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Anna Frenza hates the tyrannical tree huggers and the idiotic eco-warriors—after all, she’s the CEO of Poland’s biggest oil company. But then she finds herself in a trance, sleepwalking into the woods and making love to a tree, manically—all caught on camera. Her career ends and, in the fallout, she discovers her husband’s disturbing secret. Her mind splinters until she is no longer Anna Frenza, CEO. Now—whether by delusion or possession of spirit—she lives in the Duchy of Nysa, a medieval province ruled by the Catholic Church.

Life with the Durrells is seldom straightforward. Dive headfirst into family adventures with this collection of laugh-out-loud short stories from the much-loved author of My Family and Other Animals. Notable tales include 'The Picnic', a hilarious account of an ill-fated Durrell excursion which...

Deep in the woods of western Finland, a bear hunter has raised his seven daughters to live off the land and steer clear of the trappings of life in town, like cell phones and a social life outside their family. When on his youngest Elga’s twelfth birthday the hunter is killed by his prey, and their mother dies soon thereafter, the sisters are left with unpaid bills and a leaky house.

Rose Cutler defines herself by her exacting standards. As an anti-racist, Jewish secular feminist eco-warrior, she is convinced she knows the right way to do everything, including parent her six-year-old nephew Nathan. When Rose offers to look after him while his parents visit Mexico for a week, her brother and sister-in-law reluctantly agree, provided she understands the rules—routine, bedtime, homework—and doesn’t overstep. But when Rose’s Newfoundland attacks and kills a corgi at the park, Nathan starts acting strangely: barking, overeating, talking to himself.

Arvy Keening is just trying to get through the week. Tantalizingly close to leaving her college years at Westheimer University behind, all she has to do is pass her finals, pack up her life, and ship off to San Francisco for a prestigious Big Pharma internship. The problem? Arvy just found 200 hits of Molly in her dead mother’s closet. And when two drug dealers come to collect what they are owed, they reveal that the pills are not Molly, but Mona – a rare pharmaceutical that induces intense orgasms.

It’s the summer of 2017 and D__, a poet working by day as a copywriter at a retail start-up, can’t dispel a creeping sense of dissolution on the horizon. Whether it be the company’s new twenty-four-year-old CEO, who has more charisma than work experience, the growing distance between D__ and his longtime girlfriend, or a mounting sense of unreality in the wake of the first delirious year of the Trump administration, there’s a sense that things are speeding towards collapse—and that they’ve perhaps been unraveling for some time.

Margot is the child of renowned musicians and the product of a particularly punky upbringing. Burnt-out from the burden of expectation and the bad end of the worst relationship yet, she leaves New York and heads to to the Pacific Northwest. She's seeking to escape both the eyes of the world and the echoing voice of that last bad man. But a chance encounter with a dubious doctor in a graveyard, and the discovery of a dozen old film reels, opens the door to a study of both the peculiarities of her body and the absurdities of her famous family.

On the Six-Thousand Ship, things have started to feel changed. Since bringing aboard a number of strange objects from a newly discovered planet, the crew – both human and humanoid – have begun to feel a yearning. They want to be near the objects, to feel them pressed against their skin, but they also all now feel a curious new hunger for home: Earth, that place many cannot even remember. The Board of Directors are eager to understand more, and so instruct a commission to interview each of the employees.

Die Erzählerin in diesem Hörbuch ist müde - von der Arbeitswelt, ihren absurden Ritualen und entfremdenden Herausforderungen. Allerdings entwickeln auch die abseitigsten Anstellungen ihre Tücken - von Läden, die vom Erdboden verschwinden, über mysteriösen Sekten, zu einem Landschaftspark, der von einem Geist heimgesucht scheint. Fast könnte man meinen, das System ist das Problem ...

Gregor Samsa, a seemingly average salesman and cloth merchant, awakes one morning to find himself transformed into a monstrous insect. Trapped inside his new grotesque form, Gregor struggles to hold down his job and maintain his place in the family who become increasingly wary of him, frightful of his new body. Soon Gregor is unable to communicate at all, and becomes fearful he will forget his human side altogether.

