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The Griffin Sisters had the world at their feet, catapulted to stardom in the early 00’s before they become one of rock music’s greatest mysteries: Zoe, effortlessly gorgeous, who loved the fans and the fame, dancing under the lights while her sister’s voice rang out across stadiums. Cassie, never comfortable with the crowds or the attention, but with the voice of a generation, rich, haunting, touched with heartbreak.

A boy on the edge of adolescence fears his mother might be a robot; a psychotically depressed woman is entrusted with taking her niece and nephew trick-or-treating; a reluctant dad brings his baby to a debaucherous party; a teenage boy tries to prevent his mother from putting his estranged father’s dogs to sleep. Ranging from a youth arts camp to an aging punk band’s reunion tour, from a dystopian future where parents no longer exist to a ferociously independent bookstore, Last Day on Earth revolves around the endlessly complex, frequently surreal system that is family.

Good things happen at the lake. That’s what Alice’s grandmother says, and it’s true. Alice spent just one summer there at a cottage with Nan when she was seventeen—it’s where she took that photo, the one of three grinning teenagers in a yellow speedboat, the image that changed her life. Now Alice lives behind a lens. As a photographer, she’s most comfortable on the sidelines, letting other people shine. Lately though, she’s been itching for something more, and when Nan falls and breaks her hip, Alice comes up with a plan for them both: another summer in that magical place, Barry’s Bay.

In Hudson River Bracketed, Edith Wharton illuminates the creative process of writing. Vance Weston, a young Midwesterner yearning to be a writer, travels to New York in pursuit of his dreams. On the Hudson River, in an old house called The Willows, he meets a kindred spirit. Halo Spear is the privileged daughter of an old New York family, a lover of poetry and literature who educates and inspires him as he hones his craft.

In the early 1970s, Poe is living a nomadic life, hopping trains, sleeping rough, and juggling to feed himself. He eventually settles in Philadelphia and masters his street act before ever-growing crowds. When one of his fellow buskers presents him with an opportunity—a bank heist—he should have refused, an innocent bystander is killed, and he splits town a felon.

TJ Cutler's life has been anything but easy. Looking at him now, no one would guess that the successful MMA fighter and business owner was once a homeless drug addict who witnessed his father brutally murder his mother when he was just a child. But TJ knows how harsh reality can be for some, and he dedicates his life to helping those who are struggling like he once did.

Armand Bernal is breaking apart. The trials of youth become a torrential odyssey of dislocation and disorientation. In this bildungsroman for our modern age—an age of collapse—Ben Faulkner has created an unforgettable character wary of work, college, relationships, and the world at large, becoming an unstable young man moving toward an act of terrifying violence. Will he survive the gothic America of The Agonies?

Phillip I. Elkins, a.k.a. Señor Felipe, is a storyteller, salsa maker, father, son, educator, author, musician, and radio host of "LA Sounds" on KZFR, Chico, California. Running from the Fire is a coming-of-age story that begins with a skinny, nearsighted Jewish kid trying to find a home and identity among white and Latino peers in East Los Angeles, an emotional voyage that takes him through love affairs and fistfights and ends with him drafted by the Army and en route to Vietnam. The book is intense, frequently funny, and deeply poignant as he describes his youth and adolescence.

Abe Jacobs is Kanien’kehá:ka from Ahkwesáhsne—or, as white people say, a Mohawk Indian from the Saint Regis Tribe. At eighteen, Abe left the reservation where he was raised and never looked back. Now forty-three, Abe is suffering from a rare disease—one his doctors in Miami believe will kill him.

For as long as she can remember, Peppa Ryan has been guided by a benevolent voice in her head who she believes is Virginia Woolf. Though she’s an exceptionally bright twenty-year-old, she suffers from crippling low self-esteem and has barely left her parents’ ramshackle home in Queens, New York. Set at the turn of the millennium, Peppa defies her parent’s wishes and ventures out on her own to start a job at a Wall Street investment firm.

After an emergency leaves her short on rent, thirty-year-old Freya Arnalds bails on her lackluster life as bartender in Maine and returns to her suburban hometown of Somers, New York, to live in the house she inherited from her estranged parents. Despite attempts to lay low, Freya encounters childhood friends, familial enemies, and old flames—as well as her fifteen-year-old niece, Aubrey, who is secretly living in the derelict home. As they reconnect, Freya and Aubrey lean on each other, working to restore the house and come to terms with the devastating events that pulled them apart.

On a bus moving across rural landscapes from town to town, two young people are escaping with nothing to hold except hope. She has committed a horrifying act for which there will certainly be retribution. He is staggering from a devastating discovery. They will find each other and attempt to move forward, even as their grief leaves wounds on their new beginnings.

Michael Woodbine was seven years old when a near-fatal fireworks accident scarred him and led to his placement in foster care. Now a college freshman, he is still trying to hide the effects of his trauma from his classmates, his adoptive family, and himself. When Michael signs up for a film class, he meets Robert Dunning, a teacher who wears his own scars unapologetically. Robert encourages Michael to make a documentary that explores body image and self-perception.

Identical triplets Baby A, Baby B, and Baby C Binderup were welcomed into the world as their mother was ushered out of it, leaving them nameless and in the care of their Gram, Isadora. Nineteen years later, the triplets work at their Gram’s crumbling golf course in Longshadow, Texas, where the ever-watchful eyes of the town observe them serving up glasses of ice-cold lemonade to golfers, swimming in the murky waters of the neighboring bayou, or slipping t-shirts off their sunburnt shoulders in hopes of attracting the kind of attention they are only beginning to understand.

Nineteen-year-old Zippy can hardly believe it: she’s the newest and youngest salesgirl at I. Magnin, “San Francisco’s Finest Department Store.” Every week, she rotates her three spruced-up Salvation Army outfits and Vaseline-shined pumps; still, she’s thrilled to walk those pumps through the employee entrance five days a week as she saves to buy something new.

സോക്രട്ടീസിന്റെ കഥകള്‍ പലപ്പോഴും ഫാന്റസിയും മാലിക്കും കലര്‍ന്നഒരു കുഴമഞ്ഞാണ്. വേറോണിക്ക @ 15 ഒരു പ്രായത്തിന്റെ കഥ മാത്രമല്ല. മുറിവേറ്റ സ്ത്രീത്വത്തിന്റെ ഏകാംഗ കലാപം കൂടിയാണ്.

In his third novel, France explores the world from a new angle, delving into the emotional entanglement and self-discovery of a character with an addictive personality, searching for a way to fulfill the impulses that govern his life. When his best friend moves away the summer before his junior year, he loses the one person who keeps him grounded, and he spirals onto a dark path. As time passes, he realizes he's not only been hiding his inner demons from those he loves but also from himself.

報われない努力なんてない!★プレミアムカバー限定の「特別原稿 プレミアムカバーに寄せて」付き

1990: In a hot, humid Hong Kong summer, three young singers are loving life, performing to packed crowds every night in a swanky hotel bar. Twenty-three-year-old Scottish songbird, Moira Chiles is living the dream alongside Carina Lloyd and Lisa Dixon. They work hard, play hard, and always stick together… until one day Moira has to make a choice that changes everything.

Sull’isola non tutti vanno e vengono allo stesso modo. Ci sono quelli che arrivano con il sole di maggio e ripartono con le prime piogge di settembre. C’è chi fa avanti e indietro ogni giorno, senza più chiedersi a quale riva appartenga davvero. E poi ci sono quelli che, messi dalla vita davanti a un bivio, hanno dovuto scegliere se restare o imbarcarsi per una partenza che può valere un addio. Entrambe le scelte lasciano un segno invisibile e profondo.