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In Hudson River Bracketed, Edith Wharton illuminates the creative process of writing. Vance Weston, a young Midwesterner yearning to be a writer, travels to New York in pursuit of his dreams. On the Hudson River, in an old house called The Willows, he meets a kindred spirit. Halo Spear is the privileged daughter of an old New York family, a lover of poetry and literature who educates and inspires him as he hones his craft.

This book presents the formative years in the life of Jack Duluoz—Kerouac’s alter ego—beginning with his high school experiences as a sporting jock in small-town New England and his time at Columbia University on a football scholarship. Just as Jack’s glamorous new adult life begins, so does World War II, and he joins the US Navy to travel the world. The more he experiences, the more he realizes the limits of his former plans and decides to and return to New York, where he collides with the start of the Beat movement—and a riot of drugs, sex, and writing.

Los Angeles, 1981–17-year-old Bret is a senior at the exclusive Buckley prep school when a new student arrives with a mysterious past. Robert Mallory is bright, handsome, charismatic, and shielding a secret from Bret and his friends, even as he becomes a part of their tightly knit circle. Bret's obsession with Mallory is equalled only by his increasingly unsettling preoccupation with The Trawler, a serial killer on the loose who seems to be drawing ever closer to Bret and his friends, taunting them with grotesque threats and horrific, sharply local acts of violence.

Half a millennium ago, in a desperate attempt to defeat the Ithonian Empire, Kanderon Crux and her allies banished the city of Imperial Ithos from Anastis. Her dread weapon, the Exile Splinter, even erased the memory of its location from the universe. Now it's returning and bringing the Exile Splinter back with it. The great powers of the continent are desperately hunting for the lost city, knowledge lost even to Kanderon herself. None know what ancient Ithonian weapons and enchantments might still be found in the ruins, but the Exile Splinter alone would be a prize to justify war.

It is Beijing in the 1970s, and Lai lives with her parents, grandmother and younger brother in a small flat in a working-class area. Her grandmother is a formidable figure - no-nonsense and uncompromising, but loving towards her granddaughter - while her ageing beauty of a mother snipes at her father, a sunken figure who has taken refuge in his work. As she grows up, Lai comes to discern the realities of the country she lives is. But she also goes through what anyone goes through when young - the ebbs and flows of friendships; troubles and rewards; and the first steps and missteps in love.

This nationally best-selling novel from Pulitzer Prize-winner Jeffrey Eugenides was adapted into an acclaimed film by Academy Award-winner Sofia Coppola. A haunting yet wickedly funny tale, The Virgin Suicides has captivated countless readers with its intoxicating portrait of lost innocence. A brilliant fusion of dark humor and tragedy, it is an atmospheric, allegorical masterpiece about five oppressed, suicidal sisters and the boys who dream of rescuing them.

An excellent student from a poor, traditional family in Seoul, the narrator has absorbed the same message her whole life: Only a boy can provide the family with dignity and wealth. Not her. Not her three sisters. Receiving approval only for uncomplaining sacrifice, she has resolved to take on her family’s troubles. She is a good girl. And she knows what good girls must do.

1932: Located on the banks of the Gilead River in Minnesota, Lincoln School is home to hundreds of Native American boys and girls who have been separated from their families. The only two white boys in the school are orphan brothers Odie and Albert, who, under the watchful eyes of the cruel superintendent Mrs. Brickman, are often in trouble for misdeeds both real and imagined. The two boys' best friend is Mose, a mute Native American who is also the strongest kid in school. And they find another ally in Cora Frost, a widowed teacher who is raising her little girl, Emmy, by herself.

‘Women can be heroes, too’. When twenty-year-old nursing student, Frances “Frankie” McGrath, hears these unexpected words, it is a revelation. Raised on California’s idyllic Coronado Island and sheltered by her conservative parents, she has always prided herself on doing the right thing, being a good girl. But in 1965 the world is changing, and she suddenly imagines a different path for her life. When her brother ships out to serve in Vietnam, she impulsively joins the Army Nurses Corps and follows his path.

Tsukuru Tazaki had four best friends at school. By chance all of their names contained a colour. The two boys were called Akamatsu, meaning 'red pine', and Oumi, 'blue sea', while the girls' names were Shirane, 'white root', and Kurono, 'black field'. Tazaki was the only last name with no colour in it. One day Tsukuru Tazaki's friends announced that they didn't want to see him, or talk to him, ever again. Since that day Tsukuru has been floating through life, unable to form intimate connections with anyone.

Sometimes heartbreaking, sometimes deeply joyous, The House on Mango Street tells the story of Esperanza Cordero, whose neighborhood is one of harsh realities and harsh beauty. Esperanza doesn't want to belong, not to her rundown neighborhood, and not to the low expectations the world has for her. Esperanza's story is that of a young girl coming into her power, and inventing for herself what she will become.

Filled with relentless drinking in seamy bars and glamorous nightclubs, wild, drug-fuelled parties, and dispassionate sexual encounters, Less than Zero - narrated by Clay, an 18-year-old student returning home to Los Angeles for Christmas - is a fierce coming-of-age story, justifiably celebrated for its unflinching depiction of hedonistic youth, its brutal portrayal of the inexorable consequences of such moral depravity and its author’s refusal to condone or chastise such behaviour.

Il bel viso della bambina Giovanna si è trasformato, sta diventando quello di una brutta adolescente. Ma è proprio così? E in quale specchio bisogna guardare per ritrovarsi e salvarsi? La ricerca di un nuovo volto oscilla tra due Napoli consanguinee che però si temono e si detestano: la Napoli di sopra, che s'è attribuita una maschera fine, e quella di sotto, che si finge smodata, triviale. Giovanna oscilla tra alto e basso, in una città che pare non offrire né risposte né scampo.

This novella tells the story of a ten-year-old Black boy named Pictorial Review “Pic” Jackson, who lives with his grandfather in North Carolina in the 1940s. After his grandfather dies and Pic is living with another relative, his older brother, Slim, shows up to take him out of that dysfunctional home, and they journey from the rural South to New York City. They head for Harlem, where Slim lives with his girlfriend and where Pic sees firsthand the economic hard times his brother is experiencing. After losing job after job, Slim sends his pregnant girlfriend off to San Francisco.

Following the explosive energy of On the Road, the book that put the Beat Genration on the literary map - and Jack Kerouac on the best-seller list - comes The Dharma Bums, in which Kerouac charts the spiritual quest of a group of friends in search of Dharma, or truth. Ray Smith and his friend, Japhy, along with Morley the yodeller, head off into the high Sierras to seek the lesson of solitude and experience the Zen way of life.

Treize ans après un accident tragique qui avait coûté la vie à son père, Malo revient sur la presqu'île de Crozon de son enfance. Sa mère Emeline avait quitté discrètement le petit port breton de Camaret-sur-Mer avec Malo, alors âgé de dix ans, pour s'installer à Marseille. Le jeune homme est décidé à établir la vérité sur l'accident qui a changé le cours de leur existence. Les découvertes qu'il va faire vont bouleverser sa vie.

Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

When Marilyn Kleinman is caught making out with the rabbi’s son in front of the whole congregation, her parents ship her off to her great-aunt Ada for the summer. If anyone can save their daughter’s reputation, it’s Philadelphia’s strict premier matchmaker. Either that or Marilyn can kiss college goodbye. To Marilyn’s surprise, Ada’s not the humorless septuagenarian her mother described. Not with that platinum-blonde hair, Hermès scarf, and Cadillac convertible. She’s sharp, straight-talking, takes her job very seriously, and abides by her own rules…mostly.

Raised far away on the moon, Xingyin was unaware she was being hidden from the Celestial Emperor–who exiled her mother for stealing the elixir of immortality. But when her magic flares and reveals her, Xingyin is forced to flee her home, leaving her mother behind. Alone, powerless and afraid, Xingyin makes her way to the Celestial Kingdom, a land of wonder and secrets. In disguise, she trains alongside the emperor’s son, mastering archery and magic, despite the passion that flames between them.

Miller Stratton is a survivor. After a harrowing childhood of poverty, he will do anything it takes to find security for himself and his mom. He’s putting all his hopes and dreams in the fragile frame of his guitar and the beauty he creates with its strings and his soulful voice. Until Violet. No one expects to meet the love of their life at age 13. But the spunky rich girl steals Miller’s heart and refuses to give it back.