Émile, négociateur du GIGN, doit intervenir lors d'une prise d'otages dans une école maternelle. Une situation presque banale pour lui, à ceci près : le forcené prétend s'appeler Elon Musk. Après le succès de S'adapter, prix Goncourt des Lycéens et prix Femina 2021, Clara Dupont-Monod nous offre un texte haletant, conçu comme une joute médiévale.

Der einzige Teil der Bittenichthören-Trilogie ist einerseits die Fortsetzung vom drittletzten Teil der Daswarsdann-Trilogie, andererseits auch nicht. Es hat etwas mit einem rechtlichen Unsinn zu tun. Der interversale Geflunkerverlag wollte infolge des Unsinns dieses Buch partout nicht in seinem Programm haben.

When dark magic and deceit collide, the biggest threat also becomes the most ridiculous. Forget what you know about heroes: this one’s earless, accident-prone and remarkably ineffective. In a world where cats and dogs act like people, absurdity reigns supreme. With Sinson Rascalion threatening to plunge society into darkness, Oscar Teabag-Dooven is once again thrown into the fray. After stumbling upon the arrogant bard The Dodosette and the beautiful cat Vaasi-Vee, the unlikely trio argue their way across the world to do something about it.

The city of Liebe is gone and Oscar presumed dead. With Tabby Miss Cakes adrift in a crumbling realm of myth and memory, she's not sure what’s real anymore—or if anything ever was. When Oscar reappears, inexplicably alive, the two stumble into a bizarrely wholesome world where people sand horses, kindness is weaponised and no one seems to notice the sky is falling. That’s because a poet is eating reality.

Oscar Teabag-Dooven, former Velvet Paw of Asquith and occasional poet, is ready to leave the chaos behind. Having faced tendony beasts, collapsing palaces, poetic terrorists, and exploding pastries, he’d much prefer foccussing on the opening night of his theatrical debut. Unfortunately, the world has other ideas.

Getting to the Shamrock Motel isn’t easy. It’s just off Concession #18, but you can’t get there through a sequence of lefts and rights. To find the Shamrock you have to be lost–not just on the map, but in your heart and soul. The Shamrock Motel does not accept reservations. The only way to get a room is by walking into the office and asking Rosemary, the owner/operator for one. Try not to stare at her hair.

Oscar Teabag-Dooven, once a Velvet Paw, is all that stands between a fractured universe and total obliteration. But Oscar wanted to be a poet, not a hero, not a destroyer, and certainly not the most loathed animal on the planet. After his avant-garde recital triggers mass death, suspicious reincarnations and catastrophic misunderstandings involving curry, he’s the only one left to blame.

Lost in the Wonderland is a journey through strange roads, wild rivers, and half-remembered songs. It begins with a botched bank robbery and spirals into a netherworld where music is seeded and rises in the airwaves. When the worlds collide, the spell shatters, leaving the odd, the brave, and the broken-hearted to search for their lost spark, through misguided choices, stolen Christmas nativities, roadside attractions, pills, and flamethrowers. Blending magical realism with mythic undertones, Lost in the Wonderland follows people caught between worlds, driven by longing and the need to belong.

For Justyna Kowalski, who lost her sight as a child, the world is a map of sounds and textures. So when a freak accident allows her to see by consuming a human eye, she doesn't just embrace the miracle—she starts a spreadsheet. In a gritty, mutated Warsaw where the grotesque has become mundane, she rates each borrowed glimpse of the world for clarity, duration, and side effects, sourcing her supply from a semi-legal food truck called "Eye Scream."

Mike is a foley artist who traveled from England to work with his friend Dwain—the first foley artist in the porn industry. On set, Mike finds himself drawn to Chloe, an actress who looks like Marilyn Monroe… if she’d been involved in an industrial accident. The loss of her leg hasn’t stopped Chloe from becoming a top star in Freak Porn. Inspired by his feelings for her, Mike sets out to bring a touch of artistry to the sleaziest corner of cinema by creating tastefully erotic films featuring abnormally shaped performers.