphaned and alone. As she wends her way across the fields and forests of medieval England, Tibb will discover there are people who will care for her, as well as those who mean her harm. And there are a great many others who are prepared to believe just about anything.