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Der Dichter Torquato Tasso ist in die Prinzessin von Este verliebt. Doch wie das so ist in der Welt des Adels: Ränkespiele und Kabale verhindern sein Glück. Das Künstlerdrama Goethes, das in der klassischen aristotelischen Tradition der Einheit von Ort, Zeit und Handlung geschaffen wurde, ist ein dauernder Gast auf den Brettern, die die Welt bedeuten.

A chave, de Machado de Assis, tem seu enredo devidamente circunscrito no tempo: a história começa em 7 de outubro de 1861. Os banhos de mar era então uma realidade no Rio de Janeiro e a personagem central do conto, Marcelina, tem neles sua entrada na narrativa. De forma torta: apesar de ser excelente nadadora, quase se afoga, sendo salva pelo pretendente Luís Bastinhos. Ela, no entanto, considera outros rapazes – quem teria a chave para abrir seu coração? É ler o conto e deliciar-se com a ironia machadiana aí tão presente!

In 1920, Ireland stands on the brink of civil war. Lucie returns to her familial home to settle the estate, where she uncovers an abundance of handwritten letters—a lifetime’s worth of cherished memories and guarded secrets between her mother and aunts—as well as her grandfather’s diary. As she reads through her findings, Lucie begins to wonder just how well she knew her relatives and the circumstances of their lives.

The powerful and poignant works of Sean O'Casey, one of Ireland's foremost playwrights, shown in this unparalleled audio collection. Renowned for his Dublin Trilogy—"Shadow of a Gunman," "Juno and the Paycock," and "The Plough and the Stars"—O'Casey masterfully depicts the struggles of Ireland's working class and the tumultuous intersection of politics and community life.

Sherlock Holmes is back in one of his most gripping and high-stakes cases, The Sign of the Four. When a beautiful and mysterious woman seeks Holmes' help in uncovering the truth behind her father's disappearance and a series of anonymous gifts, the great detective and his steadfast companion, Dr. Watson, are pulled into a web of deception, murder, and long-buried secrets.

‘He seeks to contain multitudes’, commented one reviewer of John Stammers’ poetry, and in this long-awaited fourth collection Stammers’ restlessly eclectic range is very much in evidence. Here are poems of technical surprise alongside those of candid tenderness; poems that set love and love-making within a wider emotional and intellectual context. Here are epistemological meditations that nonetheless preserve the ‘essential gaudiness’ of poetry; and elegies for artist friends that consider the ephemeral nature of fame and charisma.

With endless wit, wisdom and delightful wordplay, Bilston offers profound insights into the common joys and sorrows of modern life. Exploring themes as diverse as love, death, and the unbearable torment of forgetting to put the rubbish out, all of Bilston’s poems are alive to the improbable nuances of the English language.

Abbey Rd - Parkoured - A poem about the Abbey Road Album with all its intricacies.

L'Empire du bien n'est pas un essai, c'est une charge, une provocation, un éclat de rire grinçant lancé contre le conformisme du monde moderne. Philippe Muray y démonte avec une ironie cinglante les travers d'une époque où le divertissement se confond avec la morale, où la critique est suspecte, où l'enthousiasme obligatoire dicte les règles. Dans la langue au panache aussi superbe qu'excessif d'un moraliste sous nicotine, Muray s'attaque à une société qui transforme tout en fête forcée et où la liberté de penser s'efface derrière le masque du bonheur collectif.

In seinem ersten Roman »Buddenbrooks« erzählt Thomas Mann nur wenig verschlüsselt die Geschichte seiner Familie und ihrer Stellung in der Vaterstadt Lübeck, soweit er sie nachvollziehen, in Einzelheiten überblicken konnte, ja sogar noch miterlebt hat. Verwandte, Honoratioren und markante Persönlichkeiten seiner Jugend werden integriert. Es ist die Geschichte des langsamen Niedergangs einer reichen Kaufmannsfamilie über vier Generationen hinweg. Gert Westphal liest diesen epochalen Roman in ganzer Länge.

Fanny Price, in Mansfield Park, tells her persistent suitor that "we have all a better guide in ourselves . . . than any other person can be." Sometimes, however, we crave external guidance: and when this happens we could do worse than seek it in Jane Austen's own subtle novels. Written to coincide with Austen's 250th birthday, this approachable and intimate work shows why and how—for over half a century—Austen has inspired and challenged its author through different phases of her life.

During the breakdown of an unhappy marriage, writer Joanna Walsh got a job as a hotel reviewer, and began to gravitate towards places designed as alternatives to home. Luxury, sex, power, anonymity, privacy…hotels are where our desires go on holiday, but also places where our desires are shaped by the hard realities of the marketplace. Part memoir and part meditation, this book visits a series of rooms, suites, hallways, and lobbies—the spaces and things that make up these modern sites of gathering and alienation, hotels.

De Tweede Wereldoorlog heeft niet alleen diepe sporen getrokken door onze samenleving, maar ook geleid tot een nog altijd doorgaande stroom aan gepubliceerde getuigenissen en herinneringen. Tal van schrijvers hebben eigen ervaringen en die van anderen verwerkt in romans, verhalen, toneelstukken, poëzie en autobiografisch proza. In deze serie colleges laat Jaap Goedegebuure zien hoe zich in de Nederlandstalige literatuur van de afgelopen vijfenzeventig jaar een ontwikkeling heeft voltrokken.

Philadelphie, juillet 1973. Voilà un an qu'Amy est sans nouvelles de sa grande sœur partie tenter sa chance au Manoir Playboy, à Los Angeles. Inquiète, la jeune adolescente décide de la rejoindre. Pour cela, il lui faudra traverser les États-Unis. Seule.

"Apeirogon", n.m. : figure géométrique au nombre infini de côtés. Rami Elhanan est israélien, fils d'un rescapé de la Shoah, ancien soldat de la guerre du Kippour ; Bassam Aramin est palestinien, et n'a connu que la dépossession, la prison et les humiliations. Tous deux ont perdu une fille. Abir avait dix ans, Smadar, treize ans.

Die schönsten Geschichten liegen hinter der Gefahr. Direkt dahinter. Wie hoch ist das Risiko, von einer herunterfallenden Kokosnuss erschlagen zu werden? Wie krault der Urlauber gegen die Strömung zum Strand zurück? Was tut man, wenn man von einem Hunderudel überfallen wird? Und warum sollte man den nächsten Flieger nach Hause nehmen, wenn man im Ausland Zahnschmerzen bekommt? Weltenbummler und Spiegel-Bestsellerlistenautor Helge Timmerberg verrät seine besten Tipps und Tricks von A wie Anfängerfehler bis Z wie Zahnarzt. Dieses Buch gehört in jede Reisetasche, denn man sollte nicht eher aus dem Flieger steigen, ehe man es durchgelesen hat, sicher ist sicher.

Journey's End is an unflinching vision of life in the tranches towards the end of the First World War. The play opens in a dugout in the trenches in France. Raleigh, a new 18-year-old officer fresh out of school, joins the besieged company of his friend and hero Stanhope. But when he arrives in the trenches, he finds Stanhope dramatically changed. This vintage BBC radio production from 1970 stars Martin Jarvis as Captain Stanhope.

Wild Embers explores the fire that lies within every soul, weaving words around ideas of feeling at home in your own skin, allowing yourself to heal, and learning to embrace your uniqueness with love from the universe. Featuring rewritten fairy-tale heroines, goddess wisdom, and poetry that burns with revolution, this collection is an explosion of femininity, empowerment, and personal growth.

Mephisto und Faust - Goethes Faust I und II als Zweierbeziehung. Eine der bedeutendsten, in jeder Hinsicht spektakulären Rollen Fred Dürens war der Faust in der legendären Inszenierung von Adolf Dresen und Wolfgang Heinz im Jahr 1968. Aus der Frage, wie Düren den Faust wohl heute spielen würde, entstand der Plan, der Auffassung von einem jungen (seinerzeit für zu jung geltenden!) Faust nun eine neue Interpretation mit einem alten, erfahrungsreichen Faust gegenüberzustellen.

The Divine Comedy (Italian: Divina Commedia) is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts.