検索キーワード： 制作 "Audible Studios" 成長

La vida de una locutora de radio, que responde cartas sentimentales en antena, y las de varios de sus oyentes se entrecruzan en una historia de amor, desamor, malos tratos y soledad situada en la Barcelona de finales del franquismo e inicio de la democracia. Cuando Aurora se convierte en la nueva voz de Elena Francis se encuentra con una gran responsabilidad. Por un lado, debe impedir que Elisa, una joven de diecisiete años que ha anunciado su intención de quitarse la vida, se suicide.

Uprooted from her comfortable life in Bogotá, Colombia, into an ant-infested Miami townhouse, 15-year-old Francisca is miserable and friendless in her strange new city. Her alienation grows when her mother is swept up into an evangelical church, replete with Christian salsa, abstinent young dancers, and baptisms for the dead. But there, Francisca also meets the magnetic Carmen: opinionated and charismatic, head of the youth group, and the pastor’s daughter. As her mother’s mental health deteriorates and her grandmother descends into alcoholism, Francisca falls in love with Carmen.

Best friends Kyle and Sideeq are beginning their first year of college in West London. Sideeq, a talented aspiring artist, spends his time perfecting his artwork and hanging out with his friends while having to learn how to process the harrowing events of his past. Kyle's ambitions are to become a rapper and a successful businessman. Though the deep bond of friendship formed between Kyle and Sideeq puts them on a path to achieve their dreams, college soon brings with it serious teenage social politics and a bully that terrorises their friend group.

American-born Catherine knows little of her Croatian mother's early life. When Marijana dies of ovarian cancer, 22-year-old Catherine finds herself cut off from the past she never really knew. As Catherine searches for clues to her mother's elusive history, she discovers that Marijana was orphaned during WWII, nearly died as a teenager, and escaped from Communist Yugoslavia to Rome, and then South America. Through travel and memory, history and imagination, Catherine resurrects the relatives she's never known.

Temilola is a kind-hearted boy from the upper echelons of Nigerian society who wakes up alone in the middle of Lagos and discovers that he has lost his memory. He soon finds that this is the least of his problems, as he must now attempt to survive the dangerous streets of Lagos.

Convencido de que para alguien con sus aspiraciones literarias podía convenir vivir en el país de Franz Kafka y de Milan Kundera, el joven Eugen Salmann acepta la propuesta que le hacen de irse al este europeo. Ni de lejos sospecha este aprendiz de escritor que en Praga no conseguirá ni abrir una nueva filial para su empresa ni escribir una sola línea. Más aún: como si fuera un personaje de Kafka, más que escribir una novela… ¡se encuentra viviendo dentro de una! Las ficciones se hacen realidad y se tornan peligrosas.

A la protagonista de esta novela le dan una terrible noticia y, desesperada, con todo perdido, ha de tomar una decisión: Huir. Ser libre. Así emprende un camino hacia ninguna parte, hacia su interior, hacia su liberación, que le llevará a descubrir el sentido final y esencial de su existencia, el valor real de las cosas y los recuerdos, la importancia de los sueños y los mitos y, cuando menos se lo esperaba, el amor, un amor apasionado que le hará vivir cada momento con ansias renovadas.

La Judit té gairebé dotze anys i un do per dibuixar. Viu amb la seva mare i el seu avi a Ginebra. El seu pare, un famós pintor, va marxar a Hongria quan era petita. La Judit està preparant-se per a un concurs de dibuix quan, inesperadament, els escacs es creuen en el seu camí i comença a aficionar-s’hi. La Judit jugarà moltes partides, però una d’elles li canviarà la vida: la que jugarà contra Mr. Aliyat, un estrany mestre dels escacs, nascut a l’Iran, que es comunica a través de notes enigmàtiques.

A young boy comes of age within the confines of post-civil-war Beirut, with conflict and comedy lurking round every corner. Adam dreams of becoming an astronaut, but who has ever heard of an Arab on the moon? He battles with his father, a book-hoarding journalist with a penchant for writing eulogies, his closest friend, Basil, a Druze who is said to worship goats and believe in reincarnation, and a host of other misfits and miscreants in a city attempting recover from years of political and military violence.

In a nameless Hungarian town, teenagers on a competitive swim team occupy their after-training hours with hard drinking and fast cars, hash cigarettes and marathons of Grand Theft Auto, the meaningless sex and late-night exploits of a world defined by self-gratification and all its attendant recklessness. Invisible to their parents and subject to the whims of an abusive coach, the crucible of competition pushes them again and again into dangerous choices. When a deadly accident leaves them second-guessing one another, they’re driven even deeper into violence.

Zindagi 50-50's young writer Bhagwant Anmol manages to cover sensitive topics which tug at the very fabric of our society. In Bali Umar he has managed to do the same. At the center of the novel are a child’s innocence, his shenanigans, and a child’s raging curiosity to fathom everything about life. The main protagonists of the novel are children, and the plot is set in a village. The novel is an attempt to address societal-political and caste angle issues through the medium of children.

A Hindi translation of Ruskin Bond’s A Handful of Nuts by Rachna Bhola ‘Yamini’, this novel is the story of a 21-year-old writer in a small town in India. Alternately witty, poignant, tender and hilarious, the tale begins with the writer describing his simple and frugal life in Dehra. He occupies a tiny room, spending his days eating at the roadside restaurants, watching cinema and reading all English publications he can find. His goal is to find avenues to get his short stories published, and though he finds plenty such publications, none of those pay well.

You know that old saying “opposites attract” - well, no one ever tells you what happens after the attraction part. Do opposites stick together forever? Or do they just self-combust? And then there’s the third option: Someone or something forces them apart. Look, the third option isn’t happening to us. I will end the bastard who thinks he can keep me from her. I only need to worry about one thing.... Epic, soul-crushing self-destruction. Because I screw up everything I touch. Even her.

Fake. That's what we are. That's what we agreed to be. So why does it feel so real? I thought it would have been harder, convincing everyone our school's star receiver was mine and mine alone, but I was wrong. We played our parts so well that the lines between us began to blur until they disappeared completely. The thing about pretending, though, is that someone's always better at it, and by the time I realized my mistake, there was no going back.

Shay Gable hated my guts, and I hated hers, too. We went out of our way to avoid one another at all times. When she came in my direction, I went the other. When we locked eyes, she’d turn and walk away. All of that changed the day I was presented with a challenge. It started out as a stupid bet: make Shay fall in love with me before I fell in love with her first. That was an easy bet for me to win. I didn’t love. I hardly liked. Yet slowly the game started to shift. Shay made me crave things I never knew I wanted.

Marlene Beckmann ist 31 Jahre alt und lebt das Leben, das sie sich gewünscht hat. Auf die Frage, wie es ihr geht, antwortet sie meistens: "Super, und dir?" Marlene hat sich äußerlich im Griff. Bis sie ihren ersten richtigen Job als Social Media Managerin in einem multinationalen Unternehmen antritt. Bis sie vor lauter Überstunden kein Privatleben mehr hat. Bis der Druck schließlich zu groß wird.

A uniquely American story told in powerful, evocative prose, The Beauty of Your Face navigates a country growing ever more divided. Afaf Rahman, the daughter of Palestinian immigrants, is the principal of Nurrideen School for Girls, a Muslim school in the Chicago suburbs. One morning, a shooter - radicalized by the online alt-right - attacks the school.

When Frankie’s mother dies, he tells his teacher. But he can't seem to get anyone at his school in southern England to listen to him. So the six-year-old comes up with a plan: go to France, find a police station and ask the officers to ring his father. Thus a stowaway’s view of the sea opens Pauline Holdstock’s eighth novel, narrated in turns by Frankie - who likes cheese, numbers, the sea when it’s pink, and being alone when he feels bad - and a cast of characters that includes his worried Gran, his callous teacher and his not-so-reliable father.

I wouldn't say I ran away exactly - 22 is too old for that. I'd call it self-preservation. I have one objective: protect my heart from the boy next door who has no clue I've loved him my whole life, even with a front row seat to his revolving bedroom door. My escape plan almost worked. Except I left one thing behind. Logan Carter hijacked my heart, and it's time to get it back. This time for good.

Fetishist of working women Arthur Munby, irascible antiquary General Pitt Rivers, feminist Barbara Bodichon, and other historical figures of the Victorian epoch wander through the backdrop of the novel as Anna's anomalous love for Lore Ritter, and her friendship with freethinking and ambitious Miriam Sala, carry her into areas of uncharted desire, while Beatrice, forced to choose between her beloved Will Anwyl and the evangelist Christian Ritter, who marked her out as a wife when she was only a child, is pulled between passion and duty